Publicité DM XLI WELTKRIEG

 
for immediate release
from Nevada’s first online literary magazine
 
 
In Flanders fields the poppies grow
Between the crosses, row on row,
That mark our place, and in the sky,
The larks, still bravely singing, fly,
Scarce heard amid the guns below.

John McCrae
 
We are going to have peace even if we have to fight for it.
Dwight D. Eisenhower
 
 
DM XLI
Weltkrieg
  
 
  poetry    fiction    feuilleton  
from
Davod Appelbaum – F.J. Bergmann – Timothy Black
Rupert Brooke – Justin Burnside – Helen Calcutt
Gilbert Keith Chesterton – Grace Hazard Conkling
Walter de la Mare – Arthur Conan Doyle – Lord Dunsany
Tertius van Dyke – Zoelle Egner - Robert Frost
Michelle Gaddes – Howie Good – Robert Graves
KJ Hannah Greenberg – Nels Hanson – J. Scott Hardin
Larry Heinemann - Kyle Hemmings – Maurice Hewlett
Ed Higgins – Rudyard Kipling – James H. Knight-Adkin
Fritz Kreisler – Claudia Lamar – Andreas Latzko
Stephan Likosky – Kaye Linden – Percy MacKaye
Andrew Maxcy – Mark Mellon – Monica Mody
Gaurav Monga – Joseph Morgado – Henry Newbolt
Robert Nichols – Alfred Noyes – Wilfred Owen
Michelle Passalacqua – Josephine Preston Peabody
DLW Pesavento – Phill Provence – Mr. Punch
Louis Raemaekers – Nicholas Rasche – AE Reiff
Erich Maria Remarque – Rittmeister Manfred Freiherrn von Richthofen
Jacob Russell – Siegfried Sassoon – Joel Sattler
Robert W. Service – Sara Teasdale – Henry David Thoreau
Mark Twain – James Vance – Mercedes Webb-Pullman
Gilbert Waterhouse – Peter Weltner
Tanya Lyn Willard – Stefan Zweig 
 
 
Literature is nothing less than a temporary repeal
of the principles of unimaginativeness.
 
Deploy our coloratura buffet accordingly.
Weltkrieg 
Opening Mon 1 Nov
@
 
 Danse Macabre
An Online Literary Magazinetm
 
 
Le premier magasin littéraire en ligne au Nevada,
new issues monthly on first Friday
 
Follow us on Twitter @ http://twitter.com/ledansemacabre
 
Copyright © MMVI-MMX by Adam Henry Carrière / Stonethrow Publishing LLC
All Rights Reserved.
 
ISSN 2152-4580

Fannie Stearns Davis GHOSTS

 
 
I am almost afraid of the wind out there.
The dead leaves skip on the porches bare,
 The windows clatter and whine.
 I sit here in the quiet house. low-lit.
With the clock that ticks and the books that stand.
Wise and silent, on every hand.
 
 I am almost afraid; though I know the night
Lets no ghosts walk in the warm lamplight.
 Yet ghosts there are; and they blow, they blow,
 Out in the wind and the scattering snow.-
When I open the windows and go to bed,
Will the ghosts come In and stand at my head?
 
Last night I dreamed they came back again.
I heard them talking; I saw them plain.
 They hugged me and held me and loved me; spoke
 Of happy doings and friendly folk.
They seemed to have journeyed a week away,
but now they were ready and glad to stay.

But, oh, if they came on the wind to-night
Could I bear their faces, their garments white
 Blown in the dark around my lonely bed?
 Oh, could I forgive them for being dead?
 I am almost afraid of the wind. My shame!
That I would not be glad if my dear ones came!

 


 

dm xvi

WELTKRIEG

opens

Mon 1 Nov

Adam Henry Carrière DANSE DIABOLIQUE

 
 

And if something peers from the branches,
touching the skin with a chill of terror-
don’t be afraid! It’s the tiny faces of children,
cherished under the protection of evil deeds.
     Bella Akhmadulina St. Bartholomew’s Night
October’s dusk swirls
in the satin cloak of bats,
their radar singing what smile
tiny fangs might make.
 
These couriers of living night
hold invitations
delicately engraved
by quills carved from secret ossuaries
and only the finest ancestral blood.
 
They carry these, over the mist
of sleep-nerved villages,
         gaunt Jura frost
to gilt-edged salons and brittle lodges,
where lurid collections of decapitated animals
create the vague air of embalmment
the best families east of Vienna luxuriate in.
 
