Akili Amina POSSIBILITIES / MOLASSES KISS

Possibilities

Step one
And, I can finally see the trees
After all the fog dissipates
Right before me
Revealing a new direction
A new road
To somewhere
That, there
Of unanswered prayers
Filled with time clock illusions
Down a dead man’s walk
Or the pathway of my extraordinaire measures, lost
And, I can finally see my feet
After all the clouds have diminished away
Leaving me to all my horrid time machine ventures
Of those yesterdays, misplaced and hidden
Lying close to the strewn debris of my anger
Mixed with piles of my unanswered prayers
And, like the leaves falling from trees they
Try to catch the winds of my unnoticed pleas
Failing me like the old beauty’s sagging cheeks
Ruining any chance for a glance
At my personal definition of happiness
Maybe god was at his busiest
When I asked in pleas
For relief from life’s strangulations
And the very strong grip to my elsewhere
That, there
Lost in the middle of nowhere
Despite my contrite appeals for mercy
So here is my gift of “I’m sorry”
Wrapped beautifully
And it seems quite fair for me
To travel this road alone,
But I won’t go forward feeling empty
And, I won’t be lonely
After I shed the cloak of my distant memories
That played the broken strings of my heart symphonies
So, today I will look straight ahead
And bravely travel the new frontier of my life’s possibilities
Using my inner instincts as my navigational compass

Molasses Kiss

You’re all that I ever desired
Taking daily walks through my mind
You are crossing red seas and
Going on forty days journeys
And forty nights amiss my muddled dreams
It seems to me that you’re all that I ever wanted, and
All that I desired
Was to hear your male melodies
Sung close to my ear
While our bodies were syncopated
On the rhythmical waves of love’s music
And in affection’s time
Like the tick tocks of the metronome
My heart strokes your name and
My mind make believes that no other man exists
And if this persists
How will I go on?
I fully accept that you see me as a
Unrequited nightmare full of howling black ghosts
Bearing long claws with large fanged teeth
Trying to capture your elusive beating heart
That is translucent like a crystalized prism reflection it is
Forever escaping me
Crucifying me on the tree of helpless needs
When you are all that I aspired
You are all that I ever desired
You are all that I ever need
And lately you don’t hear my cry
Lately you won’t heed my soul that is bone, dry
And all that I would require
Is to look into your eyes until the need to peck your lips
Overwhelms me and propels me to your
Soft molasses kiss
Allowing the showers of passion
To wash away any dismiss
To wash away any signs of discontent,
Absent

Akili Amina resides in Virginia Beach, VA with her family. She has been writing poetry for three years now and has had at least twenty four poems published in anthologies, literary journals and magazines. She recently went back to school to pursue her degree in psychology. She adores museums and the beach, they both inspire her tremendously.
akiliamina.blogspot.com

Michelle Gaddes FROM IMAGINARY GRAPES

 

Treatise of the Vein

‘the vine too, here her curling tendril shoots,

hangs her clusters glowing to the South, and

scarcely wishes for a warmer sky.’

Black rot

within my vein-

I am succumbing

to the

noir.

Mildew, incurable.

Time vanishes

into vials of blue

that travel within

me daily.

Sick from the

contorted vines

that replace

my veins –

the stems now

dead throughout

me.

The sweet finale

creeps in –

I wither.

Impression

It

has

been

six

months

since

I’ve

seen

any

trace

of

him –

Must have made a real impression.

This Sterile Corridor

 

This sterile corridor leads to a

window- I see its reflection

bounce off my stainless steel

paraphernalia.

To arrive there would

take eighty nine steps

exactly.

The ker-plook, ker-plook

of the robotic army

pales, now.

A blue flat line threatens

but I have called its bluff –

over and over.

A landline harangues,

constantly -

Is it Sangria?

 

Texting The Wind

hi- is this the no for michael?

stole yr no from the surgery-

just wanted to say hi. sangria.

Michelle Gaddes lives in NSW, Australia, in a strange bucolic setting. She writes poetry, short stories and essays  in between juggling studies, being  a mum and a law-abiding citizen. Her first poetry compilation, Pariah, should be released soon (Ginninderra Press). Michelle also hopes to be released soon. (We know all about that shih-tzu – AHC.)

