David Hughes BARBAROSSA

August 29—early

Arrived last night in the ‘Pension Kaiser Friedrich’ in a sleepy little town called Tilleda. It’s on the edge of the Kyffhaeuser Mountains in the southern German state of Thüringen, the so-called ‘green heart’.

In the mountains—mid morning

Set off early after one of those solid German breakfasts of ham, cheese and rye bread, and I’m now looking down on the town from the foothills. I know this is a place of ancient legends, although in my ignorance I haven’t actually done much reading up. That’s the trouble with inter-railing: you see so many places, struggle with so many different languages, that you can’t take it all in after a while. In any case, I haven’t seen my guide book since Munich. These mountains definitely have an other-worldly feel, though, aided and abetted by the scarcity of people and the mists that hang around the peaks.

Back at the hotel—evening

The scenery was incredible. It’s the sort of place you have no trouble believing in magic. I had a slightly strange experience myself, actually, right in the heart of the hills. It was nearly midday, and I’d just been thinking how I hadn’t seen a soul for hours, when all of a sudden, I realised there was someone nearby. Not only someone—it was a dwarf.  He was looking intently up at the summit of the tallest hill.

I didn’t say anything for a moment, but then he broke the silence. ‘You haven’t seen any ravens flying here, have you?’ It seemed an odd question, and I hesitated, thinking I’d misunderstood his German. ‘Englander?’ he asked. ‘Jah, aber…’ I fumbled. ‘Ravens?’  he clarified in a thick accent: ‘Ray—ffenss’, pointing upwards. ‘Nein,’ I told him. ‘Kein Raben.’ He nodded curtly and went off down a narrow path towards the large hill whose summit he’d been scrutinising, muttering to himself and chuckling.

I watched him for a minute, then took my eye off to look up at the summit for probably a faction of a second—and when I looked back, he’d disappeared—seemingly into thin air. You certainly come across some situations on this kind of trip you’d never had guessed at—like that guy from Rio I met in Barcelona who turned out not to be a guy after all. But that’s another story.

I got back into town to find it buzzing with activity and excitement.  It’s a tiny place, and as I went down the street off the square back to the Pension, I had another strange vision: in a barber’s shop, a large man dressed in what looked like old-fashioned undergarments with an incredibly long red beard—it reached to the floor, and pooled there—was being  attended to reverently by the barber. On a hat-rack hung a chain-mail coat and helmet. A number of other, grizzled, hairy, tough-looking men dressed as knights waited patiently on chairs—one leafing through a magazine. Some kind of re-enactment society, no doubt. I almost wish I was staying a bit longer, but I need to push on into Italy tomorrow, if I’m going to see something of Venice, Rome, and the south.

Turned on the TV just now. Didn’t catch the whole story, but it looks like the Italians have closed the northern border for some reason. Footage of lots of nervous-looking Italians dashing about. Then they went to a press conference in Rome, where, from what I can glean from the original Italian and the German on the news, the Prime Minister was saying his nation stands ready to counter any aggression from Italy’s historic foes.

On reflection, I must have got that badly wrong, although I can’t imagine what must have happened. Ah, well, better turn in. Early start and all that. Expect I’ll find out tomorrow.

 

Kaiser Friederich I, a German Holy Roman Emperor who waged nearly constant war on the Italians, (who nicknamed him Barbarossa because of his red beard) died suddenly in 1190 on a crusade in Turkey. He was a much-loved Kaiser, though, and his subjects refused to believe he had died, saying instead that he was asleep with his knights in a cave deep in the Kyffhaeuser Mountains. Every hundred years or so, according to legend, he sends out a dwarf to see if the ravens are still flying round the mountain as they have always done. If they are, the Kaiser sleeps for another 100 years. However, when the ravens no longer fly round the mountain, the Kaiser will return, and everything will be as it was in his day.

 

David Hughes was born in Nairobi. After studying French at London University, he worked as a language teacher, then as a clerk, and communications officer for an insurance company. He now lives in Essex, England, working part time for a housing association. David has placed work with British humour magazine Viz, had a short story broadcast on BBC radio, and others published in Whortleberry Press anthologies. A ghost story is due to be recorded by Sniplits in the near future. As well as the occasional appearance in its pages, he moonlights as DM’s Station Chief, Europe.

Gregory Kimball POEMS AND PROSE

ANDY, IN THE PARLOR

Andy sat in the chair and stared at his feet and began to plan an immediate retreat. Sylvia regarded the nervous young man from her imperious perch upon the divan. There was a dish on the table with candy inside. “Have one, why don’t you?” Great Aunt Silvia cried. Hard candy it was or so it seemed with a surgery gloss that radiantly gleamed. Andy, unsure examined the pile. Whatever it was it had been there awhile.
“Go on,” said Sylvia. “And have a small treat.” Andy just fidgeted and looked back at his feet. “Come, now.” coaxed Sylvia. “They certainly don’t bite.” But Andy was cautious in the dim spooky light. Aunt Sylvia was ancient and should have dead and the rouge on her cheeks was a troubling red. With her gray hair blue pulled severely up tight. She’s the one; Andy thought that would probably bite.
Andy sipped at his soda and avoided her stare and wondered again what he was doing there. He should be travelling fast on down the block instead of staring at candy as hard as a rock. “Oh, Andrew,” said Sylvia. “Don’t you be shy.” And she inched the dish closer to the little guy. ‘Well,’ thought Andy as he considered a bit. ‘One little piece and I’m through with it.’
Andy reached down inside of the dish. He’d eat the damn candy if that was her wish. When his hand touched the mass in the dish on the table his demise was of one in a gruesome Grimm fable. Travelling up his arm and into his brain shot a searing electric bluish white flame! Andy’s limbs stiffened as his life light went out and his lips tightly froze in a final last pout.
Aunt Sylvia smiled sweetly and sipped at her tea whose saucer was balanced there on her knee. In his chair sat Andy turned completely to stone like some child king awkwardly upon his throne. She toasted to Andy a modest farewell and tapped the button on a small silver bell. Uncle Charlie attended to their cold dead guest and they lovingly put Andy in with the rest.

THE

PHANTOM CHICKEN

OF

HIGHGATE HILL!

“What!” cried Morris. “Have you lost your mind? I know what I saw! I haven’t gone blind! It was a chicken, I say! About this tall! It squawked and flapped and went in the wall!”
Upon the chicken the man was fixated and the Inspector suspected he was pixilated. “A chicken, you say?” the Inspector said. There was deep dull pain inside of his head. “A squawking chicken that walks through walls?” A dampening mist was beginning to fall. “A chicken!” said Morris. “Of feathers and beak!” The Inspector replied with a twitch of his cheek.
The inspector regarded the tip of his pen and casually remarked: “Rooster or hen?” Morris pulled at his clothes and stomped both his feet as an unhealthy sweat he began to secrete. The inspector wrote something down in his book. “Right then.” said he. “Let’s go have a look.”
“At last!’ said Morris. “At last you will see that I am not the madman you suspect me to be!”
The inspector knelt down and examined the wall made of rock and mortar, about four feet tall. Kneeling there on the damp green ground with ear against stone he listened for sound. “Quite solid.” he said. “No doubt about that. Morris quite suddenly threw down his hat!
“It was a chicken, I say! Do you think that I’ve lied?” His eyes were bulging and incredibly wide!
The Inspector shook his head sadly and looked slowly around as Morris rather violently threw himself down!
“Squawk!” squawked Morris. What else could he say? And he jumped to his feet and bolted away.
“After him, men!” came the Inspectors shout as Morris ran on his sanity in doubt.
He was flapping his arms and attempting flight as the Inspector regarded the distressing sight.
“Squawk!” squawked Morris and “Squawk!” yet again. It was a terrible state the man was in.

Flashing along at a frightening pace with the police at his heels in their reluctant race. Squawking and flapping Morris fled on his tracks left behind on the dew damp lawn. In a final swift burst he gave it his all and lowered his head and ran in the wall!
The Inspector perplexed turned twice around and took off his hat and sat silently down. Morris had vanished into stout solid stone leaving the policemen standing alone. The Constables stood dumbly with nothing to say and the Inspector, rather roughly, sent them away. Shaking his head and looking quite grim as his grip on his sanity was growing quite slim.
He tapped the ground softly with the tip of his cane and stifled a sneeze in the chilling night rain. “Madmen and chickens.” he managed to say and he lit up his pipe and put the matches away.
Up in the sky the clouds gave way unveiling the moon from their dismal gray. Slanting silver slices of moonlight shown upon the Inspector left sitting alone. Sitting and smoking and tapping his cane his thoughts were racing inside of his brain. He removed a small flask from inside of his coat and the liquor was hot on the flesh of his throat. No breeze was blowing in the moist damp air but static was forming in the Inspectors hair. Off to his left on a moss draped log something was forming in the gathering fog. A shimmering orb of unearthly light was pulsing and flashing in the dark o f the night. Floating along first dim then bright the orb floated in and out of his sight. Accompanied by a thunderous crash the ball ignited in a fiery flash!
Glowing and ghastly in the spectral still came the Phantom Chicken of Highgate Hill! Throbbing and flashing and infernally bright malevolently green then brilliantly white. Shaking and shivering and partially plucked the chicken unleashed a resounding “Cluck!”
The Inspector lashed out with his stout wooden cane swinging and slashing again and again! Ungodly it was and devilish indeed and it darted away with insidious speed! Cackling and clucking its chicken light grew as its radiance reflected in the covering dew. Assaulting the Inspector with its taunting call it squawked and flapped and went in the wall!
The Inspectors poor patience had grown quite thin and he lowered his head and followed it in. The darkness enveloped with a welcoming black when his head hit the wall with a sickening crack.
After three long months in intensive care the Inspector assessed the dreadful affair. He resigned from the yard and walked out of the door and bought a nice cottage on the English shore.