Bare trees
carved mortar and bone
sanguinated plains
lovingly-preserved organs
…how they all invoke the solstice.
 
Where the pentagram of moonlight
shines into ripened harvest
of forgotten battlefields, hearts
untouched of sacrament
and other such crypts of man.
 
Under these conditions, we will speak
to the dead – our nakedness
its own shroud, our unworldly voices
a waltz heard by all Carpathia,
 
our transparent names flown into the ages
       by these silken black flocks.
 
 
 
Adam Henry Carrière
is a poet, teacher, and former NPR broadcaster. He holds a Bachelor’s degree in Film & Video from Columbia College and a Master’s in Professional Writing from the University of Southern California. He has taught writing at both his alma mater, UNLV, and for the United States Navy across the Pacific. His writing has recently appeared in Not from Here, Are You?Gloom Cupboard, Mad Swirl, decomP, Alternative ReelApparatusThe Smoking BookTattoo Highway, JukedZygote in My Coffee, and Tonopah Review; his erzählungen, photography, and poetry also appear in Bicycle Review. Born on the South Side of Chicago, Adam now resides in Las Vegas, Nevada, where he has won the Nevada Arts Council Fellowship in Poetry and publishes Nevada’s first online literary magazine, of which you are now partaking. He also serves on the Editorial Board of Popular Culture Review. Read his interview with Duotrope’s Digest here.
 


 

