Peter Marra TWO POEMS

SWIPE THE VIGIL LIGHT

a child’s lullaby entered
her ears eating through and through
the devouring thing lay down while
laughing to watch her distress
a memory was underneath the pavement
its heart full of panic
reminding her of an
errand she had to run
but there was no motive.

the elvis photograph reminded her that
we live for intercourse
crippled in alien words
reminded her of obsessions
that were built so
large that the sky ran dry.

saline solution drips into veins
heart pump contraption
chopping chopping inside
a smile from ear to ear
baptized by the drum machine

Watching seagulls watching
Laughing children with
their families laughing
dads and moms looking down
a slice from ear to ear

trappings of fetish skin

she
lay
on
the sidewalk

felt harmed. in between the cracks
the faces spied.

stone is cold.
soothes her spine

while looking up at this ceiling. because
the sun spins backwards – the sign.

she knows it.

the children were there:
watching her and telling her

telling her about her vinyl ecstasy
which she couldn’t remember

the clutch-fuzz.
and the sweat and the stink

35 Years ago

And. the shudder and.
the
collapse: “Please pray for me”

The tears from
Sleep woke her up

The Laughing time was over at the edge

The crucifix, as she
bent over to giggle
Explosion: “Please pray for me”

SIGHS

IN THE

PENAL COLONY

(VERNAL ABSURD)

into the room
go in it
go in it
to hide / can’t do it anymore
what does it want
the mongrels are at the door
the black dog is after her
squeaky things don’t leave her alone
squeaky things the laughter

can’t stop it – what’s in motion
can’t stop it – what’s in motion
the chant of an idiot murdered in the street

easter fear is everywhere.

the past holidays: scary strange.

warmth and fire
cold fractured spine.

the table is set and the pain starts to slide
up and away from the family wall.

smooth skin / electric melt / climbing

into the back seat ride past the brick walls.
sliding into light fade to black smooth skin flow
she’s got the time now
never walk away
some or none
smooth skin regrets darkness

an end – deadly touches from the sky
caresses from the people living
underneath – they walk away
under neon glares and go home to sit
in dusty rooms it’s a tradition:
cracked walls peeling wallpaper
mildew taste visions screaming

heat banal numb shapes accusing
staring at a wall laughter silence heat

she had a personality that
swallowed the sky whole
spit and fire cascading into
dead of night rancid in the disco

desperate to find the calendar girl
a rancid pearl with a cloudy smile
find the pinup queen as the revving motors thrash-twist

from outside look inside and watch the party

time to take the crash death ride
golden scenes from long ago
she tried to explain but was cut short
a tattered bettie page
the final scene and other matters discussed

slinky women scream
while dancing
wrapped in shadows’ times
wood paneled fears / time to break out
rancid cats dancing while her frowning countenance bleeds
watch with delight while the hangman’s card
quietly placed in persephone’s mouth is split

bodies here and there watch her sit
while she counts her fingers
a teaserama for the toy box
time to talk to the red women to tell me of their dreams.
caravaggio licks my bloody tears and i smile behind his retinas

we all lie down underwater together
and watch the light rays through the water ceiling

a white noise
a static
a wave rushing

KJ Hays TWO POEMS

a belief system

i remember when
i was a kid that i would
pray to jesus for all of the things
in the world i was grateful for &
all of the people in the world i hoped were safe & happy

now i don’t because i remember when i was a kid…

rocky marriage
my two problems:
can’t stop. won’t stop.

there was the seventy page i l-o-v-e you,
the eulogy to a blowjob gone but not forgotten,
and a lot of long awful crap to her fingers
weaving strange braids from the rain; that
is
all
dried
up
now. the letters were trashed. the perfect
ladies moved on to perfect men. i’m still here —
writing.

now look what you did
eh, world do not climb

all
the way

into that cellphone

where will people stand around when they are taking pictures,

human pyramids?

if so, photoshop me out of the sphinx.

Sorry for Making a Balcony Scene

Lovesong:

Why am I so hard on you? Has blood rushed to my head?
No, the wines just springing through my whore gorgeous

priapus explain such twitterpated veins. Dearest heartache,
breathe in the bouquet of flower souring the velvet lattice of

your gagged elegy that consoles me like hope only warmer. Churn
the abyss so its spiny waters overflow in a nightmare tide stifling

this accordion of nerves in shivery blues. Carry me off
the brink inside of you; I hear the drop is deep enough

to lose a mouth in. Sure it’s a very pretty penis, but when
was the last time you two opened up to each other anyway?

The tiny red headaches sighing their last
in the pink nothingness demand a reply!

(Go out
with me.)

Nice, now open your dress & snip that loose thread of cleavage,
or I will be forced to scissor my mouth all over your woven blouse

sincerely.

KJ likes to make poems too.

Paul Rogov UNQUENCHABLE FIRE

“If your hand causes you to sin, cut it off. It is better for you to enter life crippled than with two hands to go to hell, to the unquenchable fire.” Mark 9:43

