Jack Bristow – 2025

2025—the year humankind most drastically changed, for the worst. Day in, day out, I hunker down in this cave—with my skinny wife, Beth, obediently and faithfully by my side. There’s not a whole lot to do inside here these days—except to have sexual relations with one another, knit, and, when the nostalgia overtakes us so severely that we just can’t stand ignoring it any longer, discussion of The Good Old Days. The days before these oversized monsters had taken over and eaten most of us.

“That’s right,” I remember telling Beth one day inside the cave, right after we’d made love. “We sure took things for granted then. Hell, if we’d only known.” Indeed. And who was it that was to blame for this entire ordeal, this ungodly disaster? You see, we’d spent so many hours of our day obsessing over nuclear war, and wars with other nations, when we should have been worrying about the other evil threatening our society, too.

These monster-enabling establishments are now known as The Monster Breeders—now-defunct business chains like McDonald’s, Domino’s Pizza, and In-and-Out Burger. They created these fat human monsters who are now roaming around outside, and devouring our family and friends. After the fatties had consumed all the non-fatties in Texas, the fatties all across the nation followed suit—mercilessly and greedily feasting upon any non-fatty.

One night, inside the cave, Beth had asked me: “What’s that sound?” Immediately, I shushed her. And then, I blew the votive candles out, lest a fatty see where we were hiding. Gently, discreetly I walked toward the front of the cave and glimpsed out. As I peeked out I beheld the image of an older gentleman—fifty five years old, perhaps; a non-fatty. The non-fatty had looked very gaunt, and he was desperately screaming for some help.

“Please,” he pleaded, by screaming at the air, at nobody and nothing in particular. “I’m all alone, and starving. The fatties have eaten my family—my wife Julianne, and my son, Bobby. Now, I have nothing, nobody. I have not consumed a real meal in thirty days, and I fear that I will die soon, if I do not eat. Already, I am becoming more and more woozy, and lightheaded. Please,” he shouted once more: “Anybody”? Beth looked up at me, wide-eyed. “Oh, George,” she was completely heartbroken. “Let’s help this poor fellow.” I thought it over for a few seconds. We did not have a whole lot to subsist on—mostly scant droppings, from the fatties. However, their refuse was very nutritional, and fulfilling.

I agreed with Beth to help the poor, wandering soul. But before I could shout out to him from the cave, Beth and I heard a loud, rumbling sound, which had felt like an earthquake, and sounding like some prehistoric lizard, walking on its own hind legs. “We can do nothing more for this man,” I whispered to Beth gravely. Beth protested, but ultimately, she decided I’d made the right decision. “Well,” said she, “It was still a horrible thing to happen.”

We looked out of the cave and the old man was still yelling helplessly, beseechingly. “Please, somebody—I’m an old man. All I want is some food. If you’re living in one of these caves, please, just provide me one meal. I promise I will not give your location away to the fatties. Not even under extreme torture. I swear to God Almighty. Please, somebody?” the old man resumed. Not eating for a month must have made the poor soul oblivious—for it didn’t even seem to register to him that two huge salivating fatties were standing right behind him. One was a man, with short blonde hair, six foot tall. Four hundred and fifty pounds I swear to you. The other was a humongous woman, larger than even the man. She had hair curlers on her head and she was wearing a large T-shirt, which had the words “Hometown Buffet” written on it.

The male fatty stuck the poor non-fatty’s body, feet-first, inside his mouth. The woman did the exact same thing, except she placed the poor man’s head in her trap. By now, the man had most certainly known something was amiss, for his body had started shaking wildly. It was obviously a romantic gesture between both fatties. They peered into one another’s eyes and then they commenced munching on the unfortunate goner viciously, simultaneously. Within seconds, the man was nothing but bones. The female fatty removed him from her mouth and then began to pick her teeth with the skeletal remains. The obese man burped a hearty belch. Seconds later, they were gone; as quickly as they had snuck up on the now-deceased bastard….

“Oh my God,” Beth exclaimed, tears streaking down her cheek. “I can’t believe it. I simply cannot believe it. Oh, George. Couldn’t we have done something?”