dm xvi

WELTKRIEG

opens

Mon 1 Nov

J.O. Boyles YET ANOTHER MODEST PROPOSAL

SENT: 10:37 AM Oct. 29, 2017
TO: GROUPMEMBERSLIST <GROUPMEMBERS=ALL/@zombieholocaustsurvivors.net>
RE: Reliable food sources
Howdy, y’all. Your pal Chester “Zagnut” Johnson here again.
I just can’t tell you how great it is to have Internet back. I believe it’s the thing I’ve missed the very most during this whole undead holocaust, except of course for my dear, departed Velda, whose scrambled and zombified brains I spattered on the linoleum of our very own motor home, and even so, she lives on in my heart, if you know what I mean.
I’m sure that you do.
Not that anyone is answering my email suggestions, or certainly not in what I would call a friendly and civilized fashion. We all have our own struggles in these uncertain times, and we all get tense, what with hordes of the infected shambling after us every time we go foraging for a Slim Jim or a can of tuna. I sympathize, but don’t go snapping at me when I suggest a solution.
And a solution is just what I offer this morning. Protein is scarce, and everybody has to eat, but continual foraging is not a sustainable lifestyle. Hell, people, that’s why the Mesopotamians quit their hunting and gathering and invented farming and the division of labor. Eventually, that’s what we’ll all have to do, set up feudal and primitive villages and such, but it’s a hard transition, I know; Velda and I were on the Zagnut Express CQing all up and down the highways and byways of this great land of ours for two years before she got careless and bought the bug, God love ‘er.
But even if you’re rolling down the highway Zagnut-style, you’re going to get tired of running every time they get a little whiff of your brains. You’ll want to make a stand, but if you do, what will you eat? Even if you’re locked up tight in a grocery store, you’ll either run out of food or finally get so sick of rancid peanut butter and cold beans that you bust out of there and offer your patchy, vitamin D-starved scalp to the first skull-muncher you find. That’s no way to go!
Rest easy, campers. Ol’ Zagnut has the answer. The food distribution chain has been disrupted? Then let the food come to you. Hell, it’s already there. All you have to do is open your eyes.
That’s right. You know what I’m talking about, and don’t pretend you haven’t considered it.
Now, I know that you’re saying to yourself, “Zagnut, you’ve lost your ever-lovin’ mind. You’ve finally succumbed to grief over your beloved Velda.” That’s as may be, but if I am crazy, I don’t want to be sane, because we eat like kings down here in Dixie. Like Kings!
We do so with reverence, of course, toward our fallen brothers and sisters, all children of a just and loving God whose wrath we do not quite understand, but our reverence does not make our Brunswick stew a whit less tasty! And Barbecue? My sweet merciful Father, the barbecue is perfect, especially with my old family recipe. When you do it right, it’s practically falling off the bone. The secret is in the aging, you see.
Now, you’d think the freshest would be best, but there you’d be wrong. This is where Zagnut’s long experience as a connoisseur of fine steaks and prime rib will help you get the feedbag on right!
Don’t go too fresh, if weather permits. Really good prime rib has been hanging for at least six weeks, and over the course of that time, bacterial action has broken up and tenderized the tissue. If you’ve ever noticed how supple they are, wondered if they were as tender as they look, wonder no more, my friends! It’s for real, and this time of year, even the Sunny South is a walk-in meat locker! Look for the thinner ones, no bloat at all, because one very important aspect of proper aging is moisture loss, at least 10% of pre-shambling weight and preferably 15% to 18%. Another thing that’s very important here: a dry, black crust should coat exposed surfaces (cuts and such, stumps of previously hacked-off limbs). A little white, powdery fungal growth on the blackened bits is normal and safe, but if you get some of the more interesting colors of fungal slime, especially accompanied with foul odor, you’ve missed your window, so just tap that cranium and walk away.
That doesn’t mean only the supple are tasty. Those older and stiffer ones will do fine if their hides are whole and if the navel is intact. That means they have never swollen up enough to burst, and you just may have a scrumptious rack of jerky ready for slow smoking and application of pepper oil or tangy teriyaki sauce. Leanness counts here, so look for the ones in jogging suits.
A few words on proper handling of ingredients: Don’t skimp on the gloves! Just a little nick and GRRRRR, you’re in a galley kitchen full of fresh, angry zombie-on-the-hoof. That’s what happened to poor Velda; she was really never much in the kitchen, self-conscious about her cooking since we were kids, and handling ingredients just sort of wore on her over the months, that and the constant pawing and moaning outside the camper every time we stopped for supper.  She took to biting her nails to the bloody quick, and then chewing the skin off her knuckles, so just handling that one last juicy steak in her worn-out Playtex gloves … well, that was a hell of a way to end four decades of marriage, I’ll tell you! Still, she was the best wife I ever had. The very best. Like I said, she will always be part of me.
Anyway, back to basic food safety: the meat thermometer is your best friend. The average hamburger has to reach a temperature of 160 degrees Fahrenheit to be considered safe, but since the agent of this particular plague wasn’t quite nailed down before the medical institutions fell to the ravenous hordes, I’ll go on up to 185 on a thick-cut chop.
Now a word about the “slow plague”:
We used to just boil it to bits, all worried about the virus, but these days, it looks like some of us get a touch of the virus from rarer treatment every now and again and just roll right through it. Right after we quit boiling it off the bone and  started enjoying our meals a bit better, we had some medium-rare steaks, and Jasper Stephens was sitting his post at the tree line for about six hours, not moving a muscle. He wasn’t answering his radio, and one young  ‘un was going to drop him where he sat, but cooler heads prevailed. He came on in when the dinner bell rang, and he seems more-or-less okay. He doesn’t talk as much as he used to, and every once and a while, you’ll catch him eye-balling a cranium with something like love, but he’s got a pulse, and he hasn’t bitten anybody yet. We all get a touch of it now and then, but part of that is the climate anyway, you see.  It’s not the heat, it’s the humidity.
Where do we go from here? Well, the sky’s the limit, as far as I’m concerned. The herd at the perimeter is thinning out a little, but that doesn’t mean we have to take this show back on the road. We have undesirables in our own midst whose continued presence is an affront to God himself, and I figure I can manage to “accidentally” get them infected, and then we’ll be able to not only control their curing and aging but actually pump some herb-and-garlic-infused oils into their veins and let their frenzied, spastic twitching pump it into the meat itself. We could get us a little cottage industry going here, and maybe even get some little ones ready for shipping, when shipping is possible again, trussed up like groaning, angry veal, delivered oven-ready at your door!
We are a forward-thinking bunch down here, always looking to a brighter tomorrow, no matter what your stereotypes say.
Now the “demographics” of the undesirables who would provide the raw materials for this nouvelle-nouvelle cuisine will vary from region to region, but I think you can guess who it is down here! That’s right! Red state or blue, there will be enough weak-minded, middle-of-the-road Democrats to keep this feast running for decades. All you have to do is cut their hair and strip off their black turtleneck sweaters, and they’re good to go!
I know that this isn’t going to be popular in all parts of this great country, but we have to look to the future and decide what really matters here. Down where I come from, we have a long history of living off a certain class of people, and there are ways of keeping them in control that aren’t so obvious. We never forgot the old ways, not really, and now our skills are in need again, so you just give old Zagnut a holler if you’re not sure how to handle some situation with them uppity zombies, y’hear?
With love and respect,
Zagnut
P.S., recipes to follow
——
SENT 2:33 AM Oct. 28, 2017
TO: GROUPMEMBERSLIST < GROUPMEMBERS=ALL/@zombieholocaustsurvivors.net>
Reliable food sources
Hullo, all, and thanks awfully for last week’s transportation tips, many of which will appear in this week’s digest. There are some true lifesavers this week, especially tips about quickly and easily securing vehicles from undead intruders.
Again, PLEASE do not send email to the entire list. Simply hit ‘reply’ to the bloody email, not ‘reply all.’ Our webmaster has become infected, and I have not as yet managed to engage flood control, so I’m afraid everyone received the ‘undead mule train’ reply to the transportation query (and I feel compelled to ask again that you PLEASE not attempt this method of transportation as it requires a living ‘volunteer’ to act as the ‘carrot’). Luckily, I did manage to get the censorbot working, so you no longer will receive material like the ‘undead brothel and sex farm’ proposal from the same party the week previous.
On another note, if anyone in the Florida panhandle or south Alabama regions of the former United States has access to aircraft and incendiary devices, do please contact me privately.
Now, this week’s topic: has anyone been successful in getting reliable food sources going in infested areas? Share your success stories! Remember, we are all in this together.
Most of us…
Thanks much,
Liam
Webmaster pro tem, zombieholocaustsurvivors.net