Read more of Michelle’s work in dm xlviii ~ bel ennui ~

Gregory Kimball NECROPHAGOUS FEELERS

NECROPHAGOUS FEELERS

Gregory Kimball

For years I have traveled this desolate, ghoul-haunted path. Of just how many, I’m afraid that I have forgotten. I fear that I have forgotten far too many things. However, if one with such an inquisitive nature should have the patience and the courage to count the marks that I have made on the ancient and profane totem sat just off the path, he (or she) would encounter well over one thousand deep cuts made by me over the years. One for each month. Twelve for each year.

I have never once in all my forays into this accursed realm encountered a single living thing. Where the old road ends, a slight, almost invisible indentation in the thickly gnarled and ghastly ancient brush is the only indication that one my even presume to proceed. The green and lush of the healthy flora fall prey to the unholy and decayed of the damned.

There is no life in this land, only a vile lingering death giving un-life that twists and distorts the countryside. Monstrous black thorns that drip thick and oily black liquid line the sides of the path. A blanket of decaying animal matter such as small bones and feathers from curious and unwary visitors litter its edges like some lunacy-inspired mason’s macabre testament to his trade. Nothing lives here. Not for long.

As I observed the structure from what I perceived upon my previous journeys to be a protected distance, the tendrils of fear began to weave and entwine deeply into the recesses of my splintered brain. For one cannot observe and ingest such monstrous horror without the loss of some bit of their very humanity. I believe someone once said that hunters of horror usually find horror. Or horror finds them. Something like that. Again, I tend to forget some things. For the record; I am NO Hunter of Horror, but Horror has nonetheless found me.

It is very difficult for me to even attempt to explain the ever looming force/pressure of death that permeates this land. Time also seems to slip and sickly sweet voices of poisoned words are carried along on non-existing winds.

If it were my personal choice, I would quickly depart this accursed and unclean place and attempt to drown and destroy all these vicious memories in whatever skull-and-crossed-bone vat that presented itself first. But I have no luxury of choice. A vow was made and a debt must be paid.

The sun is dropping, and I have wasted too much time once again. I always forget how time changes here. I fear that one of these days, I will not be coming out at all. Damn it! I have to start writing these things down! Perhaps if I had done so from the beginning I would have no need to be in this godforsaken hell at all. Hindsight sucks.

The structure, for that is all that it truly can be called, is black and horrible against the escaping sun. Its glassless windows, like the eyes of the staring mad, are dark and empty and mock me with their awful blindness. Leading up to its massive stone door are blocks of basalt cut by some forgotten hand, and they lay ragged and sticky with decaying filth.

I can feel her now. She knows that I am here and air itself turns yellow and choking. As I breathe it into my lungs they seem to rupture and bleed. God! It hurts. I had forgotten that, too. Getting too old, I thought. Too feeble. My self- pity was silenced when she began to speak in that goddamned gaspingly rancid Graveyard/Pitsofhell voice:

“Deeeeeeeeeeee……….Mo’neeeeeeeeeeee! Gibbbbbb It Toooooooooo Meeeeeeeee! U,uuuuuuu bassssssssstard! U,uuuuuuuuu O,hhhhhhhhh Meeeeeeeeeeee! Basssssssssstard! U,uuuuuuuuu R,rrrrrrrrrr L,aaaaaaate Agaaaaaain! Basssssssssstard! Nowwwwwww, Bassssstard! Nowwwwwww!”

My God! That terrible voice! I can feel it digging deeper and deeper still into the recesses of my mind. Chewing! Tunneling! Devouring the very essence of my sadly ravaged and tattered soul! This ungodly thing sucking the life from me bit by bit! Year after year! Drop by drop! Surely I shall die soon and finally be rid of this nightmare creature and the terrible necrophagous feelers that prick and pry the marrow from my very bones! Lost in the vibrations, I find myself thrown to the terrible steps before the appalling door.

Gathering myself and all the will and strength left inside my sourly weakened frame I manage to pull myself to my bare and bloodied knees. Intense pain laces through my thighs and into my chest. My heart, beating like that of a dove in a lion’s lair, threatens to explode in one great scarlet eruption that can only free me from the hellish torment of that evil death-encrusted thing that lies seething and gibbering behind the damnable door!

“No!” I scream. “No! You shall not have me! You foul, life-stealing, Hell-dwelling bitch!” With this insane reverberation, I force myself to my feet and feed the check which I have guarded so fiercely into the bloated and bloodied, grotesque, vagina-like thing protruding from the middle of the witch-hewn stone door!