MICE!

In the dead of night through the pouring rain
Came the tapping sounds of three tiny canes.
Up the walk and through a hole in the door
Their lightening flashed shadows cast on the floor.

Their eyes were useless and their tails were gone.
The terrible tale told in a children’s song.
The clock in the kitchen, its chiming had done.
Big hand on twelve and the smaller on one.

Guided by sense and memories alone
They climbed up the cord that hung from the phone
Moonlight through the window streaked with rivulets of rain
Revealed on the counter a dark grisly stain.

Amidst the clutter where they once had played
Beside the grim sink the carving knife lay.
They pushed and they pushed and they pushed some more
And the carving knife fell to the kitchen floor

Nudging and sliding they moved it along
Determined to right a horrible wrong.
Across the cold floor their tiny feet crept
Into the room where the old woman slept.

Confused and shaken she awoke with a start
As the carving knife plunged deep in her heart.
They leapt from the bed without further delay,
Turned their nubby nubs and ran blindly away.

EMILY, IN THE MORNING

Into the room where Emily sleeps
The light of the morning begins to creep.
Nudging away the darkness there
And gently caressing her silken hair.

So sweet is she. Continually bright.
Beautiful and glowing in the morning light.
Night withdraws just like a thief
And I quietly consider pulling her teeth.

NINE AND FIFTY SWANS!

Fifty six
Fifty seven
Fifty eight
Fifty nine
Sixty

Damn it!

One
Two
Three
Four

Gregory Kimball is a friend of Danse Macabre. He is originally from Dallas, Texas, and presently domiciled in Anchorage, Alaska. He checks the obituaries each day to see if his ex-wife has died yet.