J.O. Boyles

is the pseudonym of an Albanian ex-patriot who runs “a very private and exclusive consulting firm within reasonable driving distance of Coeur d’Alene, Idaho.” His main interests are history, political science, astrology, numerology, chemistry, RC toys, security systems for home and business, and the Trilateral Commission. If you are willing to assist in the transcription of his journals, contact him via Danse Macabre. Serious only, please.

THREE FOR HALLOWE’EN

 

 
HALLOWE’EN
 
A gentle breeze rustling the dry cornstalks.
A sound is heard, a goblin walks.
A harvest moon suffers a black cat’s cry.
Oh’ do the witches fly!
Bonfire catches a pumpkins gleem.
Rejoice, it’s Halloween!
 
Richard Anderson
 

HALLOWE’EN
 
Pixie, kobold, elf, and sprite
All are on their rounds to-night,-
 In the wan moon’s silver ray
 Thrives their helter-skelter play.

Fond of cellar, barn,or stack,
True unto the almanac,
They present to credulous eyes
Strange hobgoblin mysteries.

Cabbage-stomps-straws wet with dew-
Apple-skins, and chestnuts too,
 And a mirror for some lass,
Show what wonders come to pass.

Doors they move, and gates they hide,
Mischiefs that on moon-beams ride
Are their deeds, and, by their spells,
 Love records its oracles.

Don’t we all, of long ago,
By the ruddy fireplace glow,
In the kitchen and the hall,
Those queer, coofllke pranks recall?

Eery shadows were they then-
But to-night they come again;
Were we once more but sixteen,
Precious would be Halloween.

Joel Benton

 

HALLOWE’EN
 
The ghosts of all things past parade,
Emerging from the mist and shade
That hid them from our gaze,
And, full of song and ringing mirth,
In one glad moment of rebirth,
And again they walk the ways of earth
As in the ancient days.

The beacon light shines on the hill,
The will-o’-wisps the forests fill
With flashes filched from noon;
 And witches on their broomsticks spry
Speed here and yonder in the sky,
And lift their strident voices high
 Unto the Hunter’s Moon.

The air resounds with tuneful notes
From myriads of straining throats,
All hailing Folly Queen;
So join the swelling choral throng,
Forget your sorrow and your wrong,
In one glad hour of joyous song
To honor Hallowe’en!

John Kendrick Bangs

Duc du Anonyme THE GHOST OF GOSHEN

 
 
Through Goshen Hollow, where hemlocks grow,
Where rushing rills, with flash and flow,
Are over the rough rocks falling;
 Where fox, where bear, and catamount hide,
In holes and dens In the mountain side,
A Circuit-preacher once used to ride,
And his name was Rufus Rawling.

He was set in his ways and what was strange,
If you argued with him he would not change,
One could get nothing through him.
Solemn and slow In style was he,
 Slender and slim as a tamarack tree,
And always ready to disagree
With every one that knew him.