Erich Klinger fought on the Eastern Front and paid his dues, earning himself an Iron Cross First Class and a Black Badge for the Wounded. Note the chin, the lower lip: he rarely spoke. He insisted that he adored the scurrying creatures of the Black Forest as well as the sublime complexity of tornadoes or labyrinths. Do not be fooled. I have yet to understand his role in the surgeries: whether he himself injected twins in the eyeballs with methylene blue, extracted their hearts without anesthesia, opened their rib-cages like a cabinet and took the whole organ out entire as if it were sacred like the heart of the Savior. I asked him about the 5th SS Panzergrenadier Division, how he got promoted to the rank of SS-Haupsturmführer, yet he would not tell me. All we have of his past is this photograph. Clad in black from hat to boot, with three pips and two lightning bolts on the unit insignia on his collar, he looks like a Prussian king.
That first day, one of our nurses checked his vital signs: his pulse was normal, his blood pressure was normal. They injected a truth-telling serum in his neck, only to discover that he would not reveal to us what had brought him such an odd and awesome power. For you know his hand has the power to give pleasure, the power to heal. Do not touch him, I say! Do not be seduced! It isn’t an issue as to why he hides his hand in the glove. He has to eclipse its power, control it; he has to stop himself from babbling about Ultima Thule, capital of ancient Hyperborea, a lost ancient landmass near Greenland or Iceland comparable to the mythic Atlantis.
#
It is my memory of Klinger, sitting on a crate before a metal table with a blanket around his shoulders, under the soft light of a dangling bulb, that brings me back to Berlin. Sweat wiggled down his temples. I paced back and forth in my boots, stopped, set my rucksack onto the ground, snatched up a rotten apple that had almost rolled away from the others, then held it up in front of him. “What did you do to the girl?” I said. Klinger said nothing. “You’re as silent as you are sick, Kraut! What did you do to the girl? She’s hysterical.” His left hand, at the edge of his glove, emanated the color of lava. I saw how he massaged his gloved wrist with an opposite hand, as if he were insinuating that he was hurt. He smirked, so I got up in his face. “Do you realize what they’re going to do with you? Explain how you got this power, you son-of-a-bitch!” Puffing on a Lucky Strike, I glared at him for a moment, saw him staring at the ground despondently, grew frustrated, turned around, marched to the entrance of the tent, parted it open, then peeked outside: women were shoveling rubble off the streets, flinging gravel onto heaps. Was the war really over? I drew a deep breath. Lime trees swayed, riddled with bullet holes. Pulverized concrete flittered in the air like pollen. Skinny corpses, like lumber in wheel barrows, turned the city into a desolate lot while white sheets hung down from apartment windows and Soviet troops were marshalling P.O.W’s through the streets to their camps. It was the second Thursday in May. To be honest, I felt invincible.
“Sixteen years old,” I said in German.
“Yes, it is true,” said Klinger. “And a Jew!”
“Did you free her from the experiments? Is that why she is defending you?”
“I cannot say. I am no longer a son of the Fatherland. I am an angel!” Klinger rocked forward, backward, nervously. He then eyed me with hatred. “And you! You have oversimplified things!” He scooted up in the chair. “I inflicted no harm to the girl! I barely knew her, had just met her. I fed her. I helped her as a best as I could. I took pity on her, even though I needed to run. I told her I would only do it if she wanted me to do it! Yet she kept asking for more and I don’t know why—because she was a Jew.”
I had already confiscated his Walther P38, though the weapon did not glow like his hand did, nor did it seem like such a threat. On and on, he kept babbling about the Hotel Vierjahreszeiten, telling me how the Munich Observer became the People’s Observer. I did not understand his words; they were strange, banal, both. I gave him an abendbrot consisting of whole grain bread, deli meats and sausages, cheese and a cold drink. I was trying to butter him up, though knew it would only be a matter of time before I would beat him. It was apparent to me he had beaten the Jewess, judging by the blood that soaked her skirt. Hovering over her, perhaps, he felt disgusted with himself—though he did not relent and took off his leather glove and smacked the Jewess, only to discover her strange reaction, holding her cheek, looking at him, was not one of alarm, but of pleasure.
Why was I assigned to this interrogation? I had been conscripted to the 42nd Division and had a wife and two boys back home in Minnesota! Now the war was over. There was no doubt about it: this was not about Himmler’s vision of biological perfection, nor about the fall of the Third Reich, but about icy blue-eyed Erich Klinger who—as a forgotten rarity born from the conjurations of the Thule Society—saved one Jewish life while buried under a haystack, spooning sixteen-year-old Sonya Cohen, who telepathically begged him for mercy, right before Allied forces broke into the barn and discovered the lovers.
#
I did not know what to make of our coordinates (were we lost?): Röhrmoos to the north, Schwabhausen to the northwest, Hebertshausen to the northeast, Bergkirchen to the west, Karlsfeld to the south. A day before we were moving down along the west side of the camp. Two SS officers and a Swiss Red Cross nurse who spoke English talked to our commanding officer in front of the camp. I did not know what they were saying, though later discovered that the SS knew we were coming, so they already prepared the camp for our occupation. And then, escorted by an American G.I., a man, clad in an old, grimy German soldier’s uniform, and a girl appeared in our midst. The girl had her arm around the German’s neck and he seemed to be almost dragging her. I caught sight of her shapely pale legs and thought about my wife: how she would apply lotion to her legs at night right before she would crawl into our bed with me. “Get down! Surrender your weapon!” I was stupefied. It was Sonya Cohen who was standing in front of him and his body, as if she were willing to be shot in the chest in his place, yet the prospects of that being true were so horrifying that I was nearly immobile. I looked up at a clear blue sky that did not take pity on the causalities of this war. I hated the war and wished I hadn’t gone, though another part of me wished to see Europe and rid the world of fascist son-of-bitches like Erich Klinger, who did not think he was evil, though that was evil, at least in my eyes and in the eyes of my men. “Bitte!” Sonya cried. “Bitte!” I had to separate the two of them: Sonya clung to Erich as best as she could, clawing at his shirt collar, her fingertips missing their mark to curl around it, as sweating Erich, hair-matted and glassy-eyed was shocked, it seemed, to find Americans and not Russians in Dachau.
We then saw what the hand could do. As my men tried to separate them, Sonya ran towards us, then looked back at Erich Klinger, who extended his hand at her, and she ran back towards him, towards it; and, he clasped her hand in his grip and she fell to the ground, on her knees. Seconds later, I saw her lying on her back, weeping, convulsing, having what I thought was a seizure. But it was not. One by one, we realized she was writhing, not with pain, but with pleasure. She was panting, glowing. Looking down at her, we had never seen anything like it. Amongst my men, there were tears.
Even after the incident, after we separated them, before the interrogation, still, the mystery remained: what was the true nature of the hand? Was Klinger possessed by demons? Did he make a pact with the Devil? Was he some freak with a weakness for the plight of the weak? I could not be sure, though it was true: he cooperated and did everything we told him. Smirking, he got on his knees, with his hands behind his head, in unconditional surrender. Something was pure or something was rotten. It was the way in which Sonya Cohen was pining, how she was looking at him from afar, held in a bear-hug by an American soldier who kept trying to get her to stop kicking and screaming. “Let him go! Klinger! Erich Klinger!” she cried, falling onto the dirt, then resting on her tangled legs. It was the dirt smudge on the side of her face, the crusted blood on her kneecaps, her ripped stockings, coupled with the mewling that night, that haunts me even to this day; for the ability to see proved to be difficult, yet I saw. Visibility was shorn to night vision in the mind’s eye. I saw she had a broken tooth, or a gap between her front teeth. I wanted to know what happened on their flight that long night, through war-torn Germany, from shack to shack and shrub to shrub, from Auschwitz-Birkenau to Dachau.
“What is your name?!” I asked him simple questions in German. “Regiment?!”
No answer. Nothing.
For all I knew, he had done unspeakable things to her, had parted her thighs, in that barn, where we found them, where the light was low and cows were chewing their cud in the stalls and stamping their hooves on the straw-spindled floor. I could almost see Erich Klinger approaching his female prisoner. She would not relent. She would sit on a cube of straw and cover her face with her cupped hands, in shame. And she, red-faced, would then take him by his forearm and bring his hand to her neck, so he could choke her to death because she thought she wanted to die, to be swept off this mortal coil. The life that had been given to her had been wilting ever since the SS killed her papa and mama, her two sisters and her only brother, every since she escaped and scrambled into the brush and ran through the darkness like a scurrying creature that needed to live.
Yet that is not what happened. There was a child involved. She was pregnant with a babe, and in middle-class regalia, had her skirt hiked up to her thighs, so that she was partially denuded. A bouillon of dripping mucous galvanized Klinger’s senses: he heard her footfall; the first sight of her was when her water broke while she stood there waste-length amidst the underbrush. Their eyes met. He was bushed; he wished to rest in the arms of Morpheus, yet even more he was roused to find her in that clearing in the forest, for he had run away from the camp where they were doing the surgeries and he did not want to uphold the racial purity laws anymore, and only the primary doctor knew that he had an enchanted, cadaverous hand, plum-colored, which he could extend at a stranger. He felt inadequate in the situation with the orphan Sonya, and had no food, yet could almost see the Robin’s egg blue place-mats on the kitchen table back at the camp. The veal cutlets. The long grain rice. The fricaseeded beef and potatoes.
Suddenly it occurred to me that Klinger had not only hypnotized me, but had been speaking to me telepathically. His life unfurled in my mind’s eye like a negative film reel; it was as if a magnetic beam linked up his frontal and occipital lobe to my own; I could see everything. He did not want to be a zealot for science. He wanted the Weimar Republic back. He thought how about he walked the streets of Berlin when he was still in university and the bar he frequented and the leatherette he sat in when he was dating a girl whose name he could not remember. He was jostled by some drunk patrons, who wished to sit where he was sitting with his girl. Back then he did not know what to do. He had no fight in him. And what could he do? Petition? Make supplications? What he needed was a goal, a target. Surely, he could sup with the girl, crave her in silence, covet her flesh, then in a bout of seduction, take her to the pension where he lived, bring her to the bed and say sweet things into her ears, dance with her on the creaky wooden boards in the center of the room, look her into the eyes, and outfox her with roaming fingers, make her yield, latch into her sights, seize her mind, her flesh, move aside the knickers, knead her lipids, her nards. I can see the girl sporting a Pysche knot, then the ribbon removed. She would be tousled, hewn, full-mouthed, glorious. He would pet her. Jissom would bubble up from his body; he would mount her, swive, defile her. I considered his volitional and mental activities, whether he felt virile or weak after sleeping for fourteen hours after he brought the girl to the heights of pleasure, if there were positive psycho-physiological changes in his attention, memory, and thinking. I was inside his mind; he could tell me no lies. I thought every thought that he was thinking, felt everything he was feeling save what it was like to have the hand of vitality.
He, at first, could not believe the skin-grafted hand could give pleasure. He was not born that way. With thick, curled fingers like the fronds of an aloe plant, behind the glass dome, on some table, as some oddity, it once waited for a recipient. The hand could and would not rot; it was thought that its creation was the first step in achieving immortality. And then Klinger received it one day after he returned from having evening bread with his cousin who, judging from the diabolical look in his eyes, was in on the conspiracy. Naturally, or perhaps, preternaturally, there was a scandal in the Department of Racial Hygeine on account of Klinger. They saw he could be a walking, breathing dispenser of supernatural anesthesia. Having received the rank of Haupsturmführer (captain), he did little else save see what the hand could do.
For sure, it could bring life back to where cells had died; it rejuvenated them; and, if it wasn’t because of the stem cells sequences that were acquired through biopsies of fetal tissue during the experimental phase, then there would be reason to believe the whole thing was a matter of fueling the withering body. Erich, proud, aloof, and however brilliant he was in his medical studies in the past, could only make sense of his gift and its propensity for the affirmation of life by gloving it with leather. They initially found a way to attach it to him, employing a mechanical engineer, Jürgen Kanst, to construct a machine wrist for him, a metal hinge that was a platform for the attaching of the hand. In short, he had his God-given hand surgically severed, so he could attach to himself the five-fingered reality of the strange experiment.
He wielded the hand: he resurrected small, dead animals with it, and before long learned of its power over human sexuality. Whenever he touched a girl after bringing her to his room at the pension, she would orgasm—not of the stripe that imploded within the center of the cerebral cortex, but bloomed within the viscera in gentle waves of pleasure that rendered the woman into a state of drooling aphasia. So happy was he to induce this pleasure in women, he overlooked the influence of the Thule Society: the precursor to the National Socialist German Worker’s Party, or Nazi Party.
His father was a member. They had tried to justify the ways of the mystic with the future for the Aryan race—and believed if a good German could have profound religious experiences, the Aryan race would unite with a sacred zeitgeist and gain an impervious view in the workings of nature. The fractals of atoms could be perceived without the aid of a high-powered telescope. The sensation of seeing anything would entail a soft veneer of penetrative vision, imbuing back to the brain the cognition of an almost radioactive, hyper-color, as if the doors of perception had been cleansed.
Even though Klinger was considered a failed experiment, after the initial experiments with his new hand in his youth, the party realized the existence of the hand itself would bring about a radical shift in the way that the master race related to the inferior races, the undesirable races, those that did not help materialize the vision of an optimal future for the Fatherland. Klinger could become their guru, healer, their own personal savior. They were working on and creating a Deutsche Reinheit, or Pure German Man, but Klinger was something much more. He became a failed, fallen god, a literal opiate of the masses. So his father had been waiting in his study, with his thick books for years, after the censure of the occultist group, hoping for such a thing to transpire. Klinger’s father died, was spared the drama. That summer, Klinger cremated him, and took periodic trips to the Department of Racial Hygiene where he was taught Jesus was not a Jew, but an Aryan Amorite, where he was forced to watch the films of Lothar Zotz, with a contraption that pumped amphetamine into his wrist intravenously. “The guiding principle in Germany must be to emphasize the high cultural level and the cultural self-sufficiency of the Germanic people,” he was told. He reclined in his chair and just took in the propaganda and did not flinch, but kept wondering what they were going to dish out to him next.
Everything changed after he went to fight on the Front. He did not kill people. He healed countrymen that were siphoned with bullets and as a medic was later introduced to top Nazi scientists. He met Mengele in Auschwitz-Birkenau, who told him he was going to assist with the experiments. “Your father was a member of the Thule Society?” asked the doctor, wiping blood from his hands, standing by a metal table where a Jewish twin was laying, immobile, disemboweled and dead. Medical experiments, incantations.
“You performed experiments?” I asked Klinger.
“Nein,” he said, during interrogation. “As a nurse I checked the vital signs of Jews.”
Yet Klinger ran away, decided to wander the countryside, evade capture for being a traitor and refusing to do the experiments; and, in the process he met one Sonya Cohen, amidst the massive trees and scent of sap. She had only known one man: the one who had fathered the child in her womb, who never, like Klinger, saw her come to term and, there in the forest, give birth to a shrieking babe that would come out from between Sonya Cohen’s legs, which would be later given to an old German couple because Sonya Cohen was young; and, she was scared and did not know this man who put his hand on her and brought her pleasure during childbirth, reversed the monolithic pain and brought her to greater ecstasies as she lay there, leaning back against a tree stump, with ripped clothing as rags to soak up the blood, and Klinger running to the river to fetch water and snip the umbilical cord with his teeth, on his knees.
And he helped her give away the child that night to an old German couple, pleading with them before the open front door of their house; and, he slept her with her that night, in their barn, under the haystack, because there were people in the woods.
I solemnly told him, “We’re handing you over to the Russians.” Look: I have this snap-shot of him, sullen, standing in front of Dachau. I did not know what else to do. The war had ended. I was no longer a boy. Never in the war, or in my life, had I ever met a man as cursed and blessed as Captain Erich Klinger.
And years passed. Lighting, from the heavens, licked the earth like the flicked tongue of a frog. Thunder clapped. Klinger, donning his old SS officer uniform, stood before the arched mouth of a labyrinth. A cool wind rushed out of the rictus where the winding stone path was, as if inviting him in. He felt he had been there before as if he had already seen the end of history and was yet again about to walk through the entrance into the past. His cuffs and lapels had been chewed on by a mongoose. He turned to Sonya Cohen, who stood beside him, shivering in a blanket draped over her white blouse and tan skirt, which drew attention to the blood on her calves. “Are you ready for nightfall?” “Yes,” she nodded. Klinger smirked. He knew she was an apparition, though remembered her and thought of all the fauna and nymphs scurrying along the banks of the Danube, and thought about Wagner and the Ring Cycle, then about the crags and caves he had seen of Portugal, off the coast. He thought of Pangaea’s shale, orgeny (formation of mountains by the folding of the Earth’s crust), meridians, red jasper, tourmaline, white sapphire, the gullies and eddies of the sea, and the swash he waddled through, barefoot in youth, while gloaming under the gibbous moon, on the vernal equinox, when the gravitational field of the earth’s satellite was such that he could almost telekinetically make out the ohm resonating in his heart. And like thus, he snatched a hatchet that was attached to a rope-belt that held up his trousers and now as an old man, thought about all the evil in the world, and the tears, and the trials, and the grief. Savages, he thought. Savages.
And for the last time, he looked at his glowing hand.