E.D. Karampetsos SMOKE BLOWING IN THE WIND

SMOKE BLOWING IN THE WIND

E. D. Karampetsos

“Tell me, Dino, do like Ozan as a person?”
“Sure. Of course I do.”
“Do you respect him?”
“Certainly. He’s one of the nicest people I’ve ever met. . . . Alright, Hikmet, what are you getting at?”
“Don’t act like you don’t know?”
“C’mon, calm down. I have no idea..
“You’re right, you are clueless. Have you seen Ozan lately? Have you seen what you did to him?
“He’s not a boy. He’s in his mid-twenties.”
“Don’t quibble. You know as well as I do that in mind and spirit he’s a boy. All he wants from life is to play soccer and to go back to his town in Turkey so he can teach sports to high school students. He’s just a simple farmer’s son. He was always so happy, and now look at what you’ve done to him.”
“I didn’t mean to hurt him. I told him what I’d done and seen in Dr. Jesperson’s lab, and he asked if he could try it. I arranged for him to get in and showed him how to use it, that’s all. He was so excited. I couldn’t imagine that it would upset him so much.”
“Upset! Upset! That doesn’t even begin to describe how he’s suffering. He can’t concentrate and if he doesn’t snap out of it, he’s going to fail this semester. If he loses his scholarship, that it’ll be it. He has no money and his family is poor. He’ll have to go back to Turkey and forget his dreams. Before, all he wanted to do was finish his studies and go home, now he’s cut off communication with his family. Do you know, they’re so worried, his parents flew here to see what was wrong, and he won’t talk to them.”
“I didn’t know it was so bad. When he came out of the lab, he hugged me and called me ‘brother.’ Then he said he’d been on a long voyage and needed to go home to rest. I haven’t seen him since”
“You’d be shocked if you did.”
“Where are you going?”
“I have a few things to take care of, but when I come back I want you to show me the lab. I also suspect that you did more than show him how to use the equipment. There! I can see it in your face. Sooner or later you’re going to have to explain yourself.”
One might say that Dino Katsambelis had been prepared from the womb to destroy Ozan’s joy. Although he was born and grew up in St. Louis, Missouri, his imagination and ethnic sense had been nourished by stories about the Greek homeland told and retold by his parents and grandparents, and other members of the Greek immigrant community.  He particularly enjoyed hearing about the heroic exploits of his ancestors in battles against the Turks who had oppressed the Greeks since their conquest of Constantinople in 1453. Descriptions of the slaughter that followed the collapse of the Greek army in Asia Minor in 1922 or the invasion of Cyprus in 1974 left him so depressed he couldn’t eat. The progeny of generations of warriors, Dino felt cheated that he’d been born after 1974 and wasn’t around to fight against the Turks himself. Not that he would have been much use. In fact it’s impossible to imagine a fellow like Dino wearing camouflage fighting in the front lines. One look and his commander would have consigned him to some obscure office well to the rear of the fighting where he would have been charged with updating the history of the regiment or battalion, or something equally unimportant. On completing high school he’d briefly contemplated joining the Missouri National Guard, but the prospect of repeated rotations to either Iraq or Afghanistan, and the near-hysterical opposition of his mother, convinced him to go to the university where he could study history, which he loved passionately.
Although he’d entered graduate school when he was still only in his early twenties, he was already full of regrets. Aside from the prospect of living his entire life in a world where rapprochement and globalization rendered his dream of fighting the Turks increasingly unlikely, his parents were too poor to support him so he could dedicate himself fulltime to his work. Every month they sent him whatever they could afford to supplement his scholarship. However, after 2008, there were months they couldn’t spare any money, and, for the first time, he’d been obliged to get a job which brought him to Jesperson’s lab where he was given a menial, night shift job.
Professor Jesperson himself interviewed Dino and explained to him in the simplest, most direct manner that he was to do only the tasks assigned to him and, above all, touch none of the equipment. “We’re conducting research that might change the course of history. The equipment we’re using is extremely expensive and delicate, so keep your hands off. Do you understand?”
Dino resentfully nodded yes. Jesperson, he felt, was patronizing him—a graduate student in history after all! —And he briefly considered walking out without saying a word, but he needed the money.
Professor Alfred Waldo Jesperson was a legend on the university campus. He was one of the pioneers in DNA research, and many felt he should have shared Watson and Crick’s Nobel Prize. His AIDs research was crucial to bringing the disease under control. For most of his career his ground-breaking research brought him prizes and fame, and, more important, private companies and the U. S. Government lined up to offer him generous research grants that guaranteed him first class facilities and an army of assistants. The last few years, however, he’d slowed down, something noted by the university administration, which hastened to inform him that, if he didn’t raise more money for research, they’d have to give his lab to a younger, more ambitious, researcher, and he would be relegated to a small office in an old building on the edge of the campus. This was, as Jesperson knew, where they assigned burned-out faculty until they either resigned or died. His lab privileges would be retracted and, instead of doing research, he’d be forced to teach undergraduate courses, a form of drudgery almost beyond his imagination. He, who could barely abide the presence of graduate students, found the idea—however unlikely—of teaching freshmen and sophomores terrifying. He had to find something else. He needed a miracle.
The miracle came in the form of articles, including one in the New York Times, describing the work of “Richard O. Prum, an evolutionary biologist at Yale,” who, along with fellow scholars in Beijing, discovered that the feathers of the Sinosauropteryx—imagine a dinosaur resembling a fancy rooster—contain melanosomes, which permitted the researchers to determine the colors of the long-extinct animal. The pictures that accompanied the articles were absolutely stunning. Jesperson decided that he would become a pioneer in the new field of research.
Jesperson soon lined up enough money in government and private grants to justify his taking over an entire floor in one of the new buildings on campus. It was reassuring to know that if he didn’t discover anything, the money would last at least until he was ready to retire. As the lab was being set up and the equipment tested. Anita Singh, a graduate student from India who had studied melanosomes in Beijing during a semester there, said she’d always had a feeling that they seemed to also be in constant motion and that they were emitting some sort of sound. Jesperson pooh-poohed Singh’s idea and had her transferred her to another lab where she would never be heard from again. However, not one to miss an opportunity, Jesperson decided to test Singh’s hunch. Hinting at a possible scientific advance that would eclipse the one at Yale, Jesperson convinced the university administration to finance a generous expansion of his project, and collected the most technologically advanced equipment for the amplification of sound and images he could find.
The first time Jesperson tested his equipment, the image projected on the screen resembled the view from an airplane flying through clouds, or maybe smoke rising up from a cluster of campfires. In fact the image made him think of all the campfires when, during the previous weekend, he’d participated in the reenactment of a Civil War battle. Then, suddenly, it occurred to Jesperson that he was looking at the Battle of Gettysburg. He summoned his assistants and pointed out many of the details of the scene for those who were unfamiliar with Civil War history. Several hours later, when an exhausted Jesperson ended the session, he was already thinking of filming the entire Battle of Gettysburg. As they filed out of the lab, several of his assistants thanked him for his commentary. “It made everything every little thing crystal clear. Wow! I never thought I’d get to watch the Battle of Gettysburg.” Jesperson decided to present his preliminary results in Beijing and then at a conference a few days later in Munich. He considered inviting himself to Yale, but decided to play hard-to-get and force them to invite him. He made airline reservations the same evening. Then he took off a few days to review the history of the Battle of Gettysburg in preparation for the marathon recording session he was planning.
From his substantial collection of Civil War histories, he took: Busey and Martin’s work, Edwin C. Bearss’ Fields of Honor: Pivotal Battles of the Civil War, Harry W. Pfanz’s history of the Battle of Gettysburg in three volumes, one volume for each day of that fateful engagement that signaled the end for the rebel forces. He went back for Bruce Catton’s Glory Road, an older history of the conflict, but beautifully written. When it occurred to him that it might be useful if his assistants knew more of the history, so he wouldn’t have to constantly interrupt his work to explain to them what they were looking at, he told them to read Steven E. Woodworth’s Beneath a Northern Sky: A Short History of the Gettysburg Campaign and assigned each one a single volume of Phanz’s work. Then, almost as an afterthought, he called in again to instruct one of his assistants to build a control device so he could more precisely tune the apparatus to the time period he wanted.
It occurred to Dino that Jesperson’s discovery would revolutionize, not only Civil War history, but all historical research. He imagined doing all the research for his dissertation in the lab. Books, nice thick ones, would follow, and so would research grants, professorships, and international conferences. It made him dizzy to think of the prospects. He had to find a way to do more than sweep the floor and make photocopies.
Dino didn’t wait long for his opportunity. The lab assistant who remained behind to assemble the control dial, explained its functions to Dino who was the only one available to admire his work. As soon as lab assistant left, Dino, having paid very close attention, turned on the apparatus.  The wall filled with light and Dino saw Robert E. Lee on horseback, surrounded by Confederate soldiers, observing a battle in the distance. He assumed the scene was where Jesperson left off viewing. Until he remembered that he wanted to see his ancestors fighting the Turks, he watched as riders coming from the front relayed information to the general and then returned with new orders,
He touched the dial gently and almost magically the scene changed to a site near his parents’ village in Greece where several members of his family fought as part of a guerrilla band that once defeated a much larger Turkish army unit. Dino’s relatives had proudly given him a tour the scene of the battle only a few months earlier while he was vacationing in Greece.
The Turkish unit was marching toward his ancestral village to teach the inhabitants the price of rebellion. Meanwhile, the andartes, or guerillas, had prepared an ambush and were waiting for the Turks to approach. A fusillade from the Greeks cut down several Turkish solders. Some died immediately, while others cried in pain. The remaining soldiers took cover and engaged their attackers. From the hills above someone shouted “Aeerraaa!” the battle cry of Greeks. Swords drawn, men in fustanellas—white kilts with four hundred pleats, one for every year of Ottoman occupation—charged the Turkish position. Both sides fought fiercely.
As he led his men into battle, one of the Greeks resembling Uncle Antoni, his mother’s brother, caught Dino’s attention. This must be my ancestor who captured the Turkish flag, Dino told himself. Dino watched as the man stabbed the Turkish officer mortally and then wrenched the Turkish flag from the standard bearer who had been standing next to the officer. Disheartened, the Turks retreated while the Greeks cheered and raced after them. It was amazing! The battle had taken place exactly as his grandmother described it.
The next day Dino told Ozan about what he’d seen. When Ozan wondered if he’d be able to see his Janissary ancestor, Dino offered to sneak him into the lab. What Ozan saw broke his heart.
Recruits for the Janissary corps were drawn from the children of the Christian subjects of the sultan. The child tax required that ten percent of all Christian children be turned over to his tax collectors. Ozan watched two brothers, eight and twelve, who he assumed were his ancestors, pulled from the arms of their weeping mother and forced to join a small army of children marching toward Constantinople. Ozan was surprised that he seemed to understand everything that was said, even when it was in Greek. In principle, families were required to hand over only one son, but tax collectors frequently took more than one to satisfy their quotas, and to make up for children who died along the way. Occasionally, an especially handsome boy was taken to satisfy the lust of the tax collector or as a gift for a patron.
The twelve-year old was a good-looking boy, and the tax collector couldn’t keep his hands off of him. Early each morning he’d return, seeking shelter in his brother’s arms, weeping and ashamed. At first the younger boy would whisper, “Don’t worry, I’m praying to Christ to save us,” but the road was long, long enough for the threats and beatings to convince even the most determined child to convert to Islam.
In Thessaloniki where the tax collector and his charges rested a few days to gather strength for the final leg of their march, the tax collector decided that the twelve-year-should serve in the harem of Karim Pasha, an influential local figure. To guarantee that the boy could not interfere with Karim Pasha’s wives and concubines, he had to be castrated and his penis replaced with an ivory tube so he could urinate.
Ozan wept as though the knife were cutting into his own flesh. The cries of the child begging for mercy made him ill. The younger boy watched as his brother died painfully over several days as the result of an infection. Then he was dragged off to join the line of marchers heading to the ancient capital of the Eastern Roman Empire. At this point Ozan abandoned the lab and went home haunted by the nightmare he had just seen.
“I decided I am really Greek,” Ozan told Hikmet as his tears flowed. “How can I be a Turk after what I have seen?” Then he explained how he had approached some Greek students he knew to explain his transformation. “They laughed at me. I think they thought I’d gone mad. When I tried to talk Greek, they laughed even harder, and told me I wasn’t speaking Greek. Hikmet, I don’t know what to do. I can’t stand the idea of seeing my family. How can I tell them what I saw? How can I tell them I don’t want to be a Turk anymore?”
That next morning Hikmet went to Dino’s room and insisted was his turn to visit the past.
“Aren’t you afraid?”
“I’ll take my chances
That evening, Dino let Hikmet into the lab where he remained a couple of hours. While Dino performed his usual janitorial tasks, he glanced from time to time at Hikmet, who seemed to be watching the projection wall intently. Occasionally, he seemed to be conversing with someone. When he was done, he said, “I’m starving. Let’s go somewhere where I can get something to eat and then we have to talk.
After Hikmet finished eating, he smiled, “I was starving.” Then he looked Dino in the eyes and his smile became a frown. “Now, my friend, no more excuses. I want to know exactly what you told Ozan before he went into the lab?” Dino looked guilty. “I mean, what did you tell him about the child tax?”
Dino hesitated, “Ozan told me that he wanted to go back to the time of the Janissaries, and . . . and I suggested he begin with the recruitment of the Janissaries as children. I was just trying to help.”
“Let us assume that you had no ulterior motives. Okay, Dino? And let us also assume that you had no idea of the damage your suggestion would cause.”
“I’m sure he’ll get over it. . . . Won’t he?”
“Perhaps, if he doesn’t commit suicide first.”
“He wouldn’t do that.”
“He’s closer to the abyss than you think. I want to say a few more things to you, and then we have to go save Ozan. Together—do you understand? Together—the two of us have to save Ozan. First, let me say what I think of that contraption in the lab. In my opinion Jesperson doesn’t know what he has there. It’s neither reading my DNA nor projecting the history of my family and my nation.
It’s something altogether different. There’s more graphics, than biology at work here. It’s a question of how we see, and how our brain reacts to stimuli from outside us. For example, while I was using it, did you see anything on the screen.”
“I didn’t really see anything. Of course, I wasn’t watching over your shoulder all of the time.”
“Yes, yes, but what did you see? Can you give me some details?
Dino was quiet for a moment. “Well, I did see a scene from the sultan’s harem . . . a couple of times . . . maybe more.”
“I saw a lot of things,” said Hikmet. “Before I came to the lab, I surfed the web for ideas and I chose several things I wanted to see: the closing of the Academy in Athens by the Christians, the death of Hypatia at the hands of fanatical Orthodox monks, the fall of Constantinople. I saw all of those things. Do you know why? Because I was prepared to see them. They were already in my mind. That’s why. The reason you didn’t see what I saw was because I didn’t tell you anything.”
“I don’t understand.”
“Why did you see a harem? Several times, in fact. Do know why? I never took my eyes off the screen and I never saw the inside of a harem. So why did you?”
“I don’t know.”
“Think about it a moment.”
“I’m confused.”
You saw a harem, because that’s what you were thinking of. You didn’t see anything of what I saw, because I hadn’t tell you about it. Jesperson and his assistants saw more or less the same thing because, when he told them what he was seeing, they saw it too.
“Now I’m even more confused.”
“Before you can see something on that screen, it has to be planted in your mind. I can only guess, but I suspect that when Jesperson enlarged the DNA he brought out some sort of unknown and unexpected property. As far as I can tell, it has nothing to do with DNA. All he’s created is an optical illusion of some sort. You think you see what’s in front of you, but you really don’t because your senses are confused. “
“I’m still lost.”
“We don’t necessarily see what is in front of us. We only think we do. Our brain sits in the dark room of our skull and receives chemical or electronic data that enters through the eyes, and even other parts of the body, and the brain interprets it. We only imperfectly perceive what exists outside our eyes.
“So, how does what you’re saying explain what we see on the screen?”
“It’ll take me all night to explain. Let me use the old metaphor of the theater of the mind. You’ve heard of that, right?
“Yeah, go ahead.”
“Before we had film, movies, video and all that stuff to put images before our eyes, people got most of their information from the written word and created a visual manifestation of it in what they called the “theater of the mind.” What Jesperson and his team created seems to stimulate the imagination into reopening that old theater of the mind and refurnishing it with whatever exists in the brain rather than outside of it. It opens what Aldous Huxley called the ‘doors of perception,’ which he and his followers opened by using LSD and assorted plants to produce a similar effect.”
As Dino slowly, somewhat vaguely, comes to an understanding of what Hikmet is telling him, he begins to comprehend the harm he’s done to Ozan. He’s also disappointed because his little experiment didn’t work with Hikmet. Ever since his early teens he had imagined what might happen if the Turks were somehow made to look into their past and discover their origins. After all, as far as he knew, many of them, maybe a majority, are descended from the Greeks they had conquered and largely assimilated over the centuries. He’d been encouraged in this idea after meeting Ozan and Hikmet. He and his new friends shared so much. He’d felt an immediate sense of recognition of the sort one has on meeting family members for the first time. Oh well, Dino told himself, there’s no sense in explaining all this to Hikmet, not that he was incapable of guessing Dino’s secret. “You’re right. I am responsible. Let’s go do our best to save Ozan.”
“Good idea.” Hikmet rubbed his hands together. It was just the beginning of the fall season and he was already cold. “I’ll never get used to this cold weather. By the way, Dino, I also read about the faith the Byzantines had that the Virgin Mary would intervene once again and save the city from those besieging it. You know, when I thought about her, I saw a huge shadow rise from behind the dome of Aghia Sophia. Somehow, I sensed that it was the Holy Virgin coming to the aid of her people. There was silence as she slowly approached the walls of the city, and then panic in the Turkish ranks. In an instant, the enormous army of Sultan Mehmet II dissolved leaving the battlefield strewn with weapons and treasure. Then I watched as the great gates of the city opened and the Emperor Constantine XI emerged with his bodyguard. Who knows, my friend, maybe in another dimension the Greeks still rule the city.”
“Where did you get an idea like that?”
Not long ago, I read that an Oxford professor, influenced by quantum physics, revived the idea that there are parallel universes where we also exist and live lives radically different from the ones we have, so I imagined a parallel universe like the one I described, and it showed up on the screen.
Meanwhile, far away, a seriously jet-lagged Professor Jesperson is sitting in a suite in the The Peninsula Beijing as he switches one DVD after another into his computer in search of the Battle of Gettysburg, and all he can find are opaque images that, at best, resemble smoke blowing in the wind.