 
One night he saddled his sorrel mare,
And started over to Ripton, where
 He had promised to do some preaching.
 Away he cantered over the hill,
Past the schoolhouse at Capen’s mill;
The moon was down and the place was still,
 Save the sound of a night-hawk screeching.

At last he came to a deep ravine,
He felt a kind of queer, and mean
Sensation stealing o’er him.
 Old Sorrel began to travel slow,
Then gave a snort and refused to go;
 The parson chucked, and he holloa’d "whoa,"
And wondered what was before him.

Then suddenly he seemed to hear
A gurgling groan so very near,
It scattered his senses nearly.
"Go ‘ome, go’ome," It loudly cried,
"Go ‘ome," re-echoed the mountain side,
 "Go ‘ome," away In the distance died-
 He wished he was home sincerely.

And then before his startled sight,
A light flashed out upon the night
 That seemed to "beat all creation."
 Then through the bushes a figure stole,
 With eyes of fire and lips of coal,
That froze his blood and shook his soul
With horror and consternation.

He lost his sermon, he dropped his book,
 His hair stood up, and his saddle shook
Like a sawmill under motion
.No cry he uttered, no word he said,
 But, suddenly turning Sorrel’s head,
Away and out of the woods he fled
As fast as he could for Goshen.

The ghost he saw and the rattling bones
Were a pumpkin, a gourd, and some gravel stones,
That gave him all that glory;
But ne’er again up that mountain side,
In the light would Rufus Rawling ride,
And many a time I’ve laughed till I cried
To hear him tell the story.

-Anonymous

Walter De la Mare THREE, from WITCHES & WITCHCRAFT

 
THE HARE
 
  
 
In the black furrow of a field
I saw an old witch-hare this night;
And she cocked a lissome ear,
And she eyed the moon so bright,
And she nibbled of the green;
And I whispered "Wh-s-st! witch-hare,"
Away like a ghostie o’er the field
She fled, and left the moonlight there.
 


 
I SAW THREE WITCHES
 
  
 
I saw three witches
That bowed down like barley,
[80] And straddled their brooms ‘neath a louring sky,
And, mounting a storm-cloud,
Aloft on its margin,
Stood black in the silver as up they did fly.
 
I saw three witches
That mocked the poor sparrows
They carried in cages of wicker along,
Till a hawk from his eyrie
Swooped down like an arrow,
Smote on the cages, and ended their song.
 
I saw three witches
That sailed in a shallop,
All turning their heads with a snickering smile,
Till a bank of green osiers
Concealed their grim faces,
Though I heard them lamenting for many a mile.
 
I saw three witches
Asleep in a valley,
Their heads in a row, like stones in a flood,
Till the moon, creeping upward,
Looked white through the valley,
And turned them to bushes in bright scarlet bud.
 

 
BEWITCHED
 
  
 
I have heard a lady this night,
Lissom and jimp and slim,
Calling me—calling me over the heather,
‘Neath the beech boughs dusk and dim.
 
I have followed a lady this night,
Followed her far and lone,
Fox and adder and weasel know
The ways that we have gone.
 
I sit at my supper ‘mid honest faces,
And crumble my crust and say
Nought in the long-drawn drawl of the voices
Talking the hours away.
 
I’ll go to my chamber under the gable,
And the moon will lift her light
In at my lattice from over the moorland
Hollow and still and bright.
 
And I know she will shine on a lady of witchcraft,
Gladness and grief to see,
Who has taken my heart with her nimble fingers,
Calls in my dreams to me:
 
Who has led me a dance by dell and dingle
My human soul to win,
Made me a changeling to my own, own mother,
A stranger to my kin.
 

  
the above shorts appear in
Witches & Witchcraft
from
DOWN-ADOWN-DERRY
A Book of Fairy Poems by
WALTER DE LA MARE
with Illustrations by
Dorothy P. Lathrop
(Holt, 1922)

Publicité – DM XLI WELTKRIEG

 
Publicité
for immediate release
from Nevada’s first online literary magazine
 
 
Ah, la folie de guerre…
 

FIRST CONTEMPTIBLE: "D’you remember halting here on the retreat, George?"
SECOND DITTO: "Can’t call it to mind, somehow.
Was it that little village in the wood there down by the river, or was it that place with the cathedral and all them factories?