From inside its slickened folds my hand is seized, and in horror I come to the sickening realization that that throbbing/sucking thing is attempting to pull me into its perverse and obscene cavity!

At this point my mind finally releases and enshrouds my poor soul in a tight and protective sanctuary of blessed and glorious madness. For I remember nothing between forcing the monthly check into that horrible, slime-filled opening and awakening at the entrance to that terrible path from which I first embarked upon this wretched journey.

If it were the will of the  Gods for me to be a stronger more forceful man, I would take this ancient revolver I carry and fire one of its blessed balls of death into my very brain and end this hellish nightmare that has hounded and tormented me in both waking hours and those precious few reserved for sleep. Alas, it is not their will and I am not strong. And I fear that I must continue my miserable existence with the soul-searing knowledge that that loathsome and blasphemous evil-enshrouded creature from the vilest Stygian pits of the horror haunted Hyades was once my beautiful and beloved wife.

Gregory Kimball is 51, originally from Dallas, Texas, and presently domiciled in Anchorage, Alaska. He has two sons, 18 and 23. He checks the obituaries each day to see if his ex-wife has died yet. He’s been writing for a little over ten years, most of which has been for wintersteel.com.

read more of his work in dm xlviii ~ bel ennui ~

satnrose THANK GOD GOD DAMN IT

THANK GOD GOD DAMN IT

satnrose

summer did make me have mail so
is to I can’t forget the glazer me of
the town ice upon somebody dusted
and me not ready to go I above and
out my house and here my day damn
this is hard shelter it wanders he fears
to walk unfrozen out of what was
brought so where storm of must pass-
es lives nothing but shall I ignore the
if or don’t be sure of a
kiss?

but that is so that track burst in
who cloud foolish but you and I
kept the sky the world leaves did
fix crowing legs I have what she had
but the search tears up the month
staggers none but I but just where
the pixie fled how deep are they
buried?

I had trust let’s ask oh but fear
so when I take I am barefoot I find
I travel the ocean more than it was
traces me from cities where I was
counted as I shut and walked to only
and in she I breeze no I said goodbye
and I care here tonight raging in
your itch I was of my a why are we
here?

hour up the thing but as with left eyes
yes only I know my talk of stop
like some do I was playing so
my lie it wound up where which
take warm and that must be where the
hurt was explained great
place!

my something dumb of the bear is my
master’s and if I was too far away I
died in the streets singing my dead
song but the nights were frosty when
I was almost the you the shadow
I so then flutter not in tight the journey
house until loyal grief he sees
on the choose though it if the house
towns walked past me three ever
such followed the underneath blooming
just like the sea floor can she
says my just blood’s thought without
love and ice?

oh what’s what we
were been crowing no matter what
the  day I playing my turn and you
playing yours I am on the take not
so the let frightening on what must
have away then the last ground
flew past I marched larks into a hidden
me until top down delicate enough
through to where it all made sense
and then when I feel fall approaching
I flew not and my way was before
the people read it as
“You’ll be many of the surface
day with eyes on the
hills”

if every waking moment
was a strange first river I would open the
windows and we could see the little
mountain until no morning so bright
could tell us why make a problem
but the raven fears the gray do silence
sweet walks over  me rushing heavy
light but I am one tired who has to
worry glorious look and them all
dreaming blue pluck though become
frozen and are doing what I could never
imagine?

that’s you love that’s
you and from the wind you lost
the ability to simply ask and none of my
business but I am in darting some
woman who has done wild salvation
and her image is calling she and the wind
icicles I have a cold head the
many hearted
day!

the winter speaks for you
and they are always still
down I want to hold the earth up
I slumbered off I hold you hard dew
fed and I imagine it is what broke
out of chains and you are of the very
lonely of what was within will not
to have more down be the thing under
the sky I see eyes melting the mailman
will have his revenge so little time
and in the hair full of old ice it had
to covered with snow my snow so I
walked where my feet took me you
were the dancing fire and the will of
the wind will stream down into town
it gives  me trees I see slow upon
reaching without
tears?

our crow flew overhead
with dread a mere sign
and threw the thought down into
the Wishing Well then it was summer
and I heard the Bark Bark Bark
and when again the suns charged the
falling was me still it was every
true thing that I remember so the world
she is in is now mine and from now
the door cogs of night dogs thought
I believe I will find something flying
in the night now came the stars and
the heads forever full of empty
rooms I tore asunder what stops clear
and I don’t mean my
heart!

my frozen hands had not sufficed to prevent
sleep engraving my mind with
heaven’s gate and nothing I to I could do
was worth it but just hair to see
the unforsaken in their blooming and
wary of the pain I saw you see the earth
this is my this girl but finally I
was maybe honest with myself
then so I went to bed into the true black-
ness and the I unto I went to red from
I into what and the young of sin
has flowing then back it and the clear
of heart are still as you’ve trusted
as with the shared tears the words
I like are of others and how the dark
virginal bride got in here
I haven’t a
clue!