E.D. Karampetsos (a.k.a. Thymios Carabas), Ph. D. in Comparative Literature, CUNY Graduate School (1978), teaches in the English Department of the College of Southern Nevada. He has published short fiction and literary criticism various journals. His books include The Sacrifice of Abraham (Athens, Greece: Lycabettos Press, 1989), The Theater of Healing (Peter Lang 1995), and Dante and Byzantium (Boston: Somerset Hall, 2009). On the Way to Ithaca will be published eventually by Pella Press.

Helen Calcutt THREE POEMS

SUNRISE

I came out over the roof
a red girl covered in a cling of soot
rubbed off cloud. Not quite
the awkward keel of the sun;
nor the sunlit hymn of roads before golden traffic.
With my smeared painted head,
waiting to be Present
as Moon is a priest
a tome, a light mistaken for a way.

MOON OVER BAY

The air’s gesture tilting forth
moon and old berry.

This is the light of the water in the dew
when the evening is the wrinkle of the old man
and the waters the dress of the older woman.

Things begin again and stop;
in the manner of crickets

holding their tongue, now
bent the same way of the lark

with the leaning of sails
over every lover,
and old timer
and silly dog

glistering back to their hill
with fire-dark behind them

under their hands.

HALF LIGHT

Rose nods,
unconscious grace;
calmly like a tired laugh.
Wind laughs. Throws her hair
or slice of neck, whichever
proffers,
soft eventuality.
Beauty resists. Under the black trees.
black stubs of thorn
and whistle-berry,
hum like smoke along the drifting downs.
Beauty smiles. Closes
one hand over one eye, lets the other
roam free,
over the naked body of the field.
Half-dead, shivering. Naked.

http://helencalcutt.com

Michelle Gaddes DRESDEN BURNING NEXT TO ME

DRESDEN BURNING NEXT TO ME

A crowd marched idly in my dream, criss-crossing

like an old tapestry. Their colours bled vibrant so

much that my eyes singed and faded out.

Then your face appeared, you wore beige as

you neared cat-like, smiling.

An empire, you were, towering and sure.

The dream cut to your office, a janitor’s den.

And then it segued to a blue field –

I sat idly watching a cold sun set.

The land wore winter and you were

Dresden burning next to me.

— from Aurora Borealis, coming soon from Ginninderra Press

Michelle Gaddes’ collection Aurora Borealis has a nerve, taking as its nomenclature one of the show-stopping wonders a sly Earth demurely reveals unto our usually unworthy eyes. To see those shimmering, spectral colours brushed across the night skies is to be reassured even the deeply unmade bed that is man cannot entirely muck up everything. Here Michelle stands at a toponomical precipice, wafting imagery, word play, and music across the skies of a reader’s consciousness, painting from a palate both ethereal and visceral. The cascade of titles in Aurora Borealis - dryly wrought ornaments, chromatic, emotionally tantalizing – loom over your journey as bespoke testimonies. They smite you with casual wonder, and make certain you’re not to look at the next poetic landscape quite the same again. — AHC

Cristin O’Keefe Aptowicz TAFT

 

Cristin O’Keefe Aptowicz

Taft

Everybody remembers Taft as our fattest president.

Teachers telling us the story: how Taft got stuck

in his own bathtub, how it took four grown men

to dislodge him. We’d gape at the comedy of it:

Taft holding out his fat arms for pulling, One,

Two, Threeeeeeee… and nothing. The three men

wiping their sweaty brows: We need another man.

Poor naked Taft, President of the United States,

and stuck in his cold marble tub, moustache wet

with exasperation. How long did he sit there,

cold and silent, realizing he needed help? Freed,

how long did he stand naked in front of those men

to thank them? Or did he dash off, modest towel

fluttering behind him like a white flag? Don’t think

he didn’t know. His college nickname was Big Lub.

He once sent a telegram to the Secretary of War

which read: Went on a horse ride; feeling good

to which the Secretary responded: How’s the horse?

Even during his presidential campaign, his opponent

gave out buttons that read: Nobody Likes a Fat Boy.

He was six foot, three-hundred and forty pounds.

He knew. But Taft could give a fuck. He was

ballsy. Ballsy enough to build the White House

a new bathtub, a huge bathtub, big enough

for six men, or one President. Ballsy enough

to let Mooly Wooly the cow graze brazenly

on the White House lawn just so that he could

gulp all the fresh milk he wanted. Ballsy enough

that when a New York State Senator named

Chauncey Depew put his skinny hands on Taft’s

wide belly and asked What are you going to call it

when it comes, Mr. President?

Taft just replied, Well, if it’s a boy, I’ll call it

William; if it’s a girl, I’ll call it Theodora; but

if it turns out to be just wind, I’ll call it Chauncey.

Taft was originally published in No, Dear Magazine.

CRISTIN O’KEEFE APTOWICZ has been published in McSweeney’s Internet Tendancies, Rattle, Pank, Barrelhouse, Monkeybicycle, decomP, Umbrella, and The Other Journal, among others. Her books include: Words in Your Face: A Guided Tour Through Twenty Years of the New York City Poetry Slam and Everything is Everything. For more information, please visit her website: www.aptowicz.com.

 

Will McConnell THREE SHORT POEMS

AFFODELL

Blue space is where you are.
No thinking at least, no real thinking
was done here. Don’t tell what you think

What’s felt, buried or hung or dried
and on and on, an old man holed in.
Keep me buried, he says.