I gazed up at Beth somberly, and I shook my head. “No, and in hindsight, it probably wouldn’t have worked out anyway,” I explained to my beloved wife, pointing at our stored food. We had even less droppings than I’d originally estimated. Hell, there wasn’t even enough there to keep us fed for the night. Suddenly, Beth broke down, crying hysterically. It was terrible enough that that old man had to die in such a horrific fashion but, from the looks of it, we too would eventually be accompanying him in the hereafter. And starvation wasn’t a very fun way to go, either.

Suddenly, we heard a loud noise outside—like a garbage truck dumping a million tons of mud onto the ground. Then, there was an ensuing whoopee-cushion type sound, followed by a relieved, monstrous groan. Beth looked at me optimistically. And I looked back at her, hopeful. We’d understood: We would live on, thank God. But we weren’t proud of it—the lengths we’d have to go, just to stay alive.

Cannibalism is not an act any decent human being should ever be proud of engaging in.

————————————————————————————————————-

Jack Bristow is a writer residing in Albuquerque, New Mexico. Currently, he is working on his magnum opus — a non-fiction book, which vividly details his numerous love affairs with extraterrestrial beings. Follow him, @RealJackBristow

Ian Sherman – PROMISING NOTHING

Light. Off. On. Off. On. The single bulb flickers while a broken chain lays untouched on the floor. A young girl takes small steps through the darkened room, using the moonlight to guide her. She moves to slowly for the warm glass of milk to spill. Her hands are pressed firmly on the glass. Sniffling, she passes the milk to her younger brother’s free hand, his other has a bear cuddled to his chest. The girl begins to back away but her brother beckons her, as if she is his “servant.” She shakes her head. He blinks.
No response, but he breaks the silence, “Please.” She purses her lips, but Cassie gives in. She pulls Ben out of bed, and together they shuffle into the kitchen. Then she hushes him, hoping not to wake Mama who only just settled into bed after a long work day.
“I want Mommy,” he whispers. Cassie drags him nearer to the apartment balcony.
“Sit down,” she replies. She holds her breath for a moment as her toes touch the tiled floor of the balcony. A chill rolls up her spine; luckily she brought a blanket, folded over her shoulder. It’s not only cold, but deadly silent too. Then, a sigh. A T-shirt is wrinkled on the floor; she rests it on the railing. Under the horizon is a dark navy blue line that meets a pitch-black sky, where the sun should be resting but instead is working its magic warmth somewhere else. Somewhere. Cassie stays quiet though, sitting Ben gently on her lap so the two can rest easily on the rocking chair. She unfolds the patched blanket and lays it on top of them.
“You know, mommy, she works real hard,” she says. Ben nods his head.
“What about Papa?” he asks.
“He worked real hard too, but he isn’t around right now,” she replies.
“Where is he?”
“Somewhere. Don’t really know though. Just somewhere,” Cassie rocks the chair.
“Is he up there?” he jerks his head up to the sky. Cassie bites her lip.
“Yeah.”
“When’s he coming home?”
“I…I don’t think he’s coming home,” Cassie told him, “But you’ll see him one day”
“Tomorrow?”
“No, not tomorrow.” She watches his grip tighten on the glass of milk, as if its slipping, as if he’s afraid it will slip out of his hands and shatter to the floor. Nothing happens though.
“What’s it like having a home in the stars?” Cassie blushes— then smiles.
“And what exactly do you think’s living up there?”
“Papa,” he cuts in, “with animals I bet.”
“The ones from the zoo?” Cassie asks.
“Yep,” he says proudly, “Probably Nana too. Maybe gummy bears? I’m not sure.”
“…Heaven doesn’t have stars.”
“How do you know?” He shoots back. For a minute or so there is quiet.
“I don’t,” Cassie squeezes the blanket, looking down, “it just doesn’t, buddy. Sorry.”
“Why there stars then?” She bites her lip, opens her mouth, but then decides its not worth it; better off killing the conversation with silence.” Cassie hears Ben muttering, however, says nothing. Then he gets off her lap, sets the milk down, and waves up at the sky.
“What are you doing?” she asks, pulling his hand to his side.
“Saying goodnight,” he says, pointing to the sole star beside he moon. Then he shuffles back inside, his teddy bear dangling from his hand. Cassie sighs, and then rests her head on the back of the chair, closing her eyes for a moment.
“Looks like you finally got the kiddo to sleep,” a voice says to Cassie who rises, shyly looking down. “Don’t know how you do it.” Mama steps out onto the balcony and kisses Cassie on the forehead. “But I can betchya Papa’d be proud.”
“I guess.” Cassie tips her head up, so that their eyes meet. There is a moment between the two, and then Mama slips away after whispering Cassie goodnight.
The figure of a young woman stands under the moon. She pulls her hair back and leans over the railing. The wind brushes past her. Lifting her head, she whispers, “goodnight, Papa,” up into the sky. “Goodnight, Cassie girl,” she mutters back to herself, smiling because of her imagination. She continues to stand on the balcony. The quiet travels through the night until suddenly the sound of a taxicab zips through the silence, bring reality back— along with the exhaustion of a long day and the readiness to tackle the nearing one.