An immigrant from former Soviet Union and the grandson of a Holocaust survivor, Paul Rogov studied Comparative Literature at the University of California, Berkeley. In 2009, he was finalist for the Short Story Award for New Writers in Glimmer Train Press. His work has appeared in CORE, an international humanities journal published through the American University of Paris. Currently, he is working on a graduate degree in Social Work at USC. He lives in Southern California, where he wrote three novels, Flowers for Messiahs, Moon in Pisces, and The Exile of Alexei Nazarov, as well as two collections of short stories. The Fallen Years, his debut work of fiction—a novella about a veteran the Soviet-Afghan war and the fall of the Soviet Union—was released in December 2011.

Lance Tarr TWO POEMS

LIFE IN RUINS

The curses of life.  You wait for the day.
When will happiness arrive?  You’ve been waiting so long.
The day finally comes only you’re fated to die.
Hauled away on your back as your friends say farewell.

Blessed life?  When it’s you only?
Time escapes its meaning.  One long now.
Coming into sight.  No one else made it through.
Am I lucky or is it them?

The remains of a life that was once enjoyed.
Gone away now, it’s a desolate land.
No need for tears when the flood is coming.
No need to scream when the wind drowns you out.

Wanted to make a difference.  You only come this way once.
Jumped the gun once or twice.  Hey, everyone needs to try!
Trying too hard can get you killed.  Not hard enough can leave you alive.
Still existing but with no reason why.

An injury stole my identity.  Half of my old self isn’t enough.
I can’t stand this diminished existence.
I can’t live this way much longer.
I might have to find my revolver and push the trigger with my tongue.

Lost my home, if you can call it that.
Went back to those who leased me my life.
Sold what was left to buy a few meals.
Not much left to say when you’re starving to death.

WHEN IT’S DONE

I wanna hear you tell me it’s done
Nothing left to do and no more race left to run
Fun while you lasted but this fate’s just begun
When it’s done it’s done it’s done!

I don’t wanna be another retread beatnik
“Get on the road, Man!” Like there’s anywhere to go
When even drugs fail to send you on a vision-less quest
Get ready to be caned by life’s ugly stick

Adventure left our plane of reality some time ago
All scooped up and blown away for someone’s show
Can’t vocalize desperation any better than I can right now
Ever wish that Travis Bickle was your rabid alter ego?

Forward progress is such a joke
Regression obsession is what we’re about
Tackled your false front with hurt feelings, right?
Come and get what’s meant to make you choke

I swear because I like the sound the words make
A scream vocalized is better than a cry internalized
Sample our wares ’cause in death we specialize
Keep things unstable to not be homogenized

I see the sign “Dead End” ahead
Can’t stop in time, we’re going over the cliff!
Can’t feel anymore because I have a hole for a head
When it’s done it’s done it’s done it’s done!
Lance Tarr is a writer and musician living in Seattle, Washington who has been writing poetry for twenty years.  His work constitutes the main lyrical content for the music of the experimental rock band Slicing Grandpa.  His work has appeared in Censored Poets online publication.

Ann Privateer TWO POEMS

SUNDOWN POETRY

skirts the inner workings
of my soul and swallows
it whole, surfing sorrows
from the past’s bumpy road
unfolding lacerations
it shines a beam there where
darkness lives, the id streams
in a screaming sea, the ego
knows no boundary, tomorrow
and yesterday, altered, become one.

WHERE SIDEWALKS

I grew up where sidewalks
were slabs of gray slate.
Walking to school, roller
skating, playing hopscotch,
playing step on a crack
and you’ll break your mother’s
back, walking backwards, taking
giant steps or baby steps playing
Mother May I, and Jacks, I memorized
each square .  When it rained the slate
turned slick ebony.  That’s when
you walked with extra care to not
slip on a maple leaf.  In Spring I’d
draw on a slab of slate with chalk
or with a special stone.  Some slabs
had a chiseled mark like a cross
in the corner, they were my favorites,
some began splitting apart, they were
my friends, I’d skate around those places.

Years later, when I returned to the old home,
the side-walks had been replaced with
cement, gone too were the giant maples
on either side of the street, their lacey
canopy arching over the entire street
filtering light, casting shadows.
replaced with small, straight trees
framing reality in a stark light.