No puzzles, they say. No more puzzles.
A wave stronger than a winding road
and gaps and leaps and jumps

With the people caught in mirrors
talking over others,
all others.

CONTEMPO MOVIE WARS

We sat on hills, but the only thing we had
at our feet were questions. Time went
without pain, dreaming it wasn’t over.
Nobody thought it should know.

But the sun stayed in grooved, fixed lines
because it was the only company left.
Listening, Mister List, teeming with
untapped God says I’m not sure.

A coat, some blood, and a puff of dust.
Folded neat, in a pile, they were left
under a note that reads as follows:
“Here lie the remains of a trillion

years at odds. Combined, quanitfied,
they resulted. It’s all we could find.
Nobody knows who left this pile.
No one was here when we left.”

N LAND

Has never looked so concise.
Landscapes tilt but tend to
come back as if they’d never
been gone in the first place.

A man sits outside, stirring.
Bells, pipes, and puddles
are found, not seen. Heard,
though not remembered.

Besides the man, everyone
walks a little too fast, as if
they’d never want to come
back or turn around or think.

He said to me, his eyes red,
“does it seem too Quick?”
But I was then gone, too.
He sat back down, stirring.

He swatted the dark with
sweeping thoughts: the places
he hadn’t been and the people
he saw before falling asleep.

Will McConnell is a local legend from Northern Michigan. He’s been published in Danse Macabre Du Jour and Spoken War.

Jerome Brooke CITY OF THE WASTELANDS

CITY OF THE WASTELANDS

Jerome Brooke

from City of the Mirage (Amazon)

The muse stood at the side of the blind bard. She whispered in his ear, telling him the history of the demigod, of the Conqueror.

Myths of the Old Ones, II, vii.

****

The mirage appeared very close. I could see the white towers of the city, as they shimmered on the horizon. I wiped the sweat from my brow with my sleeve, and took a sip of water from my canteen. I looked over my shoulder. I could no longer see the enemy chase cars. They had been in pursuit since last night, when my plane went down. I had parachuted from my wounded craft, and landed in the desert. After I landed, I fled into the empty waste, hoping that my beacon would be heard by our rescue.

I resumed walking. Perhaps I had come all this way only to die of thirst in this wasteland. I checked my canteen. Almost empty. I tried my radio once more. Nothing – not even static. I continued walking in the light breeze. I soon came to a boulder field. I walked among the rocks for a few minutes, until I came to the edge of a ravine. I glanced over the edge, and saw a fast moving stream below.

I climbed down the steep slope to the floor of the ravine. I filled my canteen, and pulled off my flight suit. I plunged into the water, and rinsed off the dust.

I sat upon a rock near the edge of the stream, to rest for a time. I soon pulled on my flight suit, and began to follow the stream. As I walked, a strange blue mist began to form, near the ground. The mist persisted, even though a breeze began to stir the air. I came to a large bolder jutting out into the stream. I walked around it, and saw movement out of the corner of my eye. I turned, and saw a woman of middle years stepping out of the stream.

“Hello,” she said with a smile. She spoke with a heavy accent.

“Hello,” I replied, and smiled. She had black hair, and dark, olive skin. She did not seem to mind that she had nothing on, in the strong breeze. This was all passing strange.

“I am the Lady of the Myst. Are you lost, Warrior?”

“Well, yes. I am heading west,” I managed to collect myself and say.

She pointed down the ravine. “Follow the stream. It leads to the plain. If you see anyone else, they may help you.” I nodded.

“I must leave you now. But you will see me soon, when you are ready.” She came up to me, and wrapped her arms around me. She kissed, and gently bit my neck. I felt a little dizzy, and also felt a strong attraction to her.

“Am I Enthralled by the Lady, the beautiful Lady Without Mercy?” I asked myself. I put my hand on her hip, and stroked her smooth skin. She was very cool to my touch, from the water of the stream.

“I must go now, Warrior.” She picked her robe from the surface of a rock, and slowly walked behind the bolder. I watched her go, and decided not to call out to her. I continued to follow the stream. After an hour of this, the stream passed into a barren plain.

I continued to follow the stream for a time. I stopped to rest, sitting upon a rock. I scanned the horizon, hoping to see some sign of human life. As I searched the horizon, I saw movement. Soon, I could make out dim figures, moving in my direction. At first, I assumed that they were men on foot. Then, I realized that they were mounted. I could count eight figures. I checked my revolver, and continued to move forward. As the men approached, I began to see them more clearly. The men wore long, white robes, with hoods.

The riders had seen me, and headed in my direction. As they drew closer, they formed a semicircle, and stopped, about thirty feet from me. Their animals were like nothing I had ever seen. They were large, stocky beasts. The animals each had a single horn rising from the center of their foreheads. I was a “Stranger in a strange land,” a land becoming more alien as the sun rose higher in the sky.

One of the men dismounted, and walked toward me. His hair was dark, and his skin a light brown. He wore a long white robe. He stopped a few paces from me, and spoke a few words. I did not recognize the language. He went back to his mount, and returned with a water skin. He gave it to me. I took a drink, and returned it to the man.

“Thank you, my friend.”

The man smiled, and looked puzzled. He pointed to the north, and said a few words in his language. Perhaps he wanted me to come with him. I nodded.

One on the men dismounted, and helped me onto the mount he was riding. The party was leading a pack animal, without a rider. The man who helped me climbed onto the spare mount. I was able to keep in the saddle as we moved off. My steed followed the others. I experimented with the reins as we went. The animal had a gentle temperament, to my good fortune.

I reflected that I was very far from home, indeed. I noticed that the men were armed with short swords. Water skins were tied to their saddles, along with other bags.

We rode north for an hour. We rode up a large dune, and stopped at the summit. In the distance I could still see the mirage. I looked more closely. I could make out high city walls. White towers rose behind them. The walls did not shimmer. “The real thing,” I said to myself. Perhaps the mirage was produced by the city we were now approaching. In time, I learned the city was called Santola Cor. The name meant “City of the Mirage.”

We continued to ride towards the city. We came to a dusty road, and began to follow it. We passed a number of carts on the road, drawn by more of the saddle animals we were riding. The carts had only two large wheels, not four. They were stacked with goods and produce. We soon neared the gates of the city. They were open, with carts rolling thru. Men with spears stood on each side of the gate. They wore helmets of gleaming metal, and wore coats of mail. We rode thru the entrance, and into a large square.

The street was surfaced with cobble stones. On the sides of the square were rows of stalls and booths, selling food and goods of various types. Some stalls were selling meat on skewers. The odor was enticing. Other stalls carried loaves of bread, bags of rice, or bolts of cloth. People on foot filled the streets and square. There were also men pulling hand carts, bearing food and various types of goods.

The people stared at me, in my flight suit, with my light blond hair. The people all had dark hair and eyes. We rode down the street, and stopped at the gate of a large compound. We dismounted, and led our mounts into a large courtyard. We gave them to some men dressed in brown tunics, who came to our assistance.

The men walked up to a large fountain. They removed their boots, and white outer robes. They wore short tunics underneath. They washed their feet, faces and hands. I followed their example. There were sandals lined up at the side of the fountain. We placed them on our feet.

We walked up to a large open door of the building. The house was lined with verandas. The structure was made of bricks, the lower level covered with white plaster. There were square towers at each corner. Broad platforms lined the walls. I later learned that the people sometimes slept outside on the veranda, to escape the heat.

The men filed inside. I followed them thru the doors. The room inside was large, with low platforms along the walls. There were bright frescos on the walls. Some of them were hunting scenes, some showing hunters slaying large striped creatures with wicked looking beaks.

The room we entered was full of people, all dressed in tunics. The people in the room exchanged greetings with the riders. The men gave their packs to some girls standing by the door. I took off my belt and pack, and also gave them to the women. Two new girls with long dark hair came into the room. One of them gave me a small bowl filled with water, and smiled. She wore a short tunic, tied at the waist. The girls had dark, short hair, and dark eyes. Some of them had eyes that were almost black.

The bowl the girl gave me was white in color, with a light blue geometric design. It was a graceful piece, with lovely angular shapes set in rows.

A man with a white beard entered the room. I later learned that he was the eldest of four brothers, and that most of the men of the compound were related to one or another of them. His name was Hantars. He looked at me with surprise, and had an exchange with the men from the desert. Hantars walked up to me, bowed, and smiled. He pointed to the girls, and said a few words to them. One of the girls took my hand, and led me to a door. The other girl followed. I later decided that the women were slaves, or bondswomen, of some sort.

I followed the girl out another door, and into a garden surrounded by a long wall. The garden was filled with fruit trees, and vines bearing grapes. I followed her along a portico, running along the side of the structure.

She stopped at an entry way opening into a large room. There was a door in the rear, opening into a garden. There was a small pool near the door, with a fountain. The water cascaded down from a spout into the pool below. One of the girls had brought my gear. She placed it inside the room, near the entrance.