————————————————————————————————————-

Ian Sherman is co-editor-in-chief of the Trevor Day School’s literary magazine, founder of the Psychology Club, and column editor of the newspaper. He has been recognized on national and regional levels by Scholastic Art & Writing Awards for over 5 years in genres from humor and dramatic scripts to short stories. In 2012, Ian had his one-act play “Standing Voiceless in the Choir” produced Off-Broadway at 59E59 Theaters in New York City as a part of Writopia Lab’s Playwright Festival. His play was also put on as a dramatic reading by the TACT (The Actors Company Theatre) in New York. Most recently, two of his poems have been accepted by Teen Art Gallery and are being featured in their 2013 July exhibition at Chashama. Overall, Ian is an enthusiastic and accomplished writer, who hopes to impact others with insightful and heart-warming works.

Doug Polk – CAVES

dark caverns of the mind,
entered on tip toes,
afraid to make a sound,
this is where,
the jungle beasts hide,
in darkness,
away from the light,
the cave entered only out of need,
to converse with a beast or two,
and face the past,
so the future not so bleak,
a growl from the depths,
my heart fails,
and I head back to the light,
to hell with the future. . . .

Divya Subramanian – SLEEP PARALYSIS

Another scream choked back
Within my throat,
As I struggle to move my arms
Or flail my legs.
But my muscles won’t obey,
As if bound with rope,
Or crushed down
By a heave weight.

There’s someone watching me,
I can feel it.
The terror pulses through
Once more,
And I know I’m going to die.
But I try to convince myself,
It is another illusion
That will fade away soon.

The bed shakes,
A dizzying vibration.
Which can’t be real.
I must still be dreaming.
I try to break out
Of my own mind’s lies.
But there’s nowhere to run to
And I can’t even scream.

Adam Henry Carriere – IL TRITTICO ON TOUR

I The Grey

Where white blossoms labor
against the concrete dolor,
a grey unlike any other blooms,
like frost tickling under the tree bark.

The intricacy of the local pagoda
belies faith-invested monuments,
unrequited bodies rolling, dead-ish,
from one corner of the sky to the next.

In your colorless green eyes, accepting
the pitiless season in one stare, the steel
lamp post melts with heaving breath.

II The Turtle

Inside the comfortable verdant
and ornate wood,
with a strange stone phallus
balanced on his shell,
the turtle’s grinning
at the gloom-hung poet
who can’t find the words
to simply say ‘hello’.

III The Garden

At the base of a senile battlement,
in plain sight of miniature flowers
and toy shrubbery, a man lies in dirt

a gravel of moans, thinking
in rice vodka spittles
why he hadn’t the strength
to catnap in the garden, instead.

The other stone men just watched
as you wrote without a sound,
equally, energetically ignored.