Bruce Douglas Reeves NICE PEOPLE

Glancing between the tropical fish-patterned plastic curtains down to the hibiscus-hedged yard behind Mrs. Noborikawa’s rooming house, Will saw the lanky blonde again.  She was kneeling in a one-piece black swimsuit amid earthen pots and miniature mountains of dirt.  The zinc oxide whitening her nose suggested the face of a mottled cat.  As an old yellow feline at her elbow eyed her suspiciously, she bit open a gaudy seed packet and scattered its contents into the earth around the base of a shaggy palm tree.

He admired her tan, decided that there was something about her that appealed to him, maybe a rebellious or even lawless quality, and turned to the chipped basin to scrape the remaining lather from his face.  When he looked a second time, she was hiking across the little garden, the stretch fabric of the swimsuit riding up on one elegant hip.  Hesitating on the sunburned lawn, she lifted her face, squinting as the morning light bleached her features into a pale mask.  Then, watching her feet as if she feared a misstep, she hurried to the cottage at the end of the yard.  Nudging open the lower section of a Dutch door with her hip, she vanished into darkness.

Just as Will finished rinsing bits of skin from his razor, dried his face, and could think of no more excuses to remain by the bathroom window, the black bathing suit emerged again from the frame cottage.  The Dutch door slammed with a crack that reached even his ears on the second floor.  Her face now concealed by a straw sun hat, the girl rushed across the grass, scooped up the scrawny cat from the flowerbed beneath the palm tree, where it had been pawing at the freshly dug earth, and shook it with both thin hands.  Will knew nothing about this intense young woman, but suspected she was punishing more than that miserable beast.  Oddly, he thought, the scene provoked in him a reaction verging on lust.
Hands clattered impatiently at the bathroom door, so he gathered his razor and aerosol shaving cream, and reluctantly left the window.
“Jeezus, Willie,” mouthed a fleshy face when he opened the door.  “Thought you’d fallen in.”  Will squeezed past Le Beouf Quayle’s bloated stomach.  “Christ, look at you!  You better buy some new blades.  And don’t forget Mrs. Noborikawa’s party next month,” he shouted after Will.  “You’re new, and all, but I know you’ll wanna help.”
“Sure,” Will said, fleeing the fat man and whatever he was trying to push into his life.
While dressing in his room, Will pondered his first impression a week ago of that tanned female: a windblown figure bent over the black steering wheel of a red sports car, receiving his silent wrath for darting in front of him the morning he pulled up to the curb by the tall Victorian to inquire about a vacancy. Although he followed her sleek ankles into the house, he was sure she wouldn’t live in those weary rooms, amid the limp remains of middle class respectability.  She disappeared, but because of her he rented that lousy upstairs bedroom, the first place he lived in Honolulu.

That evening, Will went out with Olga Koovitz, a brightly competent personnel officer at the bank where he=d been hired to program computers.  Maybe she wasn=t a beauty, but her figure was lush and her personality outgoing, sending almost nonstop signals that she was available B all he had to do was approach her on her own terms, whatever the hell they were.  He doubted if this would be difficult to negotiate.  Meanwhile, she kept asking him why he=d moved to Hawaii B his real reasons B refusing in her cheerful, persistent way to accept his evasions.
AEverybody has reasons,@ she insisted.
ANo,@ he countered.  ANothing I do ever has a reason.  I=m a loose cannon, flying all over the damn place.@
After a crab dinner at the Yum Yum Tree and a George Clooney movie, Olga invited him to her apartment, but her Samoan roommate B a cashier at Sea Life Park B came home earlier than expected, scattering cigarettes, magazines, and overpriced junk food from the all night ABC market on Kuhio Avenue, as well as her disapproval of Will and his intentions, so he returned to his own room to ponder a chalky nose and a black swimsuit.
Next morning, when Le Beouf Quayle wedged him against the spine-indenting handles of the chest of drawers in the upstairs hallway, instead of smacking him, Will asked about the woman in the garden.  Le Beouf winked one of his rodent eyes.
AMrs. Noborikawa’s daughter-in-law.  Alice.  Just back from the mainland.@
These grudgingly given facts required plenty of fondling in Will=s brain B in the car, in front of his computer screen, and again in his rented room B as if they were complex mathematical formulae.  One reason he=d come to Honolulu B or so he=d told himself  B was to escape the dangers of human relationships, yet here he was poised again on the abyss=s edge.

A day later, as Will pushed the fishy curtain into a green waterfall at the corner of the bathroom window and began toweling his body, he saw Alice and her husband framing the red M.G.  He couldn’t hear the words, but he felt the tension passing over the arc of their two bodies. After a moment, Alice dropped into the sports car, head tucked down, as if afraid to look at her husband.  A handsome man with lean Japanese features and compact physique in a light-weight tan suit, he projected with economy of gesture a potential for anger.  Then, while the man was in mid-sentence, arm arched above the little car, as if he were casting a fly over a stream, Alice screeched backward out of the driveway, leaving him to reel in his hand and walk stiffly to their cottage.  Will let the plastic fish slide into place and finished drying his damp, hairy ankles.
That evening, as he stared at the television in the old-fashioned, wall-papered parlor with Mrs. Noborikawa and two other roomers, Alice darted in and alighted on a straight-backed chair. Stroking the yellow cat on her lap, Mrs. Noborikawa offered to share the slip-covered sofa with her daughter-in-law, but she shook her blonde head.
When a frenetic commercial for the Ala Moana shopping center jolted everyone awake, Will fled to the kitchen and put a sauce pan of water on the stove to boil.  A minute later, Alice appeared.  Free of makeup, her tanned features might=ve been carved from one of those chunks of blond driftwood sold in the shops by Waikiki.  Without a word, she brought out two cups and saucers and two spoons, and sat at the table.  Will dumped instant coffee into his cup, then refilled the spoon.  She nodded when he’d almost leveled it and watched him trickle it into her rose-patterned cup.  As she poured the boiling water over the brown powder, he looked in the old-fashioned bulbous refrigerator for cream and sugar.
“I drink it black,” she said, picking up her steaming cup.
“So do I,” Will said, returning to the table empty-handed.  He looked at her, assessing her, wondering if his earlier judgments were still valid B if they ever had been.  Was she really a free spirit, or just another woman unhappy with her situation?  “You had trouble this morning.”
Alice=s stare simultaneously widened and became more precisely focused.  “You saw?”
“Only when you drove out in such a rush.”
“Sometimes, I have to get away.”

Trapped in clumsy silence, they sipped their barely drinkable coffee.  Will studied her neck and the mole between her collarbone and breasts.  Too much sun, he thought.  She=d better be careful.  Skin like hers nurtures nasty cancers.
Alice Noborikawa rinsed the cups and saucers, gave Will a look that seemed to say she found something amusing, then slipped out through the back door.  He watched her boyish silhouette swim across the blue garden and disappear into the darker waters of the cottage.
*                        *                        *
Five mornings a week, Will hurled himself down the Philippine mahogany front stairs, across the entry hall, and out the door to his waiting jalopy.  A twenty-minute drive deposited him at the concrete, glass, and steel box that housed the computers that ruled the forty hours of his life that allowed him to survive.  He created programs for those baroque babies, giving them, he liked to say, thoughts more complicated than his own B not that this was very hard to do.
One drizzly morning, a week or so later, Alice ran through the house and out the door as he was leaving.
“Warren took the M.G.,” she said, blocking his path.  “To get a tune up B and leaving me stranded.”
Will tugged open the door of his elderly Toyota, his major purchase since moving to Honolulu.  He=d hauled a rock pile of debts from the mainland and was trying, for the first time in his life, to be sensible.
“Get in.”  He gestured toward the nasty interior of his old car.
Obediently, she slid onto the sun-rotted seat cover.  “Please,” she said, giving him an address out toward Diamond Head.  “I’m in a hurry.”
“Where,” he asked, “do you have to be so early?”
“It=s to see a Louis Majorelle cabinet.  This old harridan I’ve been working on for months has agreed to sell it.  I think it’s the only one in Hawaii and I have a client who’d give his miserable alcoholic liver for it, but I’ll settle for cash.”
“Client?”
“I have a decorating shop off Kalakaua,” Alice explained.  “Alice’s Wonderland?   You’ve heard of it?  No, of course not.  I always expect people to, but they never have.  I flew to San Francisco and L.A. last month on a buying spree for my clients.  Next year, I’m going to Europe.”
“I don’t know much about interior decorating.”
“Most people don’t.”  She dusted stray rain drops from her skirt as Will wondered what she=d do if he hurled himself someplace in the vicinity of her suntanned thighs.  “Not that it stops them from having opinions.”
Damp plumbago tumbled over walls, hibiscus hedges fell over sidewalks, tentacles of scarlet bougainvillea groped at them; everywhere, flowers shaped like sexual organs assaulted the car as it passed.  Such gaudy, pushy vegetation struck Will=s mid-western nature as unwholesome, corrupt.
Waiting in the Toyota while she pursued her treasure, he pondered this blonde who seemed put together from contradictory forces.  He didn=t exactly like her B not that this necessarily was an issue for him B but she fascinated him and in a bizarre way challenged him.  It wasn=t only sex, although of course in large measure it was, but also about power and her almost forced indifference to him.  Eventually, she emerged, apparently satisfied with whatever happened inside that tree and shrub-enveloped villa, and he drove her back to the rooming house.
He was an hour late to work.  At least, he thought, sitting in front of his computer screen, this woman isn=t boring.
The next evening, Will intended to meet Olga again, but as he came down the front hall stairs, Alice Noborikawa ran in.  Snatching his hand, she pulled him through the house to the back porch.  While backing out of the driveway in the M.G., she=d run over her mother-in-law’s old cat.  The honey-colored creature was mangled, but still alive.  She didn’t know how to end the animal’s suffering.
“Help me!” she demanded.  Tears glazed the sunburned freckles across her cheeks.
Following her down the board steps, Will watched the skinny cat drag itself from bush to shadowy bush, trailing calligraphic patterns of blood and slime.  He seized a brick from the border around a cluster of pink geraniums and cracked the beast sharply at the base of its triangular head.  Still, it staggered through the flowers.  He pounded the animal again; it lurched and collapsed.  While Alice watched, Will buried the cat under a scarlet hibiscus.
Moments later, he guided her into the cottage and made two cups of instant coffee.  She still trembled as she lifted her cup.  When she returned it to the saucer, he already was reaching for her.  On a teak chest in front of them, an arrangement of bird of paradise blossoms thrust out of a clay pot.
“I’m learning Ikebana,” she said.  “That’s supposed to be the Ikenobo  school.”
He pulled her close, their faces collided.  Her cheeks were feverish, damp.  Coarse, small-boned, electric, she led Will up the narrow steel stairs that coiled like a snake’s spine to the single room on the cottage’s second floor.