The girls began to pull at my jacket. They seemed to be puzzled by zippers. I took off my jacket, and shirt. She tugged at my pants. I took them off, and she led me to the pool. She took a basin and dipped it into the water. She poured it over my head. The girls began to scrub my body with a rough soap powder. They poured more water over me with pails. They then pushed me into the pool.

The girls removed their tunics and joined me in the pool. They chattered, and splashed me with water, giggling. Then, they began to rub my shoulders and back. Their hands were strong, and they used pressure to ease soreness. After the bath, they gave me a cloth to dry with, then a robe to wear. They put their tunics back on, and led me into the room. The girls gestured to a mat in one corner, with smiles.

One of the girls pointed at herself, and said “Chan.” She pointed at the other girl and said “Tiya.”

I found my gear and revolver by the door, where the girls had placed them. I placed them by the mat. I turned off my radio. It would be of no use here, no one would hear. Anyone looking for me would only chase mirages in the desert.

The girls began to fan me, and gave me a bowl of wine. The wine had a sweet taste. The room began to grow dark with fall of night. A strong breeze came thru the open door. The trees swayed in the wind. I stepped unto the veranda and looked at the sky. The sky was clear, and filled with stars. There were two moons in the strange sky. Later I would see two more, smaller moons. One of the small moons was oblong, rather than round.

The moons were all present in the sky at times. Two were large, the other two smaller. There were also two narrow rings in the sky. The sky was a finer show than that of home, with a single moon. I was very far from home, indeed. I could only make the best of it all.

As I stood on the veranda, I heard a sound of a bird.

Whoooo!

Whoooooo!

           

From my right, I heard the beating of wings. I turned, and saw a large white bird, flying towards me. I stepped back, as the bird flew by, and disappeared in the night.

Whooooo!

Whooo!

I turned, and entered my room. The girls looked fearful, and peeked out the door. They seemed to have been unnerved by the call of the white bird. They then turned to me, and led me back to the sleeping platform. The girls took off their tunics once more, and helped me out of my robe. One of the girls touched my hair and smiled. She held her dark arm against mine, and giggled. She lay back against the cushions, and placed my hand on her dark triangle.

* * *

In the first few weeks of my adventure in this new world, I began to learn the language of the city. Much of my time was spent by the fountain, learning new words with Chan and Tiya. One corner of the garden was covered by sand. Chan drew a map in the sand for me. The city was in a broad plain. To the east was the sea, with a number of large towns and cities. To the west was a chain of mountains, and a wasteland with few inhabitants.

I was told that in the mountains was the abode of the gods. Moreover, I was told that this world was ruled by the Immortal Astarte. She was a divine Queen, and ruler of many realms. My days over the next few weeks were passed with language practice. The people were pleased by my interest in their speech.

A few weeks after I had been welcomed into the compound, Sarya and the others began to talk quietly among themselves after the morning meal. I could make out the words for weapons and the hills. The word “Gazen” was repeated. Sarya came up to me at the end of the discussion. He pointed to the murals, showing the strange beasts with a hooked beak. “Gazen,” he explained. He smiled, and touched my arm. I followed him out of the room.

We entered a set of large double doors. The door led to a room filled with bows, spears, and other arms. Sarya gave me a coat of mail, a bow, and helmet. I was also given a small round shield, a spear, and other gear. He smiled at me, and said the word, “Warrior.”

* * *

I woke early the next morning. There was noise outside, in the courtyard. Tiya and the other women exchanged excited glances. The girls helped me to, bathe, and to dress. Tiya gave me my sword belt, and helped me to arm myself. They led me to the courtyard. It was filled with armed men, preparing their mounts and packs.

Sarya led a saddle animal to me, and gave me the reins. He smiled and said a few words to me. I could make out the word “Gazen.” We mounted our steeds, and rode out of the city. We made our way toward a range of hills in the distance.

Sarya was accompanied by six of the men of the compound. There were two additional mounts, with packs, led by two of the men. The riders were cheerful, and at ease. As we rode, the hills became steep, with deep ravines. We followed a trail into a broad valley. The sun was setting, and we made camp. We ate dried fruit and cakes of bread – travel rations – and drank wine mixed with water.

The air was cool at night. The elevation gave a chill to the air. I wrapped myself in a rough blanket, and used my saddle for a pillow.

In the morning, we ate a handful of dried fruit and drank more wine mixed with water. After our meal, we began to ride towards tall cliffs at one end of the valley. We dismounted as the way became steeper, and led our horses. We reached the base of the cliffs before noon. We left the saddle animals with one of our party.

Sarya grew silent as we reached the top of the ravine. I heard a rock slide loose from above, and fall down the side of the ravine. The men began to fan out.

A sharp cry, like that of a bird, rang out. A dark shape darted out from among the stunted trees in the ravine. Sarya jumped into the path of the creature, and thrust at the beast with his short spear. Two of the men moved forward with their spears, to his aid. Another cry sounded, this time from the rear. I turned, and saw a dark shape coming thru the trees toward me. I jabbed at it with my spear. The creature reared up, and swatted at the spear. It was much larger than a man, with an evil beak, ending in a sharp curve. I remembered the mural back in the city.

Sarya appeared at my side. He jabbed at the creature with his spear. Another man cast his spear at the beast. The creature toppled over, with a cry of pain. I heard a cry from one of our party. I turned, and saw yet another of the creatures.

I pulled my sword, and rushed to the side of the animal. I thrust my sword deep into its midsection. The creature reared up, and turned on me. The beast gave a loud cry. The creature was large, even for its kind. Suddenly, an arrow appeared in its throat. Another arrow hit the animal in its chest. The animal reared up once more, and roared. One of the men, Thanya, leaped forward, and drove his sword into its abdomen. I cut into its side once more with my blade. The animal roared its pain.

The animal suddenly lunged at me, and clawed at my face and shoulder. I stabbed at it with my sword. It gave a final roar, and fell backwards. My face was bleeding, soaking my tunic. One of the men led me to a stone, where I could set down. He left, and returned with a water skin, rinsing off my face. I still bear the scars on my face and shoulder to this day. After we were able to stop the bleeding, we inspected the dead animals.

“Gazen,” Sarya prodded at the still form with his bloody sword.

We spent the next hour skinning the creatures, and building a fire to roast the meat. The meat had a salty flavor. We also had loaves of bread Sarya had saved for the feast. After the meal, Sarya pointed up the ravine. We walked a short distance, and came to the entrance of a cave. We carefully entered. The cave was large, with the floor covered with dried leaves and grass.

A large stack of boulders covered part of one side. Bones, fragments of cloth – and a discolored sword, helmet and coat of mail, rested among the stones. The bones had been cracked, to reach the marrow. The creatures had collected trophies.

We dug a trench in the ravine, and buried the bones and sword. We placed a stone cairn over the trench. Sarya tossed a burning firebrand into the dried grass. Smoke began to pour from the cave mouth. The odor of smoke followed us down the ravine.

We returned the next day to the City of the Mirage. The skins of the animals were cleaned and dried. One of the heads of the beasts was placed on a post, by the entrance of courtyard. The beak of the great beast looked ominous. Later, the women would use the pelts to make a cape for me.

The people passing in the street would often stop, and comment on the trophy. Men coming from the household would be drawn into conversation, and relate the details of the hunt. I walked out into the street one day with Sarya to find a small crowd gathered by the gate. We were greeted by a cheer from the people, with swords and staves raised high in the air. One of them pointed to the pelt of one of the creatures, on display on a frame near the main gate.

Sarya smiled and spoke a few words to the people. He touched my shoulder, and said a few words. I could make out the word “Warrior!” The people were eager to hear the tale of the hunt. My own role was magnified by Sarya, and that of my comrades almost forgot in time – in spit of my efforts to give them credit.

My scars became the subject of great interest as time went on. The women in particular came to admire the marks on my face. Scars seem to elicit an atavistic response from women. Arms and armor have a similar effect. This was my baptism with blood of the world of the Mirage. I, who came to be called the Conqueror, was to earn renown for my cloak of the skins we had taken. I was also to be known for the scars on my cheek and chest.

***

As you have commanded, gentle Queen, I have written this account of my first days in your realms. If all is seen by you to be fit and proper, it will be recorded in the Annals of the empire.

Long life and victory to Astarte, the Immortal!

 

Jerome Brooke was born in Evansville, Indiana. He now lives in the Kingdom of Siam. He has written City of the Mirage (Amazon) and many other books.

Jennifer York RICHARD IN THE UNDERWORLD

When sailing for Bombay, he met an old archaeologist, who had been to the Nile and discovered many new and fascinating wonders . This gentleman was in his eightieth year of life.  Together,  they pored over the gentleman’s copy of the Book of The Dead. Richard had, then, marveled over the etchings of creatures with crocodile heads and bird wings…Dog headed things, and snakes that could talk. Outside, the wind swept against the porthole…the ship rocked in the storm.

“And what do you think of Freud’s theories,” asked Richard.  “Is it possible that these imaginings are the dream-like projections of a diseased mind?”