————————————————————————————————————-

Our esteemed Editor and Publisher-in-Chief is also an accomplished fiction writer, and a poet of renown. His latest collection is available here http://www.amazon.com/Zigeunert%C3%A4nze-ebook/dp/B00BFCHVFY/ref=sr_1_15?s=digital-text&ie=UTF8&qid=1368255787&sr=1-15&keywords=adam+henry+carriere

Peter Marra – MISS LOVELY VERSUS THE SATELLITE SOULS OF CANNIBAL ISLAND

her open mouth was delineated by rays of light
she described her gown which allowed display of her
figure when she was backlit
she’s fussing with an inanimate object hidden in the background
i wore her fear many
times and she wore mine
she’s hearing music that
can’t be written down
and it causes her to remove her eyes
so as not to be distracted and deposit them in a dinner plate, just as st. lucy did. she removed her dress and went on the street.
her black patent leather orifices grinning.
her sex was on display.
she stared blankly, looking up
at the streetlight.
a red droplet crawled slowly down
from her left eye to her upper lip
and i told her about the nightbook:
“a woman.. atomic burning silk stockings… slipped
down around her calves…as she giggled…a mouthful of candy. show me now.”
she stuck her index finger into her mouth. under her tongue and
beads plopped out rolling away towards the curb. she pulled back.

touch the mystery cults
she wants to believe them
can’t say anymore what is wrong
but she stares at the sky all day
naked in her brain
breathing heavy
a nervous twitching silence

the male she lied to touched her
as he watched her arouse him she told
untruths as an answer as she pleasured herself he cried in regret and left her
by the curb

five minutes later the zippers burned
her restraints hurt her
her smile never wavered
at the color in the air
washing herself with it
her mouth open
gulping air

the whip wedding is always a happy occasion
she heard of a priest and members of the population that had a fire-sacrifice
he was quite comfortable
and she followed quickly.

she was sacred
began licking the head to bless and amuse
shrink back allowed with certain religious restrictions
medical practitioners regard fetishism over many years
like giving an object pussy
her screams were described by a Christian priest

as a transitional object in a substitute target
(fertile dreams
in an amber bottle).


————————————————————————————————————

Originally from Gravesend Brooklyn, Peter Marra lived in the East Village, New York from 1979 to 1993 during the rise and fall of punk and no-wave.
Peter’s earliest recollection of the writing process is, as a 1st grader, creating a children’s book with illustrations. The only memory he has of this project is a page that contained a crayon drawing of an airplane, caught in a storm. The caption read: “The people are on a plane. It is going to crash. They are very scared.”
He has had over 100 poems published either in print or online in over 25 journals and is currently constructing his 1st poetry collection.
A Dadaist and Surrealist, his e-chapbook Sins of the Go-Go Girls, was published April 1, 2013 by Why Vandalism? Press. His previously published poetry may be viewed at http://www.angelferox.com. Peter resides in NYC.

Read more of Peter in Danse Macabre 69, Pravda

Jesse Morales – BESTIARY

A praying mantis offers up its last flutter, seizes, falls.
Cracking on a brick step,
its abdomen releases one fat maggot
which saunters forth the first of nine.
Empty casket, open womb.

The corpse of a little boy wastes in the parlor,
his hair oiled and combed too neat,
eyes stiff open.
Mosquitoes refuse him but flies don’t.

Campfire bacchanalia.
Brown glass bottles singing in the leaves.
Passing opossums raid an uncapped butter bowl
and glory in the fat. Dip the snout in the loot!
Then, vomit.

A child, swiping for a lost peach under the bed
pulls out a yellow mouse, dead.
Later when she eats the fruit, and always,
she tastes blood instead of juice.

An image of lust: a flock of chickens
consuming a nest of black ants.
Soon as the harried ant emerges from its hold
a stabbing beak swoops down.
And the anthill never runs dry.

—————————————————————————————————————-
Jesse Morales was born on Mexican Independence Day during a hurricane. Her poems have appeared in GEEZ MAGAZINE, THE CORADDI, and WHAT THE FICTION! JOURNAL (forthcoming). Jesse makes her home in Greensboro, North Carolina.