 
DM XLI
Weltkrieg
  
  poetry    fiction    feuilleton  
 
from
 
Davod Appelbaum – F.J. Bergmann – Timothy Black
Justin Burnside – Helen Calcutt – Lord Dunsany
Zoelle Egner - Michelle Gaddes – Howie Good
Robert Graves – KJ Hannah Greenberg – Nels Hanson
J. Scott Hardin – Larry Heinemann - Kyle Hemmings
Ed Higgins – Rudyard Kipling – Fritz Kreisler
Claudia Lamar – Andreas Latzko – Stephan Likosky
Kaye Linden – Mark Mellon – Monica Mody
Gaurav Monga – Joseph Morgado – Wilfred Owen
Michelle Passalacqua – DLW Pesavento – Phill Provence
Mr. Punch – Louis Raemaekers – Nicholas Rasche
AE Reiff – Erich Maria Remarque
Rittmeister Manfred Freiherrn von Richthofen
Jacob Russell – Siegfried Sassoon – Joel Sattler
Henry David Thoreau – Mark Twain- James Vance
Mercedes Webb-Pullman – Peter Weltner
Tanya Lyn Willard – Stefan Zweig
 
 
 
Literature is nothing less than a temporary repeal
of the principles of unimaginativeness.
 
Deploy our coloratura buffet accordingly.
Weltkrieg 
Opening Mon 1 Nov
@
 
 
 Danse Macabre
An Online Literary Magazinetm
 
 
Le premier magasin littéraire en ligne au Nevada,
new issues monthly on first Friday
(or the occasional Monday)
 
Follow us on le Twit @ http://twitter.com/ledansemacabre
 
Copyright © MMVI-MMX by Adam Henry Carrière / Stonethrow Publishing LLC
All Rights Reserved. 
ISSN 2152-4580

Joseph Ahn REFLECTIONS

Where once there was a man, there remained nothing but a shadow.  The curtains rippled and billowed and I could see nothing but my mind’s impressions in the wind, an imagined body and face appearing amidst the gloom.

At first, I could not imagine why he had come, nor why he had done nothing yet but watch. I was not even sure who he was, though certainly I had ideas, each more fanciful than the last. Indeed, all that of which I could be sure was only that he had been there, had taken his place in the curtains and watched me as I slept.

Was I going mad? I wondered, for here in this place of chosen isolation, no one could possibly arrive without my knowing. Yet my thoughts were lucid, and I still savored the solitude that this place had given me, with the light of the sickle moon glinting off furrows of sand and the marble colonnades stretching far into the distance. But I reflected, I was compelled to reflect, upon everything that had transpired until now, and the reasons that had driven me here.

When I had first taken refuge in this desert land, thoughts had churned in my mind like sand in an hourglass, slowly spinning and ever falling. Gradually, even without the help of my powers, my design came to work after a fashion, and over the ensuing months my past slowly dimmed.  But, just as I had begun to feel free from the impenetrable walls of introspection, this man had appeared.

When had he first come? I do not know. But I remember that one night, I felt that uncanny sense that I was being watched, an eerie awareness that crept even into my dreams. I awoke to the zephyr carrying through the window and breathing upon my cheeks, and for a moment I met his eyes—oh those eyes!—shining out of the darkness that took all light but his own. Then, with only the faintest stirring of the air, he vanished.

Of course I searched, and searched long I did, over and around the vast estate, turning again and again, retracing every step a hundred times. He had truly disappeared but for the impression he left upon my mind, the creeping black of those insidious eyes. Gradually thoughts of the man consumed me. What else could distract me from that black? I watched the moon rise and set, the sands shift in inconstant patterns, and as ever I wondered where the man had gone.

It was only after some time that I came to fear a certain truth. It was terrible to imagine, and my hands trembled, my very heart palpitated at the thought that he might know. It was clear to me that he must suspect, for what else did this barren land hold except my secrets? But no, as yet I dared not give up hope. With the desperation of a man condemned, I clung to the thought, mad though it may seen to you, that the man was an unconnected party, that he did not know anything. Indeed, it seemed I had little recourse, and so it was with this distracted notion that I let myself drift once more into uneasy dreams.

In the depths of that night, I suddenly awoke, petrified with dread; for there once again was the man, with his light blazing from the blackness. But this time, my madness almost broke me, for when I dared to look upon him, I saw a terrible smile twisting his features. I let out an awful shriek, I could not help it, for all was lost! He must know, oh he knew!