The old man looked over the edge of his spectacles. His brown eyes were sympathetic.

“When it’s so horrible, it’s no longer just a dream”, he supposed.

**

Undressing for bed was impossible.  Richard found this out at the last, sitting on the edge of his narrow cot.  He did not leave his small apartment.  Instead he walked to the window, and leaned his elbows on the sill, leaning a little out.  There was pungent odor of sweat mixed with violets.  The street was still lively even at the advanced hour.  Carriages rumbled in the streets; the more traditional rickshaw drivers, too, dragged their cargo through the evening traffic.  What were these men about, he wondered. Shouldn’t they be home, with their wives, and their children?  As his thoughts moved down this vein, his carefully constructed scaffold of rationality and self-control collapsed completely. He thought only of Annika, and in a fantastical burst of emotion and desire he imagined himself weeping in her brown arms, weeping with joy at long last, not minding the self he imagined he had left behind, in a crumple of English clothing in an economical hotel in the European quarter.

Annika was his delight. He had discovered her; he was the explorer in a new and exciting country.  He had been smoking cigars with Cecil on a hot afternoon, in the pearl dealer’s market, when she passed.  He started forward, and, forgetting all custom, stared openly at the young woman in the red silk garments, at her dark, soulful eyes. The lower half of her face was veiled. She turned, and boldly regarded him in turn before dropping her lashes onto her cheeks…it was enough.

“Follow them,” he told his man, a native man who squatted in the dust next to his feet. The man gaped at him; he repeated the instructions in Hindi.  The man nodded, and chased obligingly down the street, flashing a brilliant smile at the woman’s guardian.  The party disappeared down a side street, his man still talking with the guardian, who now, comprehending the situation, turned and gave a suspicious glance to the Europeans who relaxed and smoked on the corner.

“She’s lovely,” he told Cecil. “I mean to marry her.”

Cecil dropped his cigarette, and made as many signs of amazement and disbelief as his age and experience had acquainted him with.

“Are you mad? How many women do you plan to propose to, in how many countries?”

It was a reference to Flor. Richard grimaced, remembered.

It was a dream within a dream. He woke up from that moment, found himself back in England, in a familiar, fashionable house.

“Three weeks,” said Flor.  She was standing in her father’s library, looking cool in her flowing green dress.  She was staring down the map on the desk, a skeptical expression on her face.

“You can’t possibly object to that,” argued Richard. “After that, I shall be yours for a lifetime.”

Who wrote that little scene, Richard wondered, lost in his reverie. Are we doing George Bernard Shaw, or Oscar Wilde?

After reflecting thus, he was recalled to the pearl dealer’s market.  He felt, again, the prickle of dust on his skin. The woman had passed out of sight; he could smell Cecil’s cigar.  And, just beyond, the scent of violets? Perhaps he was imagining it.

All that was a week ago, just a week. He had used the time to contact his bank in London, and make inquiries about transferring his employment to a Delhi branch of the company. All these things he did with the joy of a newlywed, even though he could not believe himself to be even barely attached to the woman in the pearl dealer’s market. But it’s love! He told himself.  It has to be, or nothing is anything.

Now, standing in his hotel room, reminiscing and waiting for Cecil to return with news,  he noticed a couple engaged in conversation.  The woman was European.  Her elegant suit was sparsely trimmed, and tailored.  She wore a wide hat. Her companion was a pudgy man of perhaps fifty, with a bald pate.  He was not as finely dressed; he wore a white shirt, open at the collar, and wrinkled about his thick neck.  His trousers flapped about his shoes.  They were arguing about something; the woman stopped; her voice rose in muted, halting protest, like a sibyl channeling a ghost.

He edged back from the window, suddenly fearful.  It couldn’t be, he thought. Certainly couldn’t.  He crept forward again, peering down at the pair, sticking to a darkened corner where he would not be noticed, watching from above.  The pair had shifted their positions a little; the woman angled towards the pudgy man, and a knot of brown hair was just visible beneath the white chapeau.

He gasped a little, involuntarily.  His thoughts continued in a rational manner, like a lecturer at a University, telling him that he must compose himself, and the manner of this attempt at composure was detailed, like cooking a roast, saying a prayer,  or removing a broken lightbulb from the socket.  But his heart beat wildly; he was a murderer caught out, washing a bloody sheet.

In a moment, the sky contracted, like cooling metal.  The night, so wild and electric, was reduced to people, largely stupid, and the simple tasks they performed with an apathetic discretion.

He looked a last time, hoping to find that he was mistaken.  The couple had wandered, but still lingered at a street corner.  The woman’s face was uplifted; the light fell plainly upon it.  The features were distinct.  There was no possibility of error.

He must go and face her, he thought. Here she was, looking for him, and poised below his window like a cat on a fence.  In a large booming city, she had managed to find him, and she meant to carry him back across the water, like Charon. For a fee, he must hand her a wedding ring.

He withdrew again in a panic.

It must happen this way, he thought. Fate will not let me be happy.  However, he soon dismissed the thought. Fate had nothing to do with it.  He had told Flor he was leaving for a trip to India, and someone must have told him of his activities since his arrival. She had come, worried about protecting her own selfish interests.  These were his rational arguments.  However, in another second the rational monologue was overwhelmed, and she was a genie coming to entrap him forever within the confines of her overheated parlor.

She must know that this was his hotel, or she wouldn’t be lingering about the corner, refusing to budge.  He should probably leave, for a time…let her make the inquiries she would inevitably make.

Breathing heavily, he pushed his room door open, and crept, guiltily, down the stairwell.  He must make the street without being seen.  He touched his forehead, realizing that he had no hat, and might be recognized.  Well, let her see me, he thought.  I’m not committing any crime

The desk clerk was watching him, alert to his confusion.  Once he realized this, a kind of injured pride made him strut towards the exit.  He attained the street, and made a sharp right, almost colliding with another pedestrian. He could hear his own breathing.  He would not look around, he decided. He moved with long, purposeful steps.

“Richard, he heard behind him. It was Flor, he knew it was Flor. Abandoning his injured dignity now, he broke into a run. Orpheus in the underworld, was the one thought he took time to run. There was no time for a second thought. Immediately upon entering the street, he collided with a man pulling a rickshaw, was bowled over, and fell into the street, was knocked unconscious.

He woke in a cold sweat.  It was morning. There was a knock at the door. “You’ve been dreaming”, he said to himself, and laughed.

**

“You’ve rather made a muddle of things,” Cecil announced.  Richard’s head was pounding; the pressure about his eyeballs was unrelenting.  He turned and saw his friend, sitting at his bedside in a simple rattan chair.  Richard breathed in relief.

“I know,” Richard whimpered.

“I went to speak with Annika’s relatives,” said Cecil.  “They are not absolutely against the match. I spoke with…the father, I think. Perhaps an uncle.”

““She’ll ruin me,” said Richard.  He meant Flor…Cecil shrugged.  He understood.

“Really, you must be sensible.”

“You’ve telegraphed Flor,” said Richard.

Cecil shrugged. “So what if I have?” He asked. “She’s an old friend.”

“Now she’ll come,” said Richard. Remembering a childhood taunt, he said, “Cecil, if you care for her so much, why don’t you marry her?”

“I didn’t ask her,” replied Cecil, coolly.

**

He began to suffer from headaches.  He supposed he saw Flor everywhere. Every white woman was Flor.  Flor haggled over the price of Oriental carpets, and asked about tours of ancient temples, could ladies go in? Flor liked the view from the river, but really something should be done about all these terrible poor. Flor wanted to adopt an orphan, eat spaghetti, learn Hindi.

Cecil wanted him to see a doctor.

The doctor was trained in Paris.  He wore a suit, but it was ill fitting, and the cloth was rather stretched about his midsection.

“Can you wait in here, please,” he said quietly. “Here” was a large room with banks of windows.  There were rows of cots, evenly spaced, and dividers of cheerful flowered curtains. It was a Christian hospital-the nurses were all nuns.

Richard did not respond to this, but instead seemed to shrink down into his leather chair.  One of the nurses, was wrapping the bandage on a man three beds down, pretending not to hear, but, Richard knew, absorbing every word.  He dreaded exposure, and his head throbbed. Closing his eyes, he retreated into a world of dreams and shadow figures.

In his dream, he walked a narrow window street.   He braided his path in a crowd of strange figures, men dressed in simple cotton garments.  He looked down, and saw he was dressed in the simple attire that they preferred, down to the simple sandals that adorned his feet.  It was hot, so hot…he continued to walk, to weave a path. Conscious that he must appear a strange figure to them, he assumed an air of self- importance that, he believed, must distinguish him.  The rattle of life, the hum of human voices speaking a strange, incomprehensible dialect produced a drowsy contentment in him…these strange words seemed to go back to the beginning of time itself, when, under a last Babylonian sky, men and women met as though for the first time, exchanging promises that had their origin with in one flash, like the birth of a comet.