Beth Whiting – GALE AND HER DIARY

Gale was writing in her diary:

It starts with me thinking about school. Then I start praying and I say please don’t let them mention that I’m ugly, please don’t let them mention that I don’t talk much. The list goes on. Then I stop praying and I lie there in bed for two hours stressing over the fact that I have to go to school tomorrow. Something that’s probably so ordinary to them is so frightening to me. And…
I’m sorry Gale.

She didn’t write that. Did someone else just write in her diary? Gale was puzzled.

When Gale went to school the next day, she was paranoid about the person who had written in her diary. She was sitting alone in the front of the school eating an apple when Arnold approached her, a boy who had called her ugly countless of times. He was a giant at 6’3 and very scary to her.
He sat next to her and confessed, “I wrote in your diary.”
She was silent. He continued.
“I’ve been hacking into diaries for sometime now. It’s interesting. It’s really changed my perspective.”
“How can you hack into mine? Mine is not even on the computer.”
“I’m not going to tell you how I do I it. But I’ve been doing it for the past month. I’ve learned that I shouldn’t have bullied you. I’ve read your diary and in the end you’re just a shy sweet girl. Really harmless.”
She didn’t know what to say, certainly not thank you.
“I guess I did it at first just cause I could get away with it. But reading other people’s diaries I’ve learned that everybody has value.”
“It’s an invasion of privacy…you really shouldn’t do it,” she stammered.
“Anyway, I’m not going to hang around my friends anymore. All they do is pick on people which is not me any longer. So I’m sitting here now.”
Arnold continued, “Do you want to know about what people say in their diaries?”
“No.”
“You should. That’s not to say that I haven’t read some frivolous diaries. A lot of girls gossip. Nothing interesting either. I wonder how many people actually look over what they’ve written. Not everyone is a writer, that’s for sure. A lot of entries that try to be serious come across as funny. Like poems about death and stuff. Some of it is excruciating.”
“Whose diaries?”
“Everyone in this school.”
How could he hack into diaries? Gale knew he wasn’t some sort of genius, not that she was either.

Later on that day, Gale heard someone say, “Someone wrote in my diary yesterday. They said that I gossiped too much.”

————————

A month later Arnold was still sitting by Gale during lunch. It felt nice to have someone to talk to.
She knew he was still a bully. He just was nice to her now. That was all.
She heard people talk about this diary fiend, that he was a degenerate.
He really wasn’t nice.
She heard about the things that he did. Like he would write in someone’s diaries that someone liked them. He wouldn’t lie either. He would make sure that they meant it in their diary.
Gale saw a boy come to a girl and say, “Gross I’m not interested in you.”
There were rumors about who this diary menace must be.
Most said it was simply a ghost who had the power to read through diaries and write back.
Gale no longer wrote in her diary in her usual way. She wrote in code and she made sure not to even write a key for it. As a result it took her a long time to read it and understand her diary. But she was sure that Arnold couldn’t read it.
He mustn’t be able to read it.
For she saw how he made fun of people who liked other people romantically. And she had fallen for him.
No person had taken the time to get to know her. It was so nice to have someone to share lunch with. He was a good person somewhere inside. After all he had apologized to her.

She wrote in code:

Dear Diary,

Arnold came over tonight and we watched The Lady Eve. He made fun of me and said, “Why do we always have to watch old movies? Can’t we watch something normal?”
So we ended up watching Back to the Future.
I was going to make microwave popcorn. But he insisted that it was awful stuff. So he made it on the stove. He burnt half of it. I lied and said it was better.

Arnold sat by her in school the next day, “Do you think that people have any clue that it’s me that’s doing it?”
“No. They think it’s a ghost.”
Gale was going to say a mean ghost but she held back her words.
“I think I make people realize their weaknesses.”
“No you’re just invading their privacy. Most people know their weaknesses anyway. Do you keep a diary?”
“No. It’s too vulnerable. People can read all about your inner secrets and stuff like that. Why would you want that hanging around?”
“My mother died and wrote all this negative stuff about my father and me. That’s a bad lasting impression. You might be right.”
“I’ve noticed that you’ve stop writing normally in your diary.”
She paused.
“I don’t want you to read it.”
“Why? You have secrets?”
“Yes. We all do.”