I’m not mean though this is a
tough house to you who follow
in I will not heed the will of my
body?

I saw her on the green and true
snow is so at home at your me in the
way now streets now storms but you
were there man and I was tripping
someone or something other spoke
but he has round spots I and my city
have no mercy inviting a May
blowing to storm and in so another I’m
planning on planting flowers I hope
you score it stays you go and if a
terrified love shows up at your door
with a gun you stand and hope you
know what the Hell
you are doing you came
to trick the hex door but in
a breath you want to do me tell
the melted world how your nerves were shot
Good!

I could count on your morning
it looked like a grieving fact
now they are remming and reaming
my moon flew away and you of who
sleep until the lightning she was taken
where death was the final project
and there let weeping wiser all dreamt
well but we get ahead of ourselves
or on and until the  heart upon long
faith wins it is a fire a light like the
wisp my companion that leaves
and I am where a little snow knows the
me me close to the edge but to hear
from me is to the best and to fly is
to leave an organ you’ll go thisaway
and that in and one but my no come
leads and whores having must I
the moment I love at the hour of deceit I
feel too you know to look back in
grief empty for me still dark still bitter
the end cock in step the down left warm
still and so very very tried and
true but now I sun at the gate and all
are all to me it can’t be made so give
the wind no place me in a nightmare
is raging you have been in the rattling
of beds what a last find the plate the
wreaths the bells the graves we met
happy…

we went on for hours the clouds
thought clouds the will is always
but I saved sad glowing at the go
but now teardrops and peace mine and
thou in the nowhere without now most
of that with forgotten why I am
here?

the spring of what was most beautiful
I am not alone I must face an
other day how to take this a single minute
more without which I could of
have had had both the hat and thunder-
storm with what to the just do go it
has grown this hard for me this is hard
for all of us this is all against one
has the bitch of the flies so
when did will my
heart?

I’m from your them
you’re from my what say it out loud my
God!

do they look to you like
something looking back at men not
me my play my flower the only way
without which I’m shattered the merry
men escaping nightingales see
they too come to the thunder and
winter not love is what came I am on
the rooftop my is falling there just
sorrow I may say it’s found my feel
single cherry my grave in you in
snowballs why scream when the rocky
mind has come
along?

to need maybe a note I
not hoard to his warm if
gray spends in storm is for a leap
vile in the road’s eyes did you turn to
when do what I am through to I’ve had
it there oh so frozen afraid cold
lonely scared the me of you and thou
are all the pity I can take I cannot
go round the dogs I hope the hound has an
O!

the machine go out but a
gain I think with all are to the shadows
or heat absorbed and laugh don’t
complain turn away elderly refugee
it may seem to them that the war is
finished but the stony shrieked the same
you’re moving back to me I’m
tired in my disappearance is up and I
won’t argue with you best peace
and it’s your turn to have to sit that high
though the heart says will he
be inside a damnation in backwards
since long ago your sky was break
ing one my life disembarked and I
hear branches talking in the hurricane
the tired feet and odds not with me I
rise to night colors through my fell
and I weary foolish and stoned am like
the aneurysm that wanders in the
heart say you’ll stay until the sleet
will drown cold I’ll shut the windows
round my least delight and am the guy
you stand pointing at me but who
actually have God have the message
through the river but so meanwhile
reminiscing of the time when there
stood the paint girl she kissed off the
true blue and I was no
better.