As he walked, through this scene that was just as variegated as it was unending, he noted the sinking of the sun in the sky with a feeling of despair.  What would happen at night? An uneasy feeling took hold of him. He must return to his hotel…where was the white district? He made an effort to recognize street names, but he could not make them out, he could not make anything out.  Neither could he stop very long without making contact with the lean, hard bodies of the men and sometimes women around them; their bodies pushed against his, making an unspoken accusation against his presence.  It was intolerable; he must stop, he must make an assessment of his location in space, but he could not do so without disrupting the great and purposeful chain of humanity around him.  He could not turn and walk against the tide that seemed to force him only in one direction.  He walked, knowing he must, at length, fall and be trampled.

Just as this moment arrived, and he listed sideways, a friendly hand reached out and pulled him through an open doorway; an edifice he barely had time to note, in his fatigued state.

Glad to be, at least, off the tiresome street, with all of his strength ebbing away, he followed gratefully. The edifice seemed to be constructed in a labyrinthine pattern; he bent low to accommodate the low ceiling.  All he saw, in front of him, was the back of a man draped in linen, who walked before, but never turned to face him. At last, they reached an interior room, crammed with people…people sitting, people standing, people drinking and eating. It must be some sort of party, he thought.  They smiled as he walked in, and he felt himself start to smile in return.  He thought, at last, he might see the face of his benefactor…but then he awoke.

The doctor was standing over him, looking concerned.

“I’m sorry to keep you waiting,” he said. “You are suffering from headaches?”

“I think I see a woman,” said Richard. “I thought at one time I would like to marry her, but now she haunts me. She’s jealous…I…”

He took a breath.

“That’s not true,” he told the man.  “I am having headaches. Could you possibly write me a prescription?”

Reaching the street, a warm rush came over him, and he felt oddly rejuvenated, exhilarated.  His thoughts returned to Annika in a warm, luxurious rush.  Just a short time of unpleasantness, he told himself. A new world was beginning…here it was, in front of him, shouting and whirling in a flash of linen and strange perfume.

Still, you must rest, for a moment, he told himself.  He remembered a small park near the waterfront, not too far…he hastened there. Finding a seat, he took in a large breath and lingered over the scene in front of him; children playing in the water, laughing and splashing each other. A native woman crouched on a nearby ledge.  He had time to note the bracelet on her exposed brown foot, and wonder if Annika wore the same. Perhaps this woman was a friend of hers…anything was possible, he supposed, in this city.  He stretched his legs in front of him, and felt a hand on his shoulder.

He turned. It was Flor. She stood,  panting.  In her hand she clutched an expensive, incongruous bunch of roses.

“I followed you from the hospital,” she told him.  “What do you mean by such a stupid flight? I hardly know you.”

“You aren’t real,” he said. “You can’t be real. How could you…”

He turned from her petulantly. In a burst of disgust she walked to the waterfront, some ten feet away, and flung the roses into the water.  In his dazed state, he noted the bobbing red petals on the still water, reacted to him like the sight of his own blood…with a gasp and a shudder of horror.

“I mean to be like a hero in one of your Greek stories,” she told him, returning. “I mean to recall you to yourself. Can I sit for a moment, and talk to you?”

He shifted his weight to admit her figure on the seat, but warned her. “I am not the man I was.”

“I met you in my mother’s garden,” she told him. “I was six…you were eight, I believe. Your mother had given you a piece of hard candy to be polite to me.”

He shuddered. “Seems like another life.”

“You must come back,” she told him.  “In this world you would not survive. You would be torn apart, and spend the rest of your time on Earth searching for the pieces of yourself.”

Like the petals on the water.

“These people would tear you to pieces, “ she told him.  “You must begin the process of reassembling, in flashes of memory, what you are. And you might not ever make your way through it.

Her logic penetrated his disorder with the edge of a knife, and the clarity of a crystal. He lifted his fingers to his hair, and realized he must make a ridiculous sight.  He realized that it was something closer to pity, and the bonds of memory and family, that made Flor race after him.

“Still, to deny passion…” He spoke out loud, finishing his own interior monologue.

“You are not sure the girl wants you,” replied Flor. “If there is a passion, it must be entirely one sided.”

“No, I am sure she does want me,” said Richard. Then, in the next  breath, he added, “You are correct, I have no insight into her personal intentions.” These two ideas had a connection, he remedied confusedly to himself.  In the moment he saw her, he felt sure of an attachment, but neither could it be verified in words in a manner Flor would accept.

“I want you to reason about the consequences of your actions,” said Flor.  She stood, and extended her hand to him. “Come,” she said simply.

Wearily, he rose to follow.  Now the water was dark, unfriendly. The woman watching clothes had departed, with her children. A little light lingered about the center of the street, where the buildings did not obstruct it, and the people in the middle of the street, in their white clothing, seemed a little like angelic beings to him. But is there any way to touch them, he thought. Can I claim a little of their light, the dark secrets of their plastered lairs, their food, with its exotic scents and trails of fire in the throat?

He turned towards Flor. Not intimidated in the least by her strange surroundings, she marched along the unfamiliar street as though she were marching through a street in London. Nothing would touch Flor, he realized. She was as distant to him as the men in the street.  The realization struck his spirit with the impetus of a tiny silver hammer, and, to himself, he said “Oh! Oh!” in distress, with the same tenor.  Can this be life, he wondered.

She insisted on taking him back to his hotel, where he had stayed before, but was no longer registered. He supposed this was a perverse form of punishment, rather like rubbing a dog’s nose in its own mess.  However, he was not inclined to complain. His head throbbed. He waited at the desk while Flor, in an even hand, registered him in the hotel guestbook, and fumbled in her pocketbook for rupees. The clerk, recognizing him, pressed an envelope into his hand.

“This message is from Mr. Cecil, sir,” he said, in impeccable English, and with a bit of good British starch. Richard nodded, and shoved the envelope into his pockets.

“Mr. Cecil,” murmured Flor, at last finishing the work, closing the guestbook with a snap that cases a flurry of dust to rise in the air.

“How fortunate that business is all over. We will not see him thereafter. Tell me,” she asked the clerk. “When is the next steamer leaving for London? You will please inform me,” she said.  The clerk nodded, and fumbled about for a list of steamer schedules.

Flor turned to Richard.

“Tomorrow morning, we will breakfast at nine. We will discuss exactly how we will explain this situation to my family and yours. I need to know, in detail, exactly what you have communicated to your mother.”

Richard widened his eyes at her.

“Are you concerned that I do not love you?” He asked her. Her cheeks flushed, and she cast an anxious glance at the clerk.

“Not in the least,” she assured him, evenly.

“I’m glad I do not love you,” he told her. “Because if I did, I should love Morris chairs, and wallpaper, and keeping the doors closed in summer and winter.               “

He turned and walked out the front door.  She did not attempt to follow him. Well, that’s done, was all he communicated to himself.

Now the light was almost gone. The streets were nearly abandoned. From nearby, he heard a man laughing and talking loudly, but it was impossible to know the color of the man, or to even understand the language he was speaking in.

With the last of the light in the sky, he read Cecil’s letter. Cecil, seeming to catch a little of his spirit of his negotiations, said that with difficulty, the lady and her family had agreed to a meeting. Cecil said he was finding his labors as an impromptu marriage broker very interesting, although he still considered Richard impetuous.

Richard turned and went back into the hotel. The clerk stood alone at the desk.  Richard, with as much dignity as he could muster, walked over, and opened the hotel register. The last entry was of Mr. Fitzsimmons and wife…it was dated three days ago.

A dream within a dream within a…he laughed out loud.

Because it seemed the logical thing,  he reached into his pocket, removed the prescription, and threw it in the trash.

Cecil’s telegraph reached Flor,( still happily ensconced in Birmingham, unaware of the all developments), the next morning.  She did, indeed consult the steamer schedule…but abandoned the thought. Instead, she took a train for the countryside, with a lawyer friend and a bottle of whiskey.

And from the waterfront…a dense band of mist, still rising at evening, receding at dawn.

**

Rising up from the underworld, he might have extended his hand backward to those he left behind, but refrained from doing so.

And the dark, slippery nightmare, Flor with the garish mouth…well, her grasp was subtle, and she receded backwards.

Even the locals admitted the sunrise was glorious, the next morning.. They communicated this to Richard through smiles, and Richard wondered if smiles were not an entire language, or could become so.  He bathed in the river, and nobody seemed to find it strange.  He must meet Annika that morning, he told himself, and it was like being told that he was expected in heaven.  He sank into the warm bay, and though he opened his eyes underwater saw nothing but a greenish blur…and felt everything.

Jennifer York is an aspiring author, currently residing in Albuquerque, New Mexico. Her previous publishing credits include “The Ballad of the Loney Cowboy”, published in the Taj Mahal Review (Vol. 4:1, June 2005). Her latest short story, entitled “Henry and Anne”, appeared in the December 2011 issue of Bumble Jacket Miscellany (Vol. 2:2).