Dear Diary,

I came over to Arnold’s house today.
He confessed to me his secret tonight.
He said he can travel through ordinary day objects.
I asked what he meant.
He said he had been my pen a few times.
I didn’t get it.
“I can travel through computers, pens, whatever. That’s how I’m able to read people’s diaries.”
Of all the things to become in the world why would you want to be a pen?
I asked him if he could possess people and he said that he could. But he wasn’t interested in that. He was interested in becoming ordinary objects. The idea struck him one day that he could get more dirt on people in school if he read their diaries.
If he’s doing it for social status then it hasn’t worked, I mean he’s sitting by me at school. It must be something to spook people? Maybe that’s the point?
But I’ve been to his house and he treats his parents well. That’s says something.
We made brownies together last night. He helped me with my homework. I flunked the last test. Hopefully he can help me.

Dear Diary,

Arnold told me that he’s going to break the code in my diary.

The next day Gale felt that her diary was heavier.
When she opened it she saw a message written inside:

Help Gale. I’m trapped.

Dear Diary,

As you know Arnold is now part of you. I guess that he finally messed up and got stuck.
He’s figured out the code and he thinks it’s cute I like him.
We write each other so much now.

Don’t we Gale?
And when I run out of diary pages?
Just keep on attaching more paper.

—————————————————————————————————————-
Bio: Beth J. Whiting was born in 1983 to a large family of brainy eccentrics. At eight years old she developed a love of books through the works of Roald Dahl and C.S. Lewis. Beth has struggled with Obsessive Compulsive Disorder since her teenage years, and uses writing to express, imagine, and create. She currently lives with her artistic twin sister in a tiny apartment in Mesa, Arizona.

Three further shorts by Beth appear in DM 69 PRAVDA … http://www.dansemacabreonline.com

Simon Perchik – *

*
Closer to the center each palm
had grown a place :three mouths
and what they feed on

cushions your teeth the way each finger
folds around her breasts
-for a long time now

you get by with just one tongue
and the warm flow it pumps in
then out as cheeks filled with sunlight

already open fields -the three
once grazed together though your hands
were never wide enough

couldn’t swallow the Earth whole
or feast on its ancient cries
still pressing your lips apart

for the dead and grass -both fists
as if when they open there is nothing
you would say to her.

*
Another leak -this clock
is falling back again, reeks
from headwinds and engine oil

-it’s useless to move one hand
ahead, letting it touch
little by little the chimes

not yet the words its dead
are used to -what it needs
is rest, a lullaby, some dirt

to quiet those helpless cries
every hour on the hour
from nowhere, taking so long

-one behind the other! each footstep
lowered softly inch by inch
beating, already asleep on your lap.

*
And both arms more and more
spread-eagle, clasping the dirt
tearing it side to side -another sore

cut out the way a shrug
is divided piece by piece
carted away in songs about love

that no longer depend on lips
reaching across as mist
not yet sunlight or useless

-you dig two holes, one
for bells, the other no longer bleeds
is already moving the sky closer

letting it lean forward
emptying the Earth, kept open
and listening for kisses.

*
And when the tide slowly at first
though the palm underneath is smaller
girlish, clinging to sand and each other

the way all night these clams
are etched by your gentle waves
already the bond all water

grows used to :hand over hand
tasting from salt and each shell
counted as two -in the dark

it’s easy to mistake all that’s left
with a single shoreline -the sea
led down, emptied clam by clam

to close it, knee deep in madness
in some vineyard, kisses and kisses
counting as if you are still uncertain.

*
With all its weight this wall
just built and is already
tugging at your side

as if with every birth
its twin will block your path
with those same flowers

mourners still pull up
try to climb a bit longer
reach out the way these stones

half marble, half bubbling
interlocked, higher and higher
almost crushing you

with their garbled cries
as hillsides, to bring
more, to cool and one another.

————————————————————————————————————

Simon Perchik is an attorney whose poems have appeared in Partisan Review,
The Nation, The New Yorker, and elsewhere. For more information, including free e-books, his essay titled “Magic, Illusion and Other Realities” and a complete bibliography, please visit his website at http://www.simonperchik.com.