I staggered on the mother road I read the
rune to curse the one snow bright lay
rocky and frozen then I could not
come near the mark of before I’m
reasonable all then go clear of me and
of my heart the rustling trees and the
phone did ring next thing I recall I
was driving and the horn was blowing my
ears were numb my love’s end
ed a covered wagon I have then to do
at once with the trying alone with
the face of the not me your us tagging
along come on it must be an evil
thing to form a full ringing it’s will
to that loves to go to be different to
find it must listen to the Howl in me
and the letters dim and seem to be
trembling you  are to
“Come at only dreamt
look!”

at every sound was
evening my poor beauteous beast
the you of two heavens do take the
road that burns you in the game
world mountains soon made me joy to a
No!

and be from such early house to play
see up face and watch friend
is  love following or was upon it upon
climbing further past me thou I
am a stranger and hard of finding my
laughter for it is long this run went
back from that where it’s who plays
at being faithful the wrong one has
air standing isn’t when the child
out of them night turn but this is in the
wrong song but sing it anyway and sing
of the abyss until my all is given
out and until the door is finally
opened then come back and that’s what it
[the big IT] is all about to be walking
here buried black and go there
where the white Sunday is just
one round with open arms No I go to
the cemetery where the flowers are
arranged in wreaths to shake off
this mortal coil so be it but the fallen
know I will be there and I saw it
coming it happens it happens to
everyone so thank God God damn
it!

satnrose is a well-known antiquarian bookseller, and formerly a not-so-secret messenger in the innermost depths of Capitol Hill and K Street. He has been published in a number of literary magazines, but since his reincarnation as ‘satnrose’ a couple of years ago, he has been published in EVERGREEN REVIEW, ICONOCLAST, DANSE MACABRE, COUNTEREXAMPLE POETICS, wtf.pwm,  OYSTERS & CHOCOLATE, APPARATUS, GLOOM CUPBOARD, ESCAPE INTO LIFE, MAD SWIRL, METAZEN, THE NOVEMBER 3RD CLUB, STRAY BRANCH, THE CITRON REVIEW, THE COPPERFIELD REVIEW, THE HELL GATE REVIEW, THE BLUE JEW YORKER, MASTODON DENTIST, FULL OF CROW, FORGE,  ROSE & THORN JOURNAL, THE MAYNARD, NEFARIOUS BALLERINA, COUNTERPUNCH, deadpaper, theviewfromhere, MAVERICK, CALLIOPE NERVE, THE BATTERED SUITCASE, PSYCHIC MEATLOAF, HAWK & WHIPPORWILL, etc., etc.

Subhankar Das WAITING FOR THE LIGHTS TO GO GREEN

WAITING FOR THE LIGHTS TO GO GREEN

Subhankar Das

I live in a place where you can
rent a baby by the hour
and pinch their asses
to make them howl
as you approach the cars for alms
stuck on the crossroads
and waiting for the lights to go green.

I live in a place where
this poet calls up in the morning and
starts complaining about my poem
where I expressed my surprise to see my father
jerking off in his sleep.
Must be another one from the league
who burns incense sticks in front of Goddess Kali and Marx
hanging side by side on the wall.

I live in a place where the politicians
are thinking to give the place a facelift
and turn it to London.
And we at the roadside tea stalls
with local hooch mixed with orange juice
to cut down the foul smell
testing like champagne
drinking it all up
to help us through the prayer
in front of all these living legends.

Subhankar Das is a poet, bookstore owner, translator of Allen Ginsberg’s poetry into in Bangla, and a good friend of the Macabre from Kolkata, India.

read more of his work in dmxlviii ~ bel ennui ~

Gregory Kimball DEAD MAN’S SHOES

DEAD MAN’S SHOES

Gregory Kimball

In the alley in the rain with his head in his hands things weren’t going as Willy had planned.
Broke, forlorn and driven to drink. Into the pits of perdition he was beginning to sink.
His wife was gone and his dog had died. He was running rather low on dignity and pride.
Sitting and staring as the rain came down. If his mouth had been open he would probably drown.
Out in the alley with the rest of the trash, heartbroken and blubbering with zero cash.
Poor little Willy had nothing to lose when he stumbled upon the dead man’s shoes.
Wingtips they were, polished and bright and they shone like a beacon in the dark of the night
Inside of the shoes were the dead man’s feet with the rest of him there like a side of meat.
There in the alley: Stiff, spoiled and dead with black plastic bags for his final bed.
Off they came, quick as a flash and the dead man’s body sunk in the trash.
On they went and Harry stood tall. They fit rather well though a little too small.
Into a grin his lips stretched wide and he felt his body filling with pride.
Suddenly his heart then ceased to pump and his head hit the ground with a terrible thump.
Along came Hector, dejected and alone. He was feeling the loneliness deep down in his bones.
Poor little Hector had nothing to lose when he stumbled upon the dead man’s shoes.