When the night had passed, I paced endlessly around the sands. I longed to claw my own face, but I resisted the temptation, for I am a sane man. I calmed myself and considered: the man had followed me here, meaning he required something. Hope suddenly sprang from my chest as I realized. He needed proof! He only suspected my guilt, he could not know for certain. But if he were somehow able to coerce me, he would use my abilities and reach into my past, and then his own black eyes would be able to see my deeds as if they were his very own.

Long I thought, and slowly I formulated my plan as the moon above stayed her eternal course. I came to understand, with brittle clarity, what it was that I must do.

Now listen carefully to the subtleties of my design. Consider a moment two metal spheres lying next to one another, and suppose further than they touch. Clearly, you see that these spheres affect one another; at the very least, each reflects the other on the surface. But would you say that the one may cause the other? Surely that is absurd! The very concept is ludicrous, alien. But then, it is only a small step to say the same applies to the very idea of time, and to say that causality is meaningless! In the vast room of time, all of my deeds and escapes are only so many little pebbles lying discarded on the floor. My crime, my shame, all could be hidden in the filthy accumulations that comprised my life, if I could use my powers to unravel the progress of moments. Then the man with the insidious eyes would never be able to find the proof that he so obviously sought, and despite the terrible cost I would finally be able to extinguish my guilt forever.

And so I lay in wait, feverishly anticipant. My cheeks were flushed, my breath harried. What hunted me was now my prey, and I longed for nothing more than to see the despair in his eyes, the fear as time and truth were ripped away like dust in the wind. I could not stay still for a moment, so excited was I, but gradually I felt a certain numbness and let myself drift to sleep. I was sure he would come this time, and I slept with the easy confidence of a child.

When I felt the telltale stirring of wind, I opened my eyes to see once more that shining blackness. I leapt from my bed and faced him; again there was the awful grin painted across his dark features, but tonight I faced him with my own. Did I detect a flickering of fear in his eyes? The slightest trace of doubt? I was too enamored of my own design, I did not look carefully upon him; I do not know. I spread the fingers of my left hand and cried an incantation. “Hark!” I screamed at him. “I have defeated you, you will never find what you seek! You have tormented me, but now I defy you!”

The entire world trembled and moaned with the rattle of a dying man. For a moment, I was supreme! As time collapsed about me with the crushing weight of the deepest earth, I looked upon the man a final time in my blinded triumph, and observed that he was still smiling.

In one terrible second, I realized the enormity of my error. Chills rent my spine, for the weight I felt was not time, it was my life, slowly squeezed into one. I saw the entire span of my being: every crime, magnified infinitely, every moment and reflection compressed into a never-ending moment of agony. As I descended into the swirling winds of time and insanity, I heard the man laugh, the first time I heard his voice, a mocking ringing that vibrated among the colonnades and echoed infinitely over the sands, into the descent of the black night.

 
 
 
Joseph Ahn
is currently a doctoral student studying business in Boston. However, he seems to be spending most of my time writing instead. DM welcomes him to the inky depths of the published. 

James W. Foley ONCE UPON A TIME

 
 
ONCE upon a time rare flowers grew
 On every shrub and bush we used to see;
The skies above our heads were always blue,
The woods held secrets deep for you and me;
 The hillsides had their caves where tales were told
 Of swart-cheeked pirates from a far-off clime,
When cutlases were fierce and rovers bold –
Don’t you remember? – Once upon a time.

Once upon a time from sun to sun
The hours were full of joy – there was no care,
And webs of gaudy dreams in air were spun
 Of deeds heroic and of fortunes fair;
The jangling schoolhouse bell was all the woe
Our spirits knew, and in its tuneless chime.
Was all the sorrow of the long ago-
 Don’t you remember? – Once upon a time.

Once upon a time the witches rode
 In sinister and ominous parade
Upon their sticks at night, and queer lights glowed
With eerie noises by the goblins made;
And many things mysterious there were .
For boyish cheeks to pale at through the grime
 That held them brown; and shadows queer would stir-
Don’t you remember? – Once upon a time.

Once upon a time our faith was vast
 To compass all the things on sea and land
That boys have trembled o’er for ages past,
Nor ever could explain or understand,
And in that faith found happiness too deep
 For all the gifted tongues of prose or rime,
And joys ineffable we could not keep -
 Don’t you remember? – Once upon a time.

 
(1905) from Boys and Girls