When her husband came home, they were sitting in the cottage kitchenette, sipping cold coffee and studying an oversized book on Ikebana.  Warren Noborikawa’s high-cheekboned, smooth-shaven face hovered in the doorway like that of a judge surveying his court.  He thanked Will for taking care of Alice and promised to intercede with his mother about the cat.  Will stumbled over the threshold, then heard the Dutch doors snap shut.
*                         *                         *
Will didn’t see Alice Noborikawa for a week, except in his mind’s eye, yet the false Alice was so constant that he doubted the true one when she appeared in the rooming house front hall and proposed coffee in her cottage.  It was Saturday, but Warren Noborikawa, a high school biology teacher, was on a field trip to Hanauma Bay with his students.
The morning sun discovered the gold in her hair and revealed metallic mirrors within her pupils.  And to think, he reflected, he wouldn=t have discovered her but for the Honolulu housing shortage.
“I wanted to be a painter,” she said, a few minutes later in the cottage, pouring them cups of strong, real coffee B no lousy instant stuff, this time.
“Why didn’t you?”
“Not enough talent.  But I’m a good decorator.”
He sipped at the hot coffee: “I just became what I am.  I was tired of my old life, the training was available, and there was a demand for the skills here.”
She looked at him doubtfully, as if she knew everything he was leaving out.
“Are you happy?”
“I like Hawaii.”
“No, I mean: are you happy!”
“Why shouldn’t I be?”
“How do I know?”  She clasped her coffee in front of her face, inhaling the pungent aroma as if it were medicine.  “Let’s go to an art show.  I enjoy introducing pictures I like to people I like.”

“Okay.  Sometime.”
And, aroused by her panting breath, he led her up the circular stairs to the cage-like room scarcely large enough for the futon-like double bed.
Soon, Alice and Will had coffee together several times a week.
Other times, Alice came to the big house to pretend to watch television, balancing on a straight-backed chair, tanned hands shifting on her skirt.  Mrs. Noborikawa made green tea and brought out delicate Japanese biscuits.  Occasionally, Alice and Will sipped instant coffee at the white kitchen table.  When Warren was away, they gulped mugs of strongly brewed caffeine in the cottage=s wide, low-slung bed.
Alice wanted to humanize the savage mathematician in Will.  Beside her husband, she said, he was a barbarian.  She and Warren had met at the University up in the Manoa Valley.  She=d been dazzled by his physical beauty and intellectual refinement.  She still loved him, she insisted, but she also was attracted to Will=s fumbling, middle-America crudeness.
Stocky, red-haired Will was as different from Warren as it was possible to be.  His education was strictly practical and he’d never had an interest in anything artistic.  He=d expected nothing from life, had got more than he=d bargained for, and survived it.  He accepted his limitations, in fact he found them comforting, but Alice dreamed of prowling the busy perimeters of his psyche, educating him whether he wanted it or not, and smoothing his more jagged edges.
Obediently, he followed her through the cool halls of the Academy of Arts, stopping to study paintings and admire smooth-surfaced sculptures.  Eager to fill him with her own passions, she grabbed his hand and led him to her favorites, demanding that he love them.  She carried him off to art galleries and made much of showing him the difference between the slick and popular and the real thing.  They huddled beneath floral sheets, paging through heavy books filled with color plates, and she loaned him books on art history and bought reproductions for his room.

When they splashed into the afternoon sun together, Will delighted in the glow of her sun-bleached hair, the shifting of her torso inside her clothes, and her erratic gestures that seemed to flow from excess energy.  He told himself that he was flattered she cared enough to agitate his half-educated brain with her subtle, passionate enthusiasms.
She let him shrug off her questions about his past, but one afternoon she warned him, AI=ll know who you are yet, Willie.@
There=s nothing to know, he insisted.  He knew that he wasn=t important and was annoyed by people who thought they were.
Slippery hours and days smeared with work, education, and collisions in the futon-bed flickered past.  Sometimes, Will thought about Warren Noborikawa.  Warren was a nice guy, a dedicated teacher, a devoted son, a faithful husband.  That made Will a bastard, he guessed, but he didn=t worry much about it.  In fact, when he thought about it, he liked the idea.
“Willie, you don’t know how much you’ve done for me,” Alice announced, one day, as she was showing him through her shop.  He balanced in his thick-fingered hands a pair of green marble owls, bookends with nothing to support but their own haughty demeanor.
“What d=you mean?  You’re the one who does everything.  I just tag along.”
“No, Willie.  You saved me.  From the nice people.”
“I’m not nice?”
“Not very.”  She patted his cheek with her smooth, thin fingers.  AHaven’t you ever wanted to curse people, throw things at them, get even with them?  I know you have. You=re like me.  And the nicer they are, the meaner I feel.  Warren’s mother is the sweetest woman on earth, but I want to pinch her.  Warren can be arrogant, but he’s always doing things for other people, his students, other teachers, even me.  Especially me.  Even his friends are nice.  But I’m grateful when I run into a customer who’s a bastard.  It’s a relief to not have to be nice!”

Maybe she was trying to trick him into revealing something about himself, but he didn=t give a damn. And it was true, he seldom made an effort to be nice B and especially when it came to his fat neighbor.  Recently, Le Beouf had started commenting on the time he and Alice were spending together.  And laughing at his own blubbery jokes.  Will enjoyed hating Le Beouf Quayle.  Without this hatred, his life would=ve lost part of its spice.  He almost appreciated Le Beouf for giving him the opportunity to let this hatred grow and flourish.  Otherwise, he might=ve murdered the fat bastard.
Then it was Alice’s birthday.  Mrs. Noborikawa and Will were to go to dinner with Alice and Warren, a festive if odd foursome, but the old lady slipped in her bathtub, spraining an ankle. Nevertheless, Alice insisted that Will go with her and her husband.  Warren, the professional good sport, agreed.  What else would such a nice man do?
Alice greeted Will at the cottage door in a black dress decorated with licorice-like beads, her slender feet arched in high-heeled black sandals.  Secret messages twitching in the corners of her mouth, she drew him into the tiny room.  An austere Ikebana arrangement of a mutilated lily and a few shiny leaves in a shallow blue and black bowl stood on a low table.  The lily=s shadow on the wall imitated Alice’s naked breast.
Rising from a chair beside the table, Warren shook Will=s hand.  Warren=s beautiful slender fingers made Will=s ungainly fist look like something left over from the Neanderthals.  Then, with exquisite precision, he poured three cocktails into frosty glasses, handed one to his wife and another to his mother=s tenant.
“Happy thirtieth to my wife,” he said.
“Happy,” Will echoed.
She was a year younger than he was.