Gregory Kimball is 51, originally from Dallas, Texas, and presently domiciled in Anchorage, Alaska. He has two sons, 18 and 23. He checks the obituaries each day to see if his ex-wife has died yet. He’s been writing for a little over ten years, most of which has been for wintersteel.com.

read more of his work in dm xlviii ~ bel ennui ~

 

Jamie Grefe SLUMPED

SLUMPED

Jamie Grefe

We slither through gravel to the tar dark of the country night. The wolf-pack and bubbles of insect welts; your hands stink of pus rubbed raw and poison oak left poison traces on pebbles. He will see to it that we repent for the sin of stubbornness, mumbling slumped on the lawn under the blanket of a dead evening stench. We run the ravine and past the shed to the wooden house near the creek, slide on the dirt-ice that coats the basement floor. I sniff ice cracks, clumps of brown and the droppings of dirt from the floorboards above — pale green in night vision, a red recording light blink like the destruction of a red planet. You can see through things, they say. Two boys drowned in the creek where the bridge collapsed into the muck. We enter charred rooms, animal bones, and step over shards of smeared window glass, shreds of wallpaper, frozen blue and frigid silver.

You see a photograph of a girl in a child’s dress staring blank against a brown background; I see it aged black; you call it sepia. Mine, those two tones, no teeth: grinning woman gums and head of skin with no tongue. The stairwell cracks under our footsteps to the second floor:  its torn bedrooms, bed frames, dresser drawers. Sprinkles of bat shit mush to my bare feet. I hide where you won’t see me — over there and sit still all stiff. I want to scream words: wolf, howl, dog, eviscerate, maul, fathom; I spit and kick dirt, smudge windows, chattering gasps. What did the man tell you to keep away from is what you can’t admit through stink breath and smoky throat rasp. He is deranged filling oil cans with boot-liquor. We are right to run — shriek — run on all fours back to the gravel road, gurgles biting our lungs, mouths of gravel. I follow the poison trail over rocks, past tree trunks. You glimpse woman face from infrared light near the attic door: fingers brush softly against your skin and suck gums to lick the back of your neck and it is I who tongue those tooth holes to empty mouth flesh, warm salt skin. Our dance will run, the taste of death in your mouth, son, run.

Jamie Grefe is currently working on his first novel. His essay, “The Sense of Place in Music” was published in Ink Collective (Four) under a pseudonym. In 2004, he translated sections of Dr. Masahiro Morioka’s “The Insensitive Man” for Osaka Prefecture University. He has extensively recorded and performed “noise/experimental” music in The United States, South Korea, Japan, and China. He teaches high school Literature in Beijing, China.

read more of his fiction in dm xlviii ~ bel ennui ~

 

Louie Crew TWO BY CREW

THIS STRAIT MAN

Crosses his legs
at 90 degrees.
Begs
his woman, but
cannot please.

Slaps.  Sput-

tters.  Shouts.

Buys a beer.

Taunts a queer.

Chews his nails.

Pouts.

Rails.

Rules?

ANCIENT HAIRPINS

Honey, I know what I saw and heard
and I swear the three fancy foreigners
spoke of a baby Jewish “king”
kept in a stable by peasants.

I was in my Yiddish drag cruising
a dishy census-taker at the inn
when I overheard them saying
this little baby would bring
“salvation” even to us Romans.

Someone had better tell Herod
there’s going to be trouble.

Louie Crew, 74, an Alabama native, is an emeritus professor at Rutgers.  He lives in East Orange, NJ, with Ernest Clay, his husband of 37 years.  As of today,  editors have published 2,134 of Crew’s poems and essays. Crew has edited special issues of College English and Margins. He has written four poetry volumes Sunspots (Lotus Press, Detroit, 1976), Midnight Lessons (Samisdat, 1987), Lutibelle’s Pew (Dragon Disks, 1990), and Queers! for Christ’s Sake! (Dragon Disks, 2003).