Alice could tell that Will=s present had been wrapped at the store because a Liberty House sticker fastened the ribbon to the small package.  With a self-conscious giggle, she fumbled with the wrappings until she liberated a gold costume pin in the shape of a sunburst.  When Will saw those gold points radiating in her hand, he realized that the pin was too large and flashy, that it looked like something a stripper would wear to hold her kimono in place just before she started revealing her hidden assets, but Alice went to the mirror, removed her beads, attached the pin to her sheath, then glanced at Warren’s reflection beside her.
“Very nice,” it answered.
“Thank you,” she told Will.
After gulping down the cocktails, they crowded into the red M.G.   On the back porch, her silver hair shining under a dangling light bulb, the elder Mrs. Noborikawa waved from her rented wheelchair.
Deciding that the safest course was to keep Warren talking, Will questioned him about his job.  He actually was rather curious about what this paragon did to bring joy and enlightenment into this sordid world.  Warren answered in short declarative sentences, but it was clear that he loved his field and profession.  If anybody could teach those kids to respect science and appreciate nature, it was this quiet, decent man with the perfect cheekbones.  None of this made Will feel better.
Rubbery palm trees and a wet parking lot shimmering under pink neon welcomed them to Oreste’s Restaurant.  In the bar, while they waited for their table, Will scampered further along the road to becoming drunk.  When the host finally escorted them through the variegated shadows of an artificial jungle, he nearly fled from the tendrils of all those hungry, reaching plants.  A chandelier glittered precariously over their table, Warren’s handsome face reflected in its sharp-edged surfaces.  Remember, Will told himself, you like Warren Noborikawa.  You think he=s one nice bastard.  You admire him down to his perfect fingernails.  Toenails, too.

Warren ordered a bottle of California champagne.  The night was heavy with soggy silences.  They all danced: Warren and Alice, Alice and Will.  Will didn’t think that he danced with Warren, but couldn=t be sure.  If he did, Warren probably led.
He expected, even hoped, that Warren would get drunk and nasty, but the man stayed quietly cordial all evening.  When he returned from the toilet, his fly was zipped and his hands were washed, but Will had fondled Alice’s knee while he was gone B hell, he=d fondled her thigh up to her panties.  Will almost wanted Warren to turn on him and shout: “Fuck you, Willie, I’m gonna cut your balls off!”  But he was politely attentive to Will and affectionate toward his wife. No wonder Alice was almost hysterical by the time they left the restaurant.
“So beautiful,” she whimpered, caressing a plumeria blossom.
Warren’s strong hand gripped Alice’s pointed elbow, guiding her across the gravel parking lot.  Will stumbled along behind, blinking at the supercilious palms.
“That place was disappointing,” said Warren.  “I don’t see how it stays in business.”
“It was busy,” said Alice, crawling into the little car.
“It always is,” said Warren.  “That’s the hell of it.”
Stars shimmered overhead, reminding Will of a boyhood passion for astronomy.  AA galaxy is like a bag of feathers, speeding through space,@ he announced.  He turned to Warren.  AWhy doesn=t it fly apart?@  He looked at Alice.  AWhy don=t we?@
The M.G. had just rounded the clover leaf off the highway when the left rear tire collapsed with a  clunk.  Warren steered the car to the side of the road and, stumbling on the gravel shoulder, the two men examined the damage.  A pair of nails fastened to a small strip of rubber had perforated the tire B someone=s witty joke, waiting for an unlucky driver.
Shrugging out of their coats, Warren and Will changed the tire.  Will was sure Warren didn=t mean for the lug wrench to smash against his wrist, crushing his watch crystal.

As they drove home, Will plucked pieces of broken crystal from his skin.  He knew it was well after midnight when the M.G. turned into the Noborikawa driveway, because the hands of his watch had stopped at five minutes to twelve.
The sports car halted at the end of the driveway.  Will remembered the scrawny yellow cat and tried to recall why he=d killed it.  Alice squeezed his hand as he climbed out of the M.G.  His left leg had gone to sleep.
“East is east,” Will said.  “And west is west.  Did you ever hear that song?  I heard it in an old movie, once.  East is east.  And west is west.”
“Goodnight,” said Alice.
“Goodnight.”  Will frowned with concentration: “Happy…happy.”
The car lights blacked out and Warren climbed out of the M.G., leaving his coat on the leather seat.  “G=night,” Will said, offering a hand.
Warren squeezed it cheerlessly.  “Goodnight, Willie.  Thanks for helping us celebrate my wife’s birthday.”  Will turned, but Warren called to him: “Sorry about the watch.”
“That’s okay.”
One of us, Will thought, will die before dawn, but the Noborikawas disappeared behind their Dutch door and he limped up to the big house.  As he brushed his teeth fifteen minutes later, the patterns of light slanting across the shadowed garden from the cottage were extinguished, one by one.
*                         *                         *
Another beautifully dying day, Hawaiian style: Will had just abandoned his tired Toyota in front of the house when Alice strode toward him.  A man’s white shirt almost covered her scarlet shorts.  He=d never seen anything as sexy as the flash of red crotch from under the white shirt tails.  She grasped his arm, as if she had the right to take possession of it.

“Meet me downstairs,” she said.  “In an hour and a half.”
Then, dodging a wild-limbed hibiscus, she sprinted up the driveway to the cottage.  Quickly changing his clothes, Will hurried out for a haircut so he could be back in time for his Appointment with Destiny.
The gray-haired Chinese barber let Will doze while he worked on him in the old-fashioned mechanical chair.  Half-conscious, Will heard the soothing scrape of the straight razor below his ears as the scent of ginger and spices oozed out of the battered teak woodwork.  The slam of the barber shop door opened his eyes.  From under drooping lids, he saw a sailor stagger toward him.  Slight, with shaved head and youthful pug-nosed face, the boy grimaced and crumpled at the foot of the barber chair.  Drunk, of course, but rather over-doing the boozy performance, Will thought.
Then the young sailor=s body twisted, thrusting an arm against Will=s ankle and he saw that the kid=s shirt was wet, splotched with red as bright as bougainvillea petals.  The boy rolled onto the floor and was still.  The barber bent down, then looked up at Will.  Without a word, he walked to the wall phone and called the police.  Will=s haircut was finished, anyway.  He gave the barber a twenty dollar bill and left.  A police car drove up just after he pulled away from the curb in his Toyota.
Back in his room, Will tried to read an old Playboy, annoyed at the way his hands trembled when he turned the pages, although he felt sophisticated as hell when he recognized the influence of Modigliani in one of the illustrations.  The picture was better than the story.  Hurling the magazine against the closet door, Will dragged himself downstairs.
Le Beouf Quayle sat on his broad ass on the yellow sofa, gawking at disjointed images exploding over each other on the television screen.
“I just saw the goddamnedest thing,” Will said.
“Hssh!” said Le Beouf.

“I saw a murder.”
“I’m watching TV!”
Mrs. Noborikawa rolled into the room, left leg elevated in her wheelchair.  Will tried to tell her about the sailor, but she was expecting three friends in to play poker.  (Mrs. Noborikawa spoke perfect English, but poker night was conducted in Japanese.)
Then Alice appeared.  Le Beouf  managed to look up from his feverish TV fantasies long enough to make a suggestive face as Alice and Will left together.  They drove through the steamy evening, Alice aggressively pure in white blouse and skirt, a handkerchief protecting its pleats from the disintegrating seat cover.
“I saw a murder this evening,” Will said.  “Not the murder, actually, but the murdered man.  A sailor.”
“I have something to tell you,” countered Alice.
“He fell on my feet.  I was getting a haircut over by Hotel Street and he staggered in, all bloody, and fell right on my feet.”
“Warren has a new job.”  Alice gazed ahead, her profile pale under the neon lights.  “He’s going to be a dean.”
“Good for him,” Will said.  “The sailor’s shirt was dripping blood.  He didn=t get it on me, but he was covered with it.”
“Willie, pay attention.  Warren=s going to be a dean in the university at Hilo.”
“I’ve never been there, but I bet it’s pretty.”
“What the hell do you mean, pretty?  I’ll be going with him.  To Hilo.”
Will looked at Alice=s tanned face and saw the sailor’s red gut.  “When?”
“End of the semester.  Three weeks.”
“What about your decorating shop?  Alice’s Wonderland?”
“I know somebody who’ll buy it.  I’m tired of it, anyway.”
“Too many nice people?”

“Now that you mention it.”
“I thought you enjoyed decorating.  I thought you were good at it.”
“I am good, but I don’t have the patience to run a business.  I forget to bill the deadbeats.  I hate to keep books.  It’s all a pain in the ass.”
They drove back to the house.  Will parked in front and they looked up at the lights glowing through the thin shades behind the tall windows.  Then he tilted her head up with his hand, studying her freckled face beneath the tigerish hair.  She jerked away from him.
AIt wasn=t nice of you to tell me that stupid story about the sailor, when I was trying to say something serious.@  He kept looking at her.  What was he supposed to say?
*                         *                          *
Saturday morning, as Will lay across the sweaty sheet on his bed, the door crashed open, banging against the wall, jarring loose a Klee poster.  Le Beouf Quayle confronted him, half-eaten Tootsie Roll in one repellent fist.
“Tonight’s the party.”  Le Beouf sat heavily on the bed and patted Will=s hairy, pink knee with his other paw.
“What party?” Will demanded, tugging the sheet over his nakedness.
“For Mrs. Noborikawa!  Remember, I asked you to help?  We’ve been planning it for weeks.  It’s tonight B no thanks to you.  At least, you can show up.”
Will eased to the far side of the bed, moving his leg out of Le Beouf=s reach.
“How long have you lived in that room over there, Le Beouf?”
“Seven years next month.@  He scratched through the strands of hair nesting on his round head, thick lips calculating.  “Seven years on the twelfth.  I remember exactly, because that was the day my sister Josie got married.”
“Seven years.”  Le Beouf operated the projectors at the Lanai movie theater.  Will pictured him squatting on a stool beside the steaming projector in an airless little room, watching endless movies and eating.  Always eating.  “Party’s at eight.  Everybody’s gonna be there B folks who used to live here, too.  Hope you’ll come down B for Mrs. Noborikawa.  She was a widow and raised four kids in this house, just by taking in people and stuff like that.  And you didn’t help, or anything.”
“I didn’t live here, then.  I didn=t even know the woman.”
“I mean you didn’t help with the party!”
One of those kids that Mrs. Naborikawa raised, Will thought, was Warren.  Who now was removing Alice to Hilo.  Will imagined their two naked bodies together, both slim, one golden-brown and smooth as fine wood, the other sunburned and blonde.
Le Beouf grimaced, showing his stubby, chocolate-smeared teeth.  His big rear end shook obscenely when he waddled away.  Will fell back on his bed and thought of how much he loathed Le Beouf Quayle.
During the afternoon, noises of preparation resounded throughout the high-ceilinged old house.  Jackie Bernstein, a queen from New York City who nested on the third floor, came fluttering down in a flowery silk kimono to confer with Le Beouf.  Even the usually taciturn Paul Masuoka, a short order cook in an all-night Waikiki café, seemed excited.
It bugged Will that he couldn’t rent a room without acquiring a household, but he tried to ignore the commotion and fell asleep, dreaming of a white-suited sailor spouting red fountains.  When the sailor rolled over, Le Beouf Quayle’s fat face was pasted on his head.  His cat whiskers twitched at Will, so he smashed his face with a broken brick.
Around  seven, he showered, shaved, and dressed.  The cottage across the garden was dark.  A disgustingly sweet smell of plumeria filled the house.  The first person he met downstairs was Mrs. Noborikawa, transporting a cardboard box on her lap in the wheelchair.

“Let me,” he said, taking the carton.  It was surprisingly heavy.  She explained that it was refreshments for the party.  “But the party’s for you,” he said.
“They never get in enough food or drinks,” smiled Mrs. Noborikawa, “I would’ve got this sooner, but I had to clean house before I could let them decorate.”
Crepe-paper streamers and balloons drooped from chandeliers into Will=s hair.  Bowls of plumeria blasted their over-sweet fragrance through the rooms.  Le Beouf staggered past the kitchen with a big old fashioned tape recorder, Jackie Bernstein trotting after him.  Where, wondered Will, did that idiot get it?  It was practically an antique.  Will helped Mrs. Noborikawa unpack her box.
“Is Warren happy about moving?” he blurted, clutching a six-pack of Coke.
“He doesn’t want to leave me,” she said.  “But I told him to think about his career.  It’s a good job.  I told him to take it.”
Will decided that he hated the smell of plumeria.  “What about Alice?”
“She doesn’t want to go.  I love Alice like my own daughter, even if she is a haoli, but she’s thinking about herself and her business.  Warren’s career comes first.  I told her if she stays home maybe she’ll make grandchildren for me.”
Together, the old woman and Will emptied the box of food and drink.  He hadn=t noticed before how small Mrs. Noborikawa’s hands were, like a child’s hands.
“Thanks, Willie.  Now, have a good time.  And, if you don’t mind, put this on the mantle for me.@
Obediently, Will carried out the bowl of plumeria, then flopped onto an ancient, wing-backed bamboo chair beside the upright piano.  A girl in a striped dress was playing popular songs of past decades.  As he sat down, she hit a wrong key.

Le Beouf Quayle was setting up the ridiculous tape recorder.  Two couples were shuffling around, apparently thinking that they were dancing.  Jackie Bernstein said something about how it was like a family reunion.  Then Mrs. Noborikawa rolled in with a tray of little sandwiches, followed by Alice with cookies and potato chips.  Warren brought in soft drinks and paper cups.
Le Beouf clapped his red hands and demanded everyone’s attention.  Gums bared around his stumpy teeth, he snatched up the tape recorder microphone.  In his porcine fist, it looked like some kind of sexual implement.
“It’s great to see you here, folks.  This is a pretty special occasion.  First, it’s Mrs. N.’s birthday.  Not that we’re gonna ask her how old she is, or anything.  So you don’t need to worry about that, Mrs. N.”  (Laughter.)  “And, second, this is a goodbye party for Alice and Warren, who’re moving to Hilo.  Yeah, ole Warren is gonna run the college, or something.  Hope they can cope with the rain over there.  Seriously, it’ll be wonderful for >em, but things won’t be same around here.  Anyway, this is a special occasion, so I think we oughta preserve it with a recording of everybody’s voice.  It’s going right now, in case you’re wondering, so come on up and say something.  Who wants to be first?”
A few people giggled.  Nobody moved.
“How about you, Mrs. Noborikawa?”  Jackie Bernstein pushed her over to the mike.
“I just want to thank all you nice people for this party,” she said.  “I guess you know how much I’ll miss my boy.  And his wife.  This is a surprise, Le Beouf.  But nice.”
Le Beouf and Jackie led the applause.
“Next?  Next?  How about you, Alice?  Come on, be a sport.”

Le Beouf thrust the black microphone into Alice’s hand.  Will wondered if she’d quarreled with Warren before the party, maybe argued about his mother.  She looked at Warren, sitting on the yellow sofa, then at Will.  Suddenly, she dropped the microphone and ran from the room.  Warren stood up, but Mrs. Noborikawa clutched his wrist with her small, vise-like hand.
“She could’ve broken the mike,” said Le Beouf.  “It’s a delicate instrument.  I only borrowed it.”
Will found Alice in the kitchen.  She looked so small and fragile as he approached her that he felt like King Kong looming over Fay Wray, the beauty and the fucking beast.  All he wanted to do was take her to that bed in the upstairs loft.  That would solve all problems, make everything fine again.  And if it didn=t, it wouldn=t be for not trying.
“He knows,” she whispered, as she wiped her face with a Kleenex.  “But he doesn’t care because he’s taking me away.  He’s so goddam confident.  The nice people are always sure of victory.  And they’re right: They always win.”
She was sliding into hysteria.  Will gripped her hand tightly.  Did she expect him to rescue her, be her Prince Valiant, her Sir Lancelot, or somebody?  Did she want to belong to him forever?  Or for him to belong to her?  Other people did that, but not him.  Not her.
“It doesn’t matter,” he said, at last.  “You try to fight it, but it’s not worth the damn effort.  None of this matters worth a hit.@
She stared at him.  AYou=re a selfish bastard.@
ASure I am.  That=s what you wanted.  Now, go back in there.  Think of your mother-in-law.  Think of Le Beouf and Jackie.”
Alice’s features congealed into something unrecognizable and her hard eyes stared at Will.  Then she pushed through the door to the front of the house, leaving him standing beside the bulgy white refrigerator.

Three weeks later, as Will shaved by the open bathroom window, he heard a moving van pull up in the gravel driveway in front of the cottage.  Peering around the green plastic curtain, he watched the driver maneuver past the hibiscus hedges.  Alice and Warren were gone, over on the big island.  Other people were moving in.  Mrs. Noborikawa said they were nice folks, but Will didn’t want to know them, even though he knew that he’d never escape the nice people.  There were too many of them, terminally and forever nice.

Bruce Douglas Reeves‘s novella, DELPHINE, won the Clay Reynolds Novella Competition and will be published by Texas State University Press Fall, 2012.  He also has published three novels, THE NIGHT, ACTION, MAN ON FIRE, and STREET SMARTS, and has completed a new novel.  He has published nearly three dozen stories in magazines and journals. 

Levi Wagenmaker THREE POEMS

‘larval verse’

phantom
as a term for ghost
firmly places that phenomenon
(if that’s what it is)
between the ears of the beholder
a phantasm
an encephalous phantasm
a curious variation on the theme
acephalous as well as encephalous
a headless ghost
not necessarily a horseman
or a horsewoman
a courtesan having had it
with giving head
in a ghostly afterlife
would have a rational reason
to headlessly haunt
a brothel or a Musée de Guillotines

head is a matter or give and take

phantasmagoria are central
to a great many pairs of ears
(the concept of the Third Ear
must be considered to be
beyond the scope of the present
stanzas)

spectral verses such as these
had best be recited in a loud whisper
to go
into one(‘s) ear and out the other(s’)

‘wow’

from what I cannot help but consider
a juvenile perspective
as well as from one based
on pathologists’ consensus
I’ll be considerably cooler deceased
than while still more or less alive
youthful approval of corpses
is for example evident
from the popularity of virtually violent
computer games of which WoW
(World of Warcraft’s enthusiastic acronym)
said to be a demanding game
requiring skill besides adrenalin
proves to be a favourite
admittedly
I am wholly unfamiliar with
battle simulation
(and bear the scars to prove it)
but
if at some future juncture my brain
should begin to show signs
of bucket-kicking behaviour
before that trend should kick in
for the rest of my ageing body
WoW might come to the rescue
for
academic researchers curious
about the benefits of online computer games
for older adults (as opposed to elderly juveniles)
tested a number of old gits
before and after playing WoW
and found that those of them starting out
with limited cognitive functioning
improved their scores in the relevant tests
subsequent to cognitive immersion
in socially interactive virtual brutality
whereas those with good cognitive abilities
showed no such effect
none of the participants were affected
(positively or negatively)
in terms of memory
and that must be considered
all to the good
since that must mean
reduced hazard – less likeliness
of their writing
lengthy and boring
verses based on their virtual endeavours

‘autumn shower’

having found no locked doors
she entered the cubicle
where I stood about to take up
position under an open shower
her curiosity hit me as if it were
made of deep-fried snowballs
her words
when she spoke
were matching their motivation

‘you remind me of my mother’

‘she used to tell me that should I
ever catch in my hand or snap it
out of the air with my teeth
the very first autumn leaf to fall
from a tree old enough to be
my grandfather that leaf would
then change into a jewel of beauty
unsurpassed and precious beyond
estimation to serve as a brooch
for me to wear and make me the envy
of all women of whatever age
but somehow until now
that failed to happen’

‘you remind me of an old autumnal tree
as well as of my mother and I can see
something dangling as if about to fall off
so perhaps this will be my lucky day’

deciding to ignore her
I showered without much thought
for how cold the water turned out to be
I had been feeling shivery already
in any case

she looked very calculating
when she turned on her heel
and left me
looking over her shoulder once
in wordless reproach
of shrinking trinkets

Levi Wagenmaker (1944 – ) is a retired journalist, living in the Netherlands for most of the year, and in France for some of it, with two bitches, one of whom a dog, and a younger male, something of a dog also.  His poems have been published on line more than in print, and Google will tell the curious what, where, and when.

D.S. Jones IT ALL STARTED IN 1963

I wasn’t born yet when they saw they could kill The President.
I was around in 2000 when they showed they could pick one.
I was 17 at the time and couldn’t vote.
I missed the election by 27 days.
What do all these numbers mean?
I am too tired to add them up.
You try.

D.S. Jones is a poet from Indiana. His influences range from Bukowski to Tennyson. He has sold poems to Black Heart Magazine and Danse Macabre, An Online Literary Journal. His prose has been published in Bare Back Magazine, Shotgun Honey, and is featured in the Told You So Anthology from Pill Hill Press. Visit thepoetdsjones.com to learn more.

e. smith sleigh post structuralist poessasys

creation in a dead zone

the odor that rises   from the book as you open it   dead language of fossils in a
cliff of limestone   the end of firm land where the lake begins   where the cliff starts   where the canyon consumes miles of vertical earth

the last honey on the blade scraped from the combs      bees frozen in agony  inside rose petals   their final bed   the story   if you tried to write it   would move away from the causal    drama    from trauma to creation or creation to trauma  tall spiraling towers   like all matter   dark and light   end stage  saga

mobile masterpiece

I become the touch screen Adam of the Sistine    my wrist limp and forefinger darting across a ‘lectric blue pad of despair   chatter   unfrescoed      images uncreated     generated pulses of vibrating electrodes become creation    no consecration here      no scaffolding   I have no plaster in my eyes   no gasps of awe from below     il papa not on his toes   we do share the propagation of myths        I’m trying to decide which one   wait, do I have to choose     I refuse to choose      they are what they do not appear to be    woven by the Nornes and all      but we don’t know that      as it were

horror manna in the Bibliothek

mind bread   I sighted the book risen like yeast   fossilized remains of ideas   strategic manipulations in stone   paint   print   ink uncovered     new books smell sweet     sweet release offered to those who considered trees worthy of the honor    but then things changed    the ink manipulated became    words and images turned    burned into memory as evil things   someone skewed the ideas   do not attempt to tell the yarn or enter their dance   or walk on the marble   you will stare down corridors of stories   consumed in some act of sadism    dark tales of a gold chain   sold at a pawn shop in the depths of a depression    yours or a nations   the words and images  controlled  say it’s your imagination    dead languages  published in ‘lectric blue light challenge   but cannot replace the tinged, sweet aroma of…   flat bread Bücherei  should be revived

Within the year, e. smith sleigh’s work was published 11 times in literary publications including psychic meatloaf. She won finalist designation in several literary competitions. She was designated as a finalist in the Tucson Poetry Festival and took third place in a short story contest within the year.  sleigh was selected as one of the writer collaborators in the installation El Ultimo Libro, Aguilar Branch of the New York Public Library. This is the third exhibit of the project and her work, after the Buenos Aires and Zurich libraries.
Her writing is highlighted in the 50th anniversary issue, and other issues, of Danse Macabre. sleigh’s website, http://bit.ly/iionKS , features three of her poetry collections: These Things are a One Thing,  Our Nature: External Landscapes, and This Nature: Internal Landscapes. She will release a fourth book of post structuralist poessasys soon. Her newest project is writing and producing videopoetry.

Sleigh was educated at the universities of Delaware and Michigan, traveled extensively, taught for some time at the college level, and now lives by a lake where she draws her inspiration.

Penn Kemp TWO POEMS

REFLECTING MIMESIS

As owl hoots through a spangled sky,
I slip from the dominant design of vision
to sleep doubling to dream, fallen into ear.

Atuned.  Ear prints’ whispered lineage
alerts us to evolutionary danger even
as awareness expands beyond my scope.

Dropping off, all ears, I tune in, transform
visual  illusion for glamorous aural chimera
wonder where Beauty disappears in clamour.

Duplicity entrances, the diversity of
possible beings that inhabit the world,
whose lives are played below our sight-

line.  They know their path and do not
deviate.  We who’ve taken wrong turns
over and over since the Neolithic watch

in wonder.  And wonder how to return
to such simple complexities with intact
consciousness.  The jewel in our crown,

that we know we know, we do not wish
to lose in merging with all that could be.

Night rustles outside our window, murmurs
and squeaks.  Whimpers follow outraged
raccoon yowl.  Orange and black streak

across the dark pane I can’t see through
into night creatures’ world, conjuring
interlaced smells of skunk, mouse, bat
disturbing our neighbour hound’s nose.

Scent leads a trail to territorial war, deep
enmities nurtured throughout the long wee
hours before dawn lifts that velvet cloth to
reveal grey, seeping shade back to clarity.

Daylight cicada notions begin threading a
brightening air.  Dragonflies wing-web
the pond.  Inside I still dream of prowling
tigress, striped goddess stalking the dark.

ALL THINGS CONSIDERED

Pale sun on snow pulls me from the poem
to the window, lights  a shaft of spinning possibility.

On the shelf inside the storm, an empty                         
pitcher of light awaits sage and summer
savory.  All puns are planted to present

these things as if saying were enough
to conjure the perfect illusion illuminated.

Now.  At the turning of the year after
nadir of deepest darkness, the small

Moon of Long Night turns to beam
over the orchard above the frozen lake.

The sun stands Solstice still, holding
its breath, biding its time until released
to start once more in utter clarity of cold.

In that perilous moment before cycles
start up again, we all can fall through
cracks.  Interstices of ice drag us down.

We grope from dusk to dark to light.
We slip between stars, drawn out

beyond what we know, considering,
considere, to be with the luminary.
in the void we have too long avoided.

We fall, we fail to grasp the star we
hang on, the metaphor we reach for.

We grope from dusk to dark to light
that is meant to trick, to lead us astray
en las estrellas, through this vast space.

We sleep warily, drifting far, unsecured
by orchard, by lake, by familiar bed.
Hold on!  But there is nothing to hold fast.                         

Since Coach House Press published her first book in 1972, Penn Kemp has been pushing text and aural boundaries, often in participatory performance.  Her publications include 25 books of poetry and ten CDs.  She presents her Sound Operas in happy collaboration with actors, poets and musicians.    http://mytown.ca/poemforpeace/ includes the video of Penn’s “poem for peace in many voices” and, in audio, many of 126 translations.  The Association of Canadian Studies sponsored Penn’s tours throughout India and Brazil, with the Canada Council’s aid.  Again thanks to the Canada Council, she has performed in Germany and Britain, most recently in Glastonbury.  Through Pendas Productions, Penn edits and publishes poetry book/cd combinations, http://mytown.ca/twelfth/.