See also http://en.wikipedia.org/wiki/Louie_Crew.   The University of Michigan collects Crew’s papers.  Reach him by email at lcrew@andromeda.rutgers.edu

Helen Calcutt THREE POEMS

TATTOO

I thought my hands were sacred
or my tongue,
or the teeth they licked

like crooked knives
sharpening over a word,
but where I fell

it was my empty voice
that fed into the earth.
And the heat of my skin

from the tiny hairs
that tailor the neckline,
touching on void

when the intruder attacked
from behind, not front.
I felt the cold air

and that was all
lamenting my cheek.

I heard my cries disappear
into the dirt
and drifting balloon lightness

touch me with numbness

and had I been a wolf.
Wide eyed, staring round
not one of you

would have beaten it out of me.
I would have gone on
Quietly, until beaten to death.

CHILDREN

 

Swivel in the dark
On their hands and knees,
Impatient as bees,
For a taste of the blood of the poppy.
Now ruling this star
The children, whittle it for light.
Under a mask of bright
Inferno skin, side-lit, they excise
The dawn from its dread,
The dusk from its lead,
And body rolling with disease.
They grip you by the wrist
And lead you where they want you to go.
Under the evening star, and sky
Whistling its coffer
Crayoned black.

GIRL IN THE MIRROR

Gawps at me
with sculpted eyes
motionless as a steel ball

in its heady moon skin,
a memory glimmers
starting roots

prickling from the forehead
parting like a wound
of flower,
where the flower creeps out

night-lit.
It wrinkles in the void.

Doesn’t move its lips,
its black transfixion
bores like a drilled bullet.

And why am I speechless?
leaning against the wall

in steely countenance
naked from the shoulders down

torn from my clothes.
I sleep like a drugged cat till’ day

and the mirror finds me again
animal to the teeth
with vengeance

Helen Calcutt is a young poet and writer, currently living in the UK.
http://helencalcutt.com

Ellen Orner translates VLADISLAV KHODASEVICH’S “THE MONKEY”

THE MONKEY

VLADISLAV KHODASEVICH (1886-1939)
Ellen Orner, trans.

Fierce heat. The forests were afire. Time
Dragged on dully. At the neighbor’s dacha
A rooster crowed. I went out of the gate.
There, on a bench, leaning against the fence,
A Serb, a drifter, dozed, black and skinny.
A heavy silver cross hung
On his half-bare breast. Drops of sweat
Poured down it. Above him on the fence
A monkey, clad in a red skirt, sat
Chewing greedily on dusty leaves of lilac.
A leathern collar, pulled back by a heavy chain,
Choked her. The Serb, hearing me,
Came to, wiped off his sweat and asked me
For some water. But hardly tasting it —
Is it too cold — he put the saucer
On the bench, and instantly the monkey,
Dipping her fingers in the water, grabbed
The dish with both hands.
She drank, standing on all fours,
Elbows on the bench.
Her chin almost touched the boards,
Her back arched high above her
Balding pate. It must have been like this
That Darius crouched long ago, his lips to
A roadside puddle, on the day he fled
From Alexander’s inexorable phalange.

The water drunk, the monkey swept
The saucer off the bench, rose slightly
And — will I ever forget this moment? — reached
Out to me with her black, calloused hand,
Still cool with moisture…

I have pressed hands with beauties, poets,
Chiefs of people – not one hand
Presented such nobility of shape!
No hand touched mine in such fraternity!
God is my witness, no one looked
Into my eyes so deeply, with such wisdom,
In truth – to the bottom of my soul.
This impoverished beast brought back
To life within my heart the sweetest tales
Of deeply ancient eras,
And in that moment life in full revealed
Itself to me, and it seemed – a choir of lights
And ocean waves, winds and spheres burst
Upon my ears, thundered, like so long
Ago, in other, immemorial days.

And the Serb left, tapping his tambourine.
Perched on his left shoulder,
The monkey swayed in step,
An Indian maharaja on his elephant.
The huge magenta sun,
Deprived of rays,
Hung in the hazy smoke. Unrelenting
Heat poured over the scrawny wheat.

That very day war was declared.

(1919)

Translated, from the Russian, by Ellen Orner (2010)

http://en.wikipedia.org/wiki/Vladislav_Khodasevich

Ellen Orner a native Russian speaker and former professional violinist, has enjoyed venturing into writing poetry and some prose in English, as well as translating some of both from the Russian. She has been published by Barnwood International Poetry Mag,  Little Patuxent Review, The View From Here, in the U.K., and DM. When not writing, Ellen attempts to learn from her garden and her dog what life free of memory, grudges and